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Lake Shore, Autumn Bilberry

Lake Shore, Autumn Bilberry
Lake Shore, Autumn Bilberry

Lake Shore, Autumn Bilberry. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A harbinger of Sierra Nevada autumn, red bilberry plants carpet the shoreline of a sub-alpine lake

This photograph evokes, for me, that special feeling of the end of summer in the high country, when the awareness of the changing seasons is heightened and there is an odd combination of relaxation as the pace of mountain life slows and a feeling that the time of year when access to such places is easy is rapidly coming to an end — and that in a matter of weeks places like this one will be snow-covered and largely inaccessible for another year. It is also a time, perhaps for these very reasons, when the recognition of the natural cycles of seasons and lives becomes more acute.

The red carpet on the close ground along the shoreline consists of small bilberry plants. This small plant is normally easy to overlook. It stands perhaps an inch tall, often in clusters in clear areas along lakes and among trees. During the summer it is, frankly, just another little green thing among many. But in September it transforms into something that you cannot help noticing, especially if you look across a patch into the sun — backlit bilberry suddenly becomes flaming red. Beyond the near shore, trees scattered along a rocky peninsula and small islands catch the last warm and soft light of an “almost-autumn” evening.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake
Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Boulders, grasses, and trees along the shoreline of a subalpine lake, Yosemite National Park

Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.

When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocky Shoreline, Fog, Big Sur

Rocky Shoreline, Fog, Big Sur
Rocky Shoreline, Fog, Big Sur

Rocky Shoreline, Fog, Big Sur. Pacific Coast Highway, California. July 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Steep cliffs fall to the edge of the Pacific Ocean along the fog-shrouded Big Sur coastline

I left very early on this Fourth of July morning, while the streets were still nearly empty near my home, and headed south towards Monterey and the Big Sur coast. I watch weather forecasts carefully before going there this time of year. The most likely conditions are not my favorites for photography — either socked in with coastal for or else blue-sky clear. I’m looking for something in between in the summer, which ideally means that there is still some fog around but that the sun is poking through along the edges. The forecast today was one of those that is peculiar to California, with fog hugging the coast early but breaking up by midday and the temperatures in the inland areas, which are sometimes only a few miles from the foggy areas, rising into the nineties. Hoping to find that sun/fog boundary, I was willing to chance the holiday traffic, though I figured I might beat the worst of it by going there before “normal people” were awake, and then by returning at about the time the crowds would show up.

I hit fog in the Salinas Valley, which meant that the fog on the coast was likely to be a bit more obstinate about leaving than I had hoped. In fact, there was a low deck of fog perhaps only a few hundred feet above the ocean, with misty atmosphere below. This is not easy light to photograph, at least not for me, but I found a few places like this one where I could get a clear view of nearby subjects and include more distant subjects disappearing into the fog. I walked out on the bluff to find this spot, set up, and noticed that the fog was in motion, so I decided to wait, eventually spending perhaps 20 minutes waiting and watching for moments like this when the fog thinned just enough to barely reveal the further rocks and coast.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ridgeline, Trees, Winter Fog

Ridgeline, Trees, Winter Fog
Ridgeline, Trees, Winter Fog

Ridgeline, Trees, Winter Fog. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A winter fog obscures trees along a ridgeline high above Yosemite Valley

It may be surprising to hear that this is a color photograph. Well, the camera thought so, but you cannot easily tell by looking at the image. I was shooting another nearby subject, or perhaps waiting for that subject to some light that would make it more “photographable,” when I looked up to see this fog enveloping the high tree-covered ridges above this part of Yosemite Valley, with the atmosphere gently glowing in the backlight.

The photograph is a reminder for me that it is often better to see what you can make of the conditions you find than to lament that the conditions are not what you hoped for. (OK, you can go ahead a lament a little bit—i think that is normal!) While I often go to a place perhaps expecting or hoping for particular conditions, I’ve learned that quite often the most interesting opportunities are not those that we can predict but those that surprise us or those that we find. If the atmosphere of the place, apart from your initial notions of how it might be photographed, is something that attracts you, then it must be possible to make some kind of effective photograph of that thing that you like. You might be hoping for colorful sunset light, but you know—or at least I hope you do!—that a foggy evening, or a rainy evening, or even a hazy evening of soft light can be a wonderful thing, too.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.