“Lake, Rocks, and Clouds” — Evening clouds reflected in the surface of an alpine lake with a cluster of rocks
I recently revisited this older photograph, one that I had shared in a color rendition in the past, and this time I felt like I wanted to see it in monochrome. This is a sort of scene familiar to anyone who has spent much time in the high country of the Sierra Nevada, that region where lakes, large sub-alpine meadows, sparse trees, and surrounding peaks come together to produce a landscape like no other.
I often visit this lake, typically several times each season. I go there for several reasons, ranging from practical to aesthetic. The lake is not too far from roadways, and sometimes I have just enough time on a late afternoon to park my car, load up my pack, and do the short, steep hike up and over a nearby ridge to get to this alpine world. In fact, Once there I wander this familiar landscape, often revisiting lakes, rocks, streams, and trees that I have visited many times before. As the evening wears on, I know that I should head back to my car before dark, but I am never able to leave quite soon enough, and I end up lingering through sunset and into early dusk, often ending up on the that ridge between me and the road as darkness comes on, and arriving at my car after dark.
“Fractured Granite, Reflection” — The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake
Today I am reprising a photograph that I shared previously since it is part of the Yosemite Renaissance XXIX exhibit opening this weekend in the Yosemite Museum Gallery in The Valley.
An exhibition of contemporary art of Yosemite and the Sierra Saturday, March 1 to Sunday, May 11, 2014 Yosemite Museum Gallery, Yosemite National Park
The first event of the show is tonight…
The public is invited to the Awards Reception, Friday, February 28 from 5:30 to 7:30 PM
Perhaps I’ll see you there!
Now, to the text of the original post, plus a more recent addition…
The base of a rugged granite wall reflected in the still surface of a sub-alpine Sierra Nevada lake
A few days ago I returned from a 9-day trip into the back-country of Kings Canyon National Park. I was one of a group of four photographers who traveled to a remote location at about 11,000′, where we remained for more than five days, photographing the surrounding terrain morning and evening. We followed the common routine of such work – up before dawn and off to investigate and photograph some valley or lake, back by mid or late morning for breakfast, generally hanging out and doing camp chores during the midday period when the light is often less exciting, then back out in the late afternoon for a few more hours of exploration and photography before returning to camp for a post-sunset dinner. Unlike a typical backpack trip, where one rarely stays in the same place for long, we remained in the same camp for six nights, allowing us to really get to know the surrounding area very well.
With so much time, we were frequently able to return to places that we had already visited – perhaps coming back in the evening after a morning visit, returning to try again to catch a subject that didn’t have the right light the first time, or shooting the subject in various conditions ranging from clear skies to rain. This bit of interesting rock was next to a lake that I walked to on a number of occasions, and on this morning I arrived when the lake was still in shadow but illuminated by light reflected from nearby rock faces. Because it was so early the air was very still, allowing me to photograph this very sharp reflection of the fractured granite cliff where it entered the water. A bit of vegetation just above the waterline has taken on early fall colors.
Addendum: It occurred to me last week that there is a (perhaps tenuous?) connection between this photograph – with its theme of a vertical rock face above placid water – and this one by Ansel Adams that I had an early connection to: http://www.christies.com/lotfinder/photographs/ansel-adams-lake-precipice-frozen-lake-and-5056399-details.aspx – I have a personal connection to the place, which I wrote about here: https://gdanmitchell.com/2010/01/14/a-photograph-exposed-submerged-boulders-precipice-lake
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Late afternoon light on small alpine trees growing in glaciated terrain, Kings Canyon National Park
This is a photograph from the latter portion of our nine-day photographic trip into the eastern High Sierra of Kings Canyon National Park last September. By the time I made this photograph I had been on the trail about a week, and we were nearing the end of our lengthy stay at our 11,000′ campground in the backcountry of Kings Canyon National Park. All such trips transition through a series of phases, and at this point I was in a phase of feeling more and more comfortable and familiar with these surroundings that we had explored so carefully – but I was also beginning to recognize that the end of this trip was not too far off.
Late on this afternoon I did one of my by-now-customary walks up the small, lake-filled valley ascending to the south from our camp. Because of very high ridges to our west, the sun was blocked from the valley terrain somewhat early in the day – late afternoon rather than evening. I reached the upper valley while there was still sun, but almost immediately the sun/shadow border began to move down into the valley and across the trees, rocks, and lake. I made a point of following this boundary, where the light can be at its most interesting at this time of day. Consequently I was moving almost constantly, generally moving west and north across and down the valley. In many cases I had only a brief moment to photograph whatever was being struck by the light at the edge of the moving shadow, so I was working each opportunity rather quickly. When I made this photograph the light had left the background talus fields and was still just striking this row of trees on top of a granite bench next to a small lake.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
An old snag stands atop a rocky outcropping and in front of a huge talus field, Kings Canyon National Park
During our mid-September 9-day expedition into the Sierra Nevada high country of Kings Canyon National Park we spent the better part of a week camped in this 11,000′ basin full of lakes and trees and rocks. We camped near the outlet stream of a lake located in a narrow section of the valley, with many more lakes beyond our location and a string of them ascending the valley to our south. Each day, from early morning until after dark, was largely spent exploring this landscape and making photographs.
The valley of lakes to our south, of which our lake was the lowest, was plainly visible to us from our camp site, which was situated on a rise above this lowest lake. From here we could look up the canyon across “our lake” and see a string of several other lakes along this creek. A few were easy to see while others further up the valley revealed themselves primarily by surrounding rock and by breaks in the vegetation. Every day, no matter what else we were doing and where else we photographed, we did at least some work around these closest lakes, and I developed a sort of “daily rounds” taking me up one side of the valley to the upper lake and then back down the other, with occasional detours across the middle of the valley. Is I recall, I was making one of those detours when I photographed this tree, located on top of a small rocky knoll in the middle of the upper valley and backed by the tremendous talus field descending from the surrounding ridges high above.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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