Tag Archives: line

Pacific Coastline, Winter Haze

Pacific Coastline, Winter Haze
Gentle winter haze along California’s Pacific Ocean coastline south of Monterey

Pacific Coastline, Winter Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Gentle winter haze along California’s Pacific Ocean coastline south of Monterey

I have visited this coast for decades, since my parents moved to California from the Midwest when I was four-years-old. Back then we took lots of family “day trips,” and the Monterey Peninsula and Point Lobos areas were often our goals, and I became familiar with the Coast Highway Pacific Ocean interface at a young age. There was perhaps a gap when I was in college, but when our kids were old enough we headed down this way from time to time, too.

There are a few constants here: the headland cliffs plunging into the Pacific, the twisting and turning route of the highway, the little places to stop and grab a bite to eat, the long views over the ocean and up and down the coast. But other things are rarely the same twice. The light is constantly changing, from morning to evening, from winter to summer, from clear air to fog. I would most typically photograph early or late, but on this winter day there was interesting light and atmosphere right into the middle of the day when I made this photograph, looking south along the coastline as the haze gradually obscured distant hills and the sunlight’s reflection turned the oceans distant surface a brilliant white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shoreline Bluffs, Forest

Shoreline Bluffs, Forest
Forested bluffs drop straight down to the rugged shoreline along the north shore of Point Lobos

Shoreline Bluffs, Forest. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Forested bluffs drop straight down to the rugged shoreline along the north shore of Point Lobos

For the second time in less than a week I made it back to Point Lobos State Reserve again. After several days of very hot inland temperatures here in the San Francisco Bay Area, Point Lobos was attractive destination not only for its photogenic scenery but also for the promise of cool morning maritime fog. We encountered the fog well before we arrived, but perhaps an hour later it began to clear from the immediate coast, and I had perhaps a half hour of beautiful mixed light along the boundary between sun and fog.

I made this photograph at a location I know very well along the north shore trail at Point Lobos. When I was there late last week I photographed while it was still foggy and the soft light filled in the shadows. Today the filtered sunlight created more dramatic shadows, but a bit of lingering fog muted the intensity of the light and colors in the forest on the bluff above the rocky cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shadow and Line Study

Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline and Meadow

Shoreline and Meadow
The shoreline of a Yosemite backcountry lake in the late season

Shoreline and Meadow. Yosemite National Park, California. September 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The shoreline of a Yosemite backcountry lake in the late season

This lake was our home for a good week this past September. I was among a small group of photographers who spend a week or more doing this every year. This year we camped by the shore of an accessible backcountry Yosemite lake. We woke up every morning to views of this lake and we went to bed in the evening with such images still in our minds.

At times on this visit the light was very subdued. Early on this was because of intense wildfire smoke — some of the worst I’ve encountered in the range. Near the end of the trip a Pacific weather pattern swept through, and in its wake there was a period of several days of raining, cold conditions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.