Tag Archives: line

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Shoreline Bluffs, Forest

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Shoreline Bluffs, Forest
Forested bluffs drop straight down to the rugged shoreline along the north shore of Point Lobos

Shoreline Bluffs, Forest. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Forested bluffs drop straight down to the rugged shoreline along the north shore of Point Lobos

For the second time in less than a week I made it back to Point Lobos State Reserve again. After several days of very hot inland temperatures here in the San Francisco Bay Area, Point Lobos was attractive destination not only for its photogenic scenery but also for the promise of cool morning maritime fog. We encountered the fog well before we arrived, but perhaps an hour later it began to clear from the immediate coast, and I had perhaps a half hour of beautiful mixed light along the boundary between sun and fog.

I made this photograph at a location I know very well along the north shore trail at Point Lobos. When I was there late last week I photographed while it was still foggy and the soft light filled in the shadows. Today the filtered sunlight created more dramatic shadows, but a bit of lingering fog muted the intensity of the light and colors in the forest on the bluff above the rocky cliffs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Shadow and Line Study

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Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Shoreline and Meadow

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Shoreline and Meadow
The shoreline of a Yosemite backcountry lake in the late season

Shoreline and Meadow. Yosemite National Park, California. September 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The shoreline of a Yosemite backcountry lake in the late season

This lake was our home for a good week this past September. I was among a small group of photographers who spend a week or more doing this every year. This year we camped by the shore of an accessible backcountry Yosemite lake. We woke up every morning to views of this lake and we went to bed in the evening with such images still in our minds.

At times on this visit the light was very subdued. Early on this was because of intense wildfire smoke — some of the worst I’ve encountered in the range. Near the end of the trip a Pacific weather pattern swept through, and in its wake there was a period of several days of raining, cold conditions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Shoreline Mist, Autumn

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Shoreline Mist, Autumn
Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

Shoreline Mist, Autumn. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning fog drifts above a Sierra Nevada lake surrounded by the colors of autumn

This is perhaps an example of a photograph that required me to point my camera the “wrong” direction. I was at a very popular aspen photography destination in the eastern Sierra Nevada, where early color was developing quite nicely even in late September, perhaps a week earlier than usual. There are a couple of standard photographs that almost everyone makes at this location, but since I did those some years ago I’m usually not interested in re-doing them now. (With truly exceptional conditions I would relax that notion a bit and rush right back to the standard place and make photographs!) So when I go back here I now tend to poke around a bit and see what else might be possible there.

So I started this morning by climbing to a location from which I had not photographed before. From that vantage point I saw a few other possible angles on the subject, including some from the far side of the lake. I soon headed over there and as I looked back toward my original location I saw that a low haze was back-lit along the edges of the lake. I’m a complete sucker for both mist and backlight, so I pointed my camera almost straight back into this light and made a few photographs of the grassy area along the lake’s shoreline and the trees, both aspens and conifers, rising beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.