Brick walls and a building under construction above the High Line Elevated Park, New York City.
Another bit of architecture photographed from the High Line Elevated Park in Chelsea on a summer evening in August. The most interesting features of this evening included the “mackerel sky” clouds to the west, which are reflected in the windows of the upper building, and the warm light of early evening. The juxtapositions of angles and textures (especially the bricks and the glass windows) got my attention as we walked along the High Line. I cannot identify the building, but it appears to be under construction.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Evening fog clouds shroud the summit of Mt. Shuksan above Picture Lake – Mt. Baker-Snoqualmie National Forest, Washington.
Since we were in the neighborhood – we passed right past it on our way down from Artist Point – my brother suggested that we stop and photograph the iconic view of Mt. Shuksan from Picture Lake. Actually, as I understand it, the really iconic image is usually made about a month later when the slope along the far shore of the lake turns golden with fall foliage. I only knew the location from photographs, so I was surprised to find that it is a roadside lake with a boardwalk/trail to the typical shooting location! I understand that if I were to return in a month I would be shoulder to shoulder with scores of photographers – but on this evening we were initially the only ones there, though a couple others photographers eventually showed up.
When we arrived things did not look too promising in photographic terms. The peak of Shuksan was entirely socked in by clouds and fog, but my brother said that, in his experience, it was not uncommon for the fog to dissipate and rise as the day ends. (This was in line with my knowledge that the best light can often happen after the sun sets – and I’m always surprised at the number of photographers who pack up and leave before this happens.) As we watched, the saturated colors of the last moments of the day came on and, as if on cue, the clouds began to thin. This was perhaps the very last photograph I made. It was shot some time after the actual sunset and the conditions were quite dark. I thought that a very long post-sunset exposure might capture the diffused quality of the clouds as they moved across the face of the peak and that it might be possible to capture some of the very subtle post-sunset coloration. In the end this exposure was a bit longer than two minutes.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Evening photograph of an urban parking lot near the High Line Elevated Park in the Chelsea area of New York City.
I photographed this parking facility from above as we started down the stairs at the north end of High Line Park. Since I was traveling light at this point I had no tripod – so I made this 1/8 second exposure hand-held. (Image stabilization can be your friend!) Lighting was, to say the least, tricky. Areas of the structure were in deep shadow, but there were also bright artificial light directly within the frame. By some miracle I managed to pretty much capture the full dynamic range in one shot.
These parking elevators are seen all over Manhattan, and they allow cars to be parked several deep on the vertical lift. This was the first time I had the opportunity to shoot one from a position that wasn’t on the ground, and the complicated mass of vertical beams filling the space and lit by artificial light sources seemed like an interesting subject. I haven’t seen the elevators in operation, so I still wonder how the lot operators manage to get the right cars at the top/bottom of each lift so that each person’s car will be at ground level at the right time.
An airplane crosses a cloud-filled New York City sky above the Standard Hotel at the High Line Park in Chelsea.
This hotel straddling the High Line Elevated Park in New York City presents a striking appearance, especially when the right clouds are reflected in its glass-window surface. We were in the area on a summer evening when the sky was filled with interesting clouds, and by the time we finished walking to and then along the elevated path of the High Line park we had seen it from quite a few angles.
This was my first visit to New York City in a decade, and I have to say that coming to terms with it as a photographic subject is a tall task for someone trying to take in the whole thing for (not quite) the first time. I do a lot of street and urban photography, but usually in places with which I’m familiar – San Francisco is a short train ride from where I live, so I photograph there a lot. For me, it takes some time to get beyond the overwhelming first impressions and settle down and achieve a level of comfort with the place. There were days in New York when, despite being in the midst of tremendous numbers of photographic opportunities, I found it almost impossible to figure out what to shoot. And there were also certain times when “the light came on” and I made a lot of photographs, including this evening.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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