Tag Archives: light

Trees and Boulder, Sunset

Trees and Boulder, Sunset
Trees and Boulder, Sunset

Trees and Boulder, Sunset. Yosemite National Park, California. July 27, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A large boulder against the base of lodgepole pines at sunset in Tuolumne Meadows, Yosemite National Park.

After finishing up an earlier evening shoot in a place that might be described as a mosquito-infested hell, but a very beautiful one, I left that location with as much haste as I could muster. Having done so, I found myself with a bit of extra time just as the final light of the day approached. Since I wasn’t too far away, I headed towards Tuolumne Meadows, figuring that I might just catch the last light that slants across the length of the meadow right below sunset.

When I arrived there I had very little time to carefully consider where and what I might shoot since the light was within minutes of disappearing for the day. So as I drove along the road through past the meadow, I kept my eyes open for any trees or boulders that might be catching this final light. As luck would have it, as I passed the RV holding tank dumping station – pretty rustic, no? – I saw this combination of lodgepole pine and boulders against the background of the sunlit trees across the meadow on the other side of the river and the ascending slopes beyond. I quickly pulled over, got out the tripod and camera, and made a few exposures here as the last light left the tree.

G Dan Mitchell Photography
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Juniper Trees, Morning Light

Juniper Trees, Morning Light
Juniper Trees, Morning Light

Juniper Trees, Morning Light. Yosemite National Park, California. July 28, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light falls on rugged Juniper trees growing in glaciated terrain near Yosemite’s Olmsted Point.

The Yosemite high country along (and beyond) Tioga Pass Road, which crossed the Sierra through the national park, is a land shaped by glaciers. The night before I had decided that the morning photography subjects would be in an area of granite domes, glacial erratics, small ponds, and rugged granite-bound trees in an area generally centered around the iconic Olmsted Point viewpoint.

My first subject, generally defined, was going to be an area of large granite slabs on a ridge that I knew would be hit by the early morning sun shortly after sunrise. I arrived in the general area after dawn but before the direct light arrived here, and I headed up the slabs to scope out possible subjects. The atmosphere was quite hazy, which can be a mixed blessing for photography. On one hand, distant subjects are muted an indistinct. On the other, the light on closer subjects can be diffused and soft, and this helps fill in shaded areas. It also means that more distant background elements can be muted both in contrast and color saturation. When I found this rugged cluster of old juniper trees, I looked for a composition that would catch the first light striking them from behind and also include a bit of the more distant exfoliated dome as background.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Morning, San Francisco Bay

Morning, San Francisco Bay
Morning, San Francisco Bay

Morning, San Francisco Bay. San Francisco, California. July 14, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning fog covers Oakland and the East Bay Hills as hazy sun illuminates sailboats and ships on San Francisco Bay beyond the Golden Gate Bridge.

This photograph was made from high in the Marin Headlands, after hiking up to the hill above Battery 129 near the high point on Conzelman Road, the scenic route that climbs this ridge above the Golden Gate. I had earlier shot a similar scene from a spot just a bit lower, but by now the morning fog and haze was clearing enough to allow a bit more sun to light up the waters of the Bay and to reveal a subtle blue color. (Later the blue would be much deeper, and earlier it had been nearly gray.) This particular shade of blue is one of the things I liked about this scene on this particular day.

The hill at lower left is part of the Marin Headlands and drops from the road almost straight down to the water. The small bit of land intruding into the frame on the left just above the wake of a boat is Alcatraz Island. Beyond that is Treasure Island and its companion, Yerba Buena Island. The latter is crossed by the San Francisco Oakland Bay Bridge, leading to Oakland which is just barely visible under the fog over the East Bay hills. Near the upper right is a tiny bit of one of the piers along the San Francisco waterfront.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Alpenglow, Trees, and Granite

Alpenglow, Trees, and Granite
“Alpenglow, Trees, and Granite” — Alpenglow light on trees among granite boulders below glacially-carved Yosemite cliffs..

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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