Tag Archives: light

Coastline, Dusk

Coastline, Dusk
Coastline, Dusk

Coastline, Dusk. Big Sur, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dusk light falls across the rugged Big Sur coastline, California

This was a very special bit of end-of-day light. Earlier we had spent about nine hours driving south between Monterey and Piedras Blancas on the Big Sur coast, stopping frequently along the way to make photographs of the beautiful winter light. At the southern end of our drive we spent time photographing the elephant seals at their “nursery” alongside the road – a popular place for observing this amazing creatures, especially at this time of year when the females are giving birth and the beach is crowded with all sorts of elephant seals: bulls, females, new babies.

Finishing here, it was time to turn the car north again and head back the way we had come. We started up the Pacific Coast Highway and very soon began the first climb into the coastal hills. We kept an eye out for potential gold hour photographic subjects. There are, of course, no shortage of them along this spectacular coastline, so we figured that we would find something no matter where we were during the last hour of light even though we had no specific plan yet. Eventually we came to a place where we had stopped earlier on the southward drive and we pulled off. Earlier, closer to the middle of the day, the light had been very bright here, illuminating coastal haze and reflecting off the ocean surface in a way that reminds me of molten metal. But now the light was lower and coming in at a more direct angle, and the atmosphere softened and the colors warmed in the late-day light. At first the light was more intense and I made a few photographs with the scene brilliantly colored. At one point I looked away to photograph something else, and when I looked back the sun had dropped behind a semi-transparent band of clouds near the horizon, significantly muting the brightness and color of the light on the base of the hills, but still leaving a few intense spots higher up.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dunes, Evening

Dunes, Evening
Dunes, Evening

Dunes, Evening. Death Valley National Park, California. December 11, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Receding layers of sand dunes in evening light, Death Valley National Park

After a very long day spent driving a lengthy backcountry gravel road through mountainous terrain, I headed back to my camp at Furnace Creek to take care of camp business and grab something to eat. As I usually do in Death Valley, I scheduled my day around a morning subject and an evening subject. Since the morning work had lasted so long, I was thinking of something closer for the evening and, besides, by the time I was ready to shoot it was probably too late to travel very far in the remaining light before the early sunset of this December day. So I decided to travel up the valley a bit to well-known dunes, where I can almost always find something interesting to photograph if I just go looking.

I stopped some distance from the “usual location,” loaded up some basic equipment, and wandered out into a likely looking section of the terrain that would probably not seem all that special to those seeing the area for the first time. (That’s easy to understand, when the impressive and large sand dunes tower above everything else not far from here!) But I know there is a wealth of interesting things to be found even in what appears to be the plainest of the dunes – conjunctions of light and shadow, textures of sand, tracks of small creatures, plants poking through the sand, and more. When I arrived the low sunlight was just about to leave this area, so I worked quickly, trying to take advantage of fleeting moments of shadow and light. As I came to the top of a low dune I saw this complex terrain of dunes and shadows stretching in front of me.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Sun on Rocky Peninsula

Morning Sun on Rocky Peninsula
Morning Sun on Rocky Peninsula

Morning Sun on Rocky Peninsula. Kings Canyon National Park, California. September 15, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning sun strikes a rocky peninsula in a subalpine Sierra Nevada lake, Kings Canyon National Park

This is another photograph from last September’s nine-day photography sojourn into the high Sierra backcountry of Kings Canyon National Park with three photographer friends. We traveled to a remote 11,000′ basin, where we set up camp and photographed for nearly a week, coming to intimately know the surrounding landscape of lakes, streams, granite, trees, and the changing conditions of atmosphere and light which varied with the weather and the time of day. By spending time in such a place you have the opportunity to look beyond the first impressions of towering granite peaks and immense vistas and to begin to seem more of the smaller details that form the fabric this high country world.

On one of my morning walks in the surrounding terrain I visited a nearby basin full of lakes ranging in size from tiny pools and tarns to quite large lakes filling the basins scooped out by ancient glaciers. This basin is almost surrounded by nearby tall peaks and ridges, though it is open to the north-east as well. Due to these high walls, the sun does not penetrate down to its lowest levels at sunrise, but instead shows up over an extended period as the sun tops nearby ridges and the sun-shadow line traverses the valley. This portion of the lake in the photograph lies against more or less the south side of the valley, where a large and rocky slope ascends toward a ridge that shades the area much later in the morning. At the moment I made this photograph, the sun had reached the thin peninsula of rock in the foreground but the more distant rocks are illuminated by light reflected from other faces nearby.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Illuminated Wall Panel

Woven wall panel photograph
“Illuminated Wall Panel” — The patterns of an illuminated and woven wall in a New York City Chinese restaurant

We had arrived in New York earlier this afternoon, taking the subway in to Manhattan from Kennedy to get to our hotel on Canal Street. The plan was to get settled there — where we would stay for the next week — and then meet up with family and friends and walk to the Chinatown district for dinner. Christmas Eve, New York City, meeting friends and family, Chinese food – what could be better?

We found the restaurant and some of our party were already there. In a city like New York I almost always carry a camera and, yes, I took one to dinner with me. Most of the photographs are of people in our group – and I won’t likely post those here. But as we sat down, across the table was a very interesting wall — wide panels of some material that looked like very thin wood were woven together and lit from behind. I thought that the pattern might make an interesting photograph, so I made a single exposure… and went back to paying attention to the party!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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