Tag Archives: landscape

Desert Canyon, Cloud Shadows

Desert Canyon, Cloud Shadows
“Desert Canyon, Cloud Shadows” A twisting and colorful desert canyon empties in Death Valley under the shadows of passing clouds.

Light is everything when it comes to photographing the desert landscapes of Death Valley. The terrain is always impressive, but the midday light can be intense and harsh, washing out colors and muting details. But in the right light a feature that might look, well, “washed out” in that intense light can become beautiful. Add a few passing clouds to increase contrasts between light and shadow and things get even more interesting.

I don’t know the name of this little canyon or even if it has one. But I do know that there are canyons like it everywhere in this national park. Many are worth exploring, whether or not there is a trail. In many cases you can just walk carefully up the gravel fan to a canyon’s mouth and then follow a wash up among the quiet hills until you run out of time or the terrain becomes too difficult.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Flooded Playa, Mountain Shadow

Flooded Playa, Mountain Shadow
“Flooded Playa, Mountain Shadow” — The shadow of a mountain retreats across a flooded playa in morning light, Death Valley.

It is hard to make sense of the landforms of Death Valley when you are within the valley. It is so vast and so flat that your view is often a combination of what is right at your feet and what is many miles away. A more comprehensive view comes from ascending to a high point in the mountains on either side of the valley. From these elevated perspectives you can see things that are otherwise invisible.

This year these perspectives revealed something very unusual. A large section of the playa near Badwater, where the lowest point is located, is submerged under the shallow waters of Lake Manly. This photograph incorporates several elements of this year’s view — that shadow of the mountains on which I was standing, the salt flats shining white in morning light, the turquoise waters of the shallow lake, and a maze of channels along its periphery.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sunrise, Lake Manley and Panamint Mountains

Sunrise, Lake Manley and Panamint Mountains
“Sunrise, Lake Manly and Panamint Mountains” — Sunrise on the Panamint Mountains reflected in the ephemeral waters of Lake Manly

This is a photograph that is normally not possible in Death Valley — The image of a snow-capped mountain range reflected in the extensive waters of a gigantic lake. These are the Panamint Mountains, rising to over 11,000 feet on the far side of Death Valley. This winter the playa was covered by the shallow waters of ephemeral Lake Manly.

It was hard to resist the symmetry of this scene with the reflection in the still water was a near duplicate of the distant scene. I made the photograph after the morning sun had arrived on the higher peaks, but before it had worked its way down to the valley floor, thus the dark band across the middle of the image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Clouds, Desert Mountains

Morning Clouds, Desert Mountains
“Morning Clouds, Desert Mountains” — Layers of colorful dawn clouds above Searles Valley and distant peaks of Death Valley National Park.

The distant peaks seen here are within the boundaries of Death Valley National Park, but I was a good distance outside the park when I made the photograph. I had gone to the Trona Pinnacles, outside the extractive mining town of Trona to photograph. But the visual action wasn’t that at the pinnacles that morning — it was far to the north above these snow-capped desert mountains, where lenticular clouds caught the dawn light and momentarily glowed with intense color.

The town of Trona is like many desert towns in Southern California and the Southwest. It is far from being a ghost town, but it has the air of a place whose best days are distinctly behind it. The economy is built around extractive industries, in particular mining the mineral deposits of the Searles Valley playa. People still live and work here, but a drive past the town reveals abandoned homes and businesses, left to decay in the desert sun and wind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.