Tag Archives: little

Dawn, Alkali Lake, Eastern Sierra

Dawn, Alkali Lake, Eastern Sierra
Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

Dawn, Alkali Lake, Eastern Sierra. Owens Valley, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

I posted a photograph very much like this one a month or so ago, but I like this place and the morning light so much that I’m posting this similar photograph. The location is on the shore of a small alkali lake out in Owens Valley/Long Valley, in an area that is full of hot springs. On this very cold early October morning, steam was rising from the many hot springs in the area as the sun rose, lighting the eastern face of the Sierra Nevada near Convict Lake, the sagebrush-covered hills below the Sierra, and finally the surface of the small lake.

For many years after I started visiting the east side of the Sierra Nevada I mostly ignored the high desert terrain such as the area around this lake. As time went on and I looked further east I began to venture out here, and I discovered a beautiful landscape that is affected by proximity to the Sierra but which is not really “Sierra Nevada” itself. The bulk of the eastern escarpment is a constant presence here, but the character of this place is more that of the basin and range country — dry, full of sagebrush, with playas and rocky outcroppings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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McGee Mountain and Little Alkali Lake, Dawn

McGee Mountain and Little Alkali Lake, Dawn
McGee Mountain and Little Alkali Lake, Dawn

McGee Mountain and Little Alkali Lake, Dawn. Owens Valley, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dawn light in the eastern Sierra on McGee Mountain, reflected in Little Alkali Lake, Owens Valley, California.

There are higher peaks along the eastern escarpment of the Sierra Nevada – much higher! – but I can think of few that catch the dawn light more beautifully than McGee Mountain just north of McGee Creek in the area around Mammoth Lakes and Crowley Lake. The slopes of the mountain are open without obstruction to the dawn light as it works its way down from the peaks, and the light passes across the face and accents the relief of alternating valleys and aretes. On this early October morning an early season storm had left the upper slopes covered with snow, and beyond the slopes of McGee Creek Canyon leading up toward Mount Morgan are still in shade.

I photographed this scene from well out into Owens Valley, where I was almost alone apart from an occasional car passing by on the distant road – and apart from the bellowing beasts in a nearby herd of cattle! Steam rises from some of the many hot springs in this geothermally-active area of the eastern Sierra, and a bit of mist floats above the reflective surface of this alkali lake.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Ansel’s Moon

Edie Howe has posted a delightful little slide show made at this week’s Yosemite Valley event, sponsored by the Ansel Adams Gallery, that commemorated the making of the famous Ansel Adams photograph of Half Dome and the rising moon. The idea was that position of the moon and timing relative to daylight would duplicate those at the time of Adams’ original exposure. I enjoyed Edie’s sequence (nice final photograph, Edie!) and looking at some of the (pardon the awful pun) luminaries of Yosemite photography as they held forth in Ahwahnee Meadow. I’m sorry I couldn’t be there!

Perhaps ironically, the moon was hidden behind what appears to be a bit of a snow squall above Half Dome, though it appeared to be clear both before and perhaps after the historic moment! In a way I think that this might have been the most appropriate thing that could have happened. While I don’t think that trying to re-make Ansel Adam’s photograph has any more validity than trying to re-write a Mozart symphony, the event seemed like a great opportunity to: gather together on a beautiful evening in this wonderful meadow, contemplate the evening with the additional context of thoughts about Adams and his photography, meet a number of people influenced by Adams’ legacy, and focus on Adams’ photograph rather than trying to create one’s own version – since the imitative exercise turned out to be impossible!

I wish I had been there.