Tag Archives: light

Morning Sun on Rocky Peninsula

Morning Sun on Rocky Peninsula
Morning Sun on Rocky Peninsula

Morning Sun on Rocky Peninsula. Kings Canyon National Park, California. September 15, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning sun strikes a rocky peninsula in a subalpine Sierra Nevada lake, Kings Canyon National Park

This is another photograph from last September’s nine-day photography sojourn into the high Sierra backcountry of Kings Canyon National Park with three photographer friends. We traveled to a remote 11,000′ basin, where we set up camp and photographed for nearly a week, coming to intimately know the surrounding landscape of lakes, streams, granite, trees, and the changing conditions of atmosphere and light which varied with the weather and the time of day. By spending time in such a place you have the opportunity to look beyond the first impressions of towering granite peaks and immense vistas and to begin to seem more of the smaller details that form the fabric this high country world.

On one of my morning walks in the surrounding terrain I visited a nearby basin full of lakes ranging in size from tiny pools and tarns to quite large lakes filling the basins scooped out by ancient glaciers. This basin is almost surrounded by nearby tall peaks and ridges, though it is open to the north-east as well. Due to these high walls, the sun does not penetrate down to its lowest levels at sunrise, but instead shows up over an extended period as the sun tops nearby ridges and the sun-shadow line traverses the valley. This portion of the lake in the photograph lies against more or less the south side of the valley, where a large and rocky slope ascends toward a ridge that shades the area much later in the morning. At the moment I made this photograph, the sun had reached the thin peninsula of rock in the foreground but the more distant rocks are illuminated by light reflected from other faces nearby.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Illuminated Wall Panel

Woven wall panel photograph
“Illuminated Wall Panel” — The patterns of an illuminated and woven wall in a New York City Chinese restaurant

We had arrived in New York earlier this afternoon, taking the subway in to Manhattan from Kennedy to get to our hotel on Canal Street. The plan was to get settled there — where we would stay for the next week — and then meet up with family and friends and walk to the Chinatown district for dinner. Christmas Eve, New York City, meeting friends and family, Chinese food – what could be better?

We found the restaurant and some of our party were already there. In a city like New York I almost always carry a camera and, yes, I took one to dinner with me. Most of the photographs are of people in our group – and I won’t likely post those here. But as we sat down, across the table was a very interesting wall — wide panels of some material that looked like very thin wood were woven together and lit from behind. I thought that the pattern might make an interesting photograph, so I made a single exposure… and went back to paying attention to the party!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sunset Light, Big Sur

Sunset Light, Big Sur
Sunset Light, Big Sur

Sunset Light, Big Sur. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter sunset light on the rugged Big Sur coastline

On the final day of January we took a long drive down and then back up the Pacific Coast Highway between the Monterey Peninsula and Piedras Blancas, where we knew we could see and photograph the elephant seals that gather here on the coast every winter. We took our time on the southward drive, taking nearly nine hours to reach our southern destination – and stopping frequently along the way to make photographs. (OK, for coffee and meals, too…) After photographing the elephant seals in the late afternoon, it was time to start our return trip.

There is so much to see along this coast that it is unusual to be left wondering what to photograph, so the general – and somewhat vague – plan was to take stock of where we found ourselves during the hour or so before sunset and to then find a suitable golden hour and dusk subject to photograph. Perhaps 45 or 50 minutes before sunset we came to an overlook where we had photographed much earlier in the day and decided that this would be the place. Here the coastline arcs south, with rugged mountains dropping right down to the shoreline with its sea stacks, rocky prominences, and hidden beaches. Our overlook was high enough to provide an expansive view of this scene, and it didn’t hurt that a couple of large rocky islands, one with a natural arch, were located right below. You never know how a sunset and evening will turn out in photographic terms and you must more or less take what you get. On the plus side, there were thin, high clouds to the west that wrapped around to the south, and these clouds can produce a lot of color if lit from below right at sunset and shortly after. There was also some haze to the west to soften the light. On the other hand, there also appeared to be a somewhat thicker band of clouds and for right near the horizon, and this can “turn the lights out” at just the wrong moment. I made this photograph as the golden hour light began to intensely color the shoreline. I quickly made a series of photographs in landscape and portrait orientation, moving a bit in between to change the juxtaposition of elements a bit. At one point I looked away for a moment… and when I looked back the color had almost gone as the sun passed behind those thicker clouds. Yes, it happens that quickly and imperceptibly sometimes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dune Detail, Last Light

Dune Detail, Last Light
Dune Detail, Last Light

Dune Detail, Last Light. Death Valley National Park, California. December 11,2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

A last beam of light slants across rippled sand dunes and a few desert plants, Death Valley National Park

After a long day of driving and photographing along a back-country road in Death Valley National Park, I finally made it back to my campground in the mid-afternoon. (You might wonder how I can claim a “long day” when I finished in the mid afternoon – something about starting a couple of hours before dawn in temperatures in the teens!) I took a short break and did a few camp chores, and then it was time to head out once again for an evening shoot. I decided to make it something fairly simple that wouldn’t require a lot of travel, so I ended up at some dunes just before sunset.

While I’m not unwilling to shoot big, long views of dunes – sometimes they are quite impressive! – more often I focus on some smaller aspect of them, and I really like looking very closely when I can. One of the great things about focusing on the small details is that once you start to see them you find them everywhere – even in places that you might not think are all that spectacular. As I walked out into the dunes, with only a general sense of where I wanted to go, it was not long at all before I started noticing all sorts of subjects in the long shadows and warm light of the oncoming evening. Many subjects, such as this one, are illuminated by extremely transient light – slanting at a low angle across the tops of dunes and momentarily catching a plant or a bit of dune texture. I probably had little more than a minute to work with this subject and then the light disappeared – and I quickly found another similar subject and then another and so on until the light finally was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.