Tag Archives: landscape

Desert Gold and Mountains

Desert Gold and Montains
“Desert Gold and Mountains” — Rugged desert mountains tower above gravel fans filled with blooming desert gold flowers, Death Valley.

I have been sharing a lot of photographs from this year’s spectacular wildflower bloom in Death Valley National Park — and I’m not quite done yet! In dry years one may have to go off searching (sometimes in vain) for landscape-carpeting flowers like these. But this year, after a previous season of good rainfall the flowers were easy to find.

How easy? I made this photograph just a few minutes from the busy Furnace Creek area. Here the desert gold flowers spilled across a broad wash, past small hills, and on into the more distant wide valley. Beyond are the dark hills at the north end of the Black Mountains.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Desert Plants and Dried Mud

Desert Plants and Dried Mud
“Desert Plants and Dried Mud” — Small desert plants sprout on dry and cracked mud.

When spring (or late winter, actually) arrives in Death Valley National Park after a wet season, a striking show of wildflower can appear. It seems incongruous in this arid landscape, and it can be spectacular. Uncountable colorful wildflowers cover normally-dry gravel slopes. A closer look reveals even more plants underfoot, where tiny sprouts suddenly appear in many areas in the park.

This photograph focuses on that subject, and a close look reveals more and more little things in the frame — various sorts of new plants, bits of old vegetation, and more. And all of this appears against one of the subjects most irresistible to photographers, dry cracked desert mud.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Badwater Basin to Telescope Peak

Badwater Basin to Telescope Peak
“Badwater Basin to Telescope Peak” — Telescope Peak and the Panamint Range, seen from the shoreline of Lake Manly in Badwater Basin.

There are a few unusual things in this Death Valley photograph featuring Telescope Peak. Superficially, snow at Death Valley might seem unusual, but while it is at lower elevations that usual, these peaks are often snow-capped in winter. More unusual is the band of water at the bottom of the frame — that’s Lake Manly, which may temporarily form in Badwater Basin during wet years. The photograph includes the lowest elevation in the park (Badwater Basin) and its highest (Telescope Peak.)

What lies between those extremes is remarkable, too. That is a rise of over 11, 300′ from below-sea-level Badwater Basin to the summit of the peak. Between those two is some extremely rugged terrain that ranges from low desert to the alpine zone, with everything in between.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fields of Desert Gold

Fields of Desert Gold
“Fields of Desert Gold” — Fields of desert gold flowers and desert mountains, Death Valley.

Forgive me for sharing yet another photograph featuring fields of desert gold flowers, but they appeared in impressive numbers in Death Valley in late February. This is usually a dry and generally beige landscape (with some exceptions) but these flowers turned gravel fans and some hills yellow all over the valley.

The foreground flowers are obvious, but if you look carefully you’ll see more fields of the flowers further up the gentle slope leading to the base of the Black Mountains. The more distant color — yellow mixed with green — may seem subtle, but to those of us used to more typical Death Valley conditions it is striking.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.