A street scene on 10th Avenue between 19th and 20th streets in Chelsea, photographed in evening light from the High Line Park.
A rather plain street scene, but uncharacteristically empty of cars and pedestrians, as seen from the High Line Elevated Park in Chelsea. Shot on the evening of our first full day in New York in mid-August, just after sunset as a few clouds passed over Manhattan.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
People taking a summer evening walk along the High Line Elevated Park in Chelsea with the IAC Building and the 100 11th Building in the background, New York City.
I only spent a short time on one evening walking along the High Line Park, but I certainly found it to be an intriguing place, and one that I intend to visit again. I first stopped to photograph this spot when I saw a couple of musicians performing on the bench just beyond the people walking and standing in the foreground. But the “urban landscape” of buildings beyond is obviously very striking, especially in the evening light. I cannot identify all of the buildings in the photograph – my first attempts to find them via Google maps failed because the buildings are so new that you only see empty space and construction sites there. I finally determined that the building on the left with the “swooping” lines is the IAC Building, designed by Frank Gehry – which is obvious in retrospect. The taller building in the background (which I had taken to calling the “Mondrian building”) is the “100 11th” building, designed by a French architect named Nouvel.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Brick walls and a building under construction above the High Line Elevated Park, New York City.
Another bit of architecture photographed from the High Line Elevated Park in Chelsea on a summer evening in August. The most interesting features of this evening included the “mackerel sky” clouds to the west, which are reflected in the windows of the upper building, and the warm light of early evening. The juxtapositions of angles and textures (especially the bricks and the glass windows) got my attention as we walked along the High Line. I cannot identify the building, but it appears to be under construction.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Evening fog clouds shroud the summit of Mt. Shuksan above Picture Lake – Mt. Baker-Snoqualmie National Forest, Washington.
Since we were in the neighborhood – we passed right past it on our way down from Artist Point – my brother suggested that we stop and photograph the iconic view of Mt. Shuksan from Picture Lake. Actually, as I understand it, the really iconic image is usually made about a month later when the slope along the far shore of the lake turns golden with fall foliage. I only knew the location from photographs, so I was surprised to find that it is a roadside lake with a boardwalk/trail to the typical shooting location! I understand that if I were to return in a month I would be shoulder to shoulder with scores of photographers – but on this evening we were initially the only ones there, though a couple others photographers eventually showed up.
When we arrived things did not look too promising in photographic terms. The peak of Shuksan was entirely socked in by clouds and fog, but my brother said that, in his experience, it was not uncommon for the fog to dissipate and rise as the day ends. (This was in line with my knowledge that the best light can often happen after the sun sets – and I’m always surprised at the number of photographers who pack up and leave before this happens.) As we watched, the saturated colors of the last moments of the day came on and, as if on cue, the clouds began to thin. This was perhaps the very last photograph I made. It was shot some time after the actual sunset and the conditions were quite dark. I thought that a very long post-sunset exposure might capture the diffused quality of the clouds as they moved across the face of the peak and that it might be possible to capture some of the very subtle post-sunset coloration. In the end this exposure was a bit longer than two minutes.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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