Tag Archives: license

Morning Fog, Tomales Bay

Morning Fog, Tomales Bay
Morning Fog, Tomales Bay

Morning Fog, Tomales Bay. Inverness, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning light on fog shrouded green hills along the shores of Tomales Bay, California

I made this photograph just after dawn on a beautiful February morning along the shore of Tomales Bay near Inverness, California, while on my way to the Point Reyes National Seashore. That I was here in this spot was the result of slightly poor planning. I had awakened three hours before dawn so that I could drive up here and, or so I hoped, be out at Point Reyes near the lighthouse at dawn and photograph the outer edges of Drakes Bay in the very early morning light. I miscalculated the driving time and didn’t get out the door quite as quickly as I planned, and by the time I was approaching Tomales Bay I knew that the sun was going to be up well before I got to my original goal.

As I drove through the redwood forest approaching the coast it was very foggy, a bit to my surprise since the forecast had not mentioned this. At first I thought that the fog might extend the early morning shooting a bit, but as I arrived near Olema and then headed out on the road along Tomales Bay, it was clear (literally!) that the fog was lifting and that if I was going to shoot the early light it had to be right then and there. I pulled over at a spot where some interesting buildings stand in the shallow waters along the shoreline, unloaded my gear and walked a bit to make some shots here. I was surprised by the cold. Here by the water, where the nighttime temperature are typically moderated quite a bit, it was about 30 degrees! The first light was beginning to angle across the low, green hills on the other side of the bay as the wispy fog began to disperse, so I made a simple photograph of the water of the bay, with water plants in the foreground, the color gradient fading from dark blue to near white, and the hills beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspens, Boulder Mountain, Evening

Aspens, Boulder Mountain, Evening
Aspens, Boulder Mountain, Evening

Aspens, Boulder Mountain, Evening. Dixie National Forest, Utah. October 6, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Autumn aspens in front of rugged landscape of the Grand Staircase-Escalante National Monument, Utah

This was an especially beautiful evening on the shoulder of the Boulder Mountain area of Utah. Six months earlier, on our first visit to this state, we had passed over Boulder Mountain early in April, before the spring leaves had appeared on the tremendous aspen groves found here. I imagined that this must be quite a sight in the fall when all of those aspens would inevitably change to yellow and gold and red and orange. With this in mind we planned our fall visit to cross this area again in early October, figuring that this would be about the right time for fall color.

It turns out that we probably missed the absolute peak of color – partly because the change happens on a slightly different schedule in these Utah mountains than in “my” Sierra Nevada, and because the transition seemed to occur a bit early this year, perhaps due to dry conditions earlier in the year. When we arrived we found that at the highest elevations the trees were already devoid of leaves. However, as we passed around the shoulder of the range to turn toward Torrey, we came upon some extensive and beautiful stands of colorful trees just before sunset and stopped to make photographs. This photograph looks across nearby aspens in the shadow of high clouds and beyond to the sandstone terrain in the area between Capitol Reef National Park and the small town of Boulder, an area that we finally got to investigate a few days later after crossing over the high country of Capitol Reef. At the time I made this photograph there was a nice soft haze – my kind of conditions! – and high clouds to the west were creating a lightscape alternating shadows and sun that played across the terrain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

High Country Desert Canyon

High Country Desert Canyon
High Country Desert Canyon

High Country Desert Canyon. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A back-country gravel road twists through the upper reaches of a colorful mountain canyon, Death Valley National Park

The gravel back-country road might be hard to spot in this photograph, but if you look closely near the lower right you may see it twisting around a bend before crossing the canyon behind the rocky prominence at the bottom of the frame. The road begins in desert sagebrush country, then rises to cross the Amargosa Range before descending, sometimes precipitously, down toward the main Death Valley.

Some things about photographing this subject are easy and obvious, but others are a bit challenging and require some attention and then some resistance to trying to turn the scene into something it isn’t. What is easy about this subject? I am endlessly fascinated by winding canyons with overlapping ridges that descend toward the bottom of the canyon, creating a back and forth weave of form. Here the canyon winds from right (at the top) to left to right to left to right to left and, finally, back to the left. And the colors and textures are remarkable, ranging from the very dark rocks at the bottom, through the much lighter slopes right above to the rather reddish rock in the far, upper portion of the canyon. What is hard about it? In many ways, it is easy to pass right through such an area and overlook what it offers, since there really is not single, central, and iconic “thing” to focus the attention. Instead, I almost have to remind myself to slow down, to stop, and to just look… and finally the way to photograph such subjects begins to reveal itself. In addition, because the color palette of this land is so subtle, including mostly pastel shades that subtly contrast with one another, it is important, I think, to resist the ever-present temptation to hype it up into something it isn’t.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstorm, Dunes, Desert Mountains

Sandstorm, Dunes, Desert Mountains
Sandstorm, Dunes, Desert Mountains

Sandstorm, Dunes, Desert Mountains. Death Valley National Park, California. April 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early evening light on sand dunes with clouds of wind-driven dust above and desert mountains beyond, Death Valley National Park

As it got closer to sunset on this sandstorm evening in Death Valley, I stopped at a low, black hill that I like to ascend so that I can shoot in a 360 degree panorama from its summit. The hill itself is interesting, it that it is made up of material that is much different from that of the surrounding desert, a sort of very dark layered rock. The hill itself is almost completely bare of vegetation, but the flats around it support a healthy crop of arrow weed plants, which can glow with a golden color in the right light.

While my original plan was to photograph the further dunes, from here I saw the conjunction of the golden arrow weed plants, the dark curve of the barren black hill, the bright light and shadows on the taller dunes, the clouds of blowing sand beyond the dunes, and in the far distance the lower peaks and ridges of the Cottonwood Mountains. This is an example of an opportunistic photograph, in that I did not plan on this scene beforehand and because the light died within a minute or two of the time I arrived.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.