Tag Archives: monochrome

Photographs: New York City, Photographs: Urban/Street

Stripes

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Stripes
A woman wearing a striped outfit uses a cross walk in Manhattan.

Stripes. © Copyright 2022 G Dan Mitchell.

A woman wearing a striped outfit uses a cross walk in Manhattan.

This photograph comes from a long, looping walk in Manhattan. We were staying at an Upper West Side hotel last month, and there were good walking opportunities all around — Central Park a few blocks to the East, down Broadway and into that maelstrom of human activity a bit to the south, across the park and into the Upper East Side, walking along the waterfront on either side. On this walk we ended up near the UN Plaza, which is where I made this photograph.

Stuff happens quickly in the street, and I often have to simply react immediately using whatever lens is on the camera — taking too long to fiddle with lenses or frame the perfect shot and there’s a good chance the opportunity will be gone. I had just a few seconds to photograph this slightly unusual character in the long striped dress as she stepped out on the striped crosswalk.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Lake, Morning Haze

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Lake, Morning Haze
Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

Lake, Morning Haze. © Copyright 2022 G Dan Mitchell.

Morning haze glows in a valley beyond the outlet stream of a Sierra Nevada subalpine lake.

As a photographer whose roots are in black and white photography — that’s how I started decades ago — the thought of “going monochrome” with photographs is always there, even though the great majority of what I do these days ends up in color. But every so often a photograph just seems like it should be black and white. The reasons are not always completely clear, but often they are images with a strong formal structure and photographs in which the contribution of color might not be the most important thing. I went back and forth on this one quite a bit, eventually putting the color and monochrome renditions side by side on the screen… at which point the choice seemed clear.

This lovely Sierra Nevada lake has an ideally situated outlet stream for morning photography. At the outlet the broad basin holding the lake pinches off between angled canyon walls. Beyond the valley drops toward the rising sun, and the mountains beyond are seen though the luminous morning light. Other photographs I made of this subject included only a bit of the lake and used the wide landscape format. But it seemed to me that including this bit of the near shoreline strengthens the sense that the viewer is looking out and across the water into that light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Sierra Nevada

After the Deluge

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After the Deluge
A High Sierra waterfall, brought back to life by torrential rains surges over rocky ledges.

After the Deluge. © Copyright 2022 G Dan Mitchell.

A High Sierra waterfall, brought back to life by torrential rains surges over rocky ledges.

I love watching for, observing, and experiencing the typical seasonal transitions. For example, right about now I have my eyes on the first signs of the approach of autumn. In spring I watch water levels in creeks and streams. In winter I track the appearance of birds. However, I’m also fascinated when conditions are abnormal, when something unusual happens that conflicts with our seasonal expectations. The cascade in this photograph, and the “deluge” the caused it, fit into that latter category.

This has been a very dry period in California. Winter precipitation has been far below normal levels, and warmer temperatures have decreased the amount of water released from the snowpack during the warm months. Consequently, the high country has been stressed. Yet… on the first couple of days of our August high country visit we experienced the heaviest and most prolonged heavy summer rain that I have ever experienced in the backcountry. It was heavy enough that we really could not leave our tents for hours, and when we emerged the landscape was drenched and a nearby creek was coming out of its banks. Later on this trip we followed a branch of the stream up into the alpine zone, and along that route we passed this surprisingly powerful waterfall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: People, Photographs: Urban/Street

A Family

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A Family
A passing family group on the street in Manhattan.

A Family. © Copyright 2022 G Dan Mitchell.

A passing family group on the street in Manhattan.

As scheduled, it is back to more street photography today. This photograph comes from our late-August visit to Manhattan, which provided us with opportunities to simply go out on walks and observe/absorb the Manhattan vibe. That is, of course, a complex thing, being composed of lots of people, lots of motion, the urban canyons, occasional bits of quiet and stillness, and a lot of things that happen quickly and are gone. The latter, of course, is part of the appeal of street photography.

I recommend urban and street photography to all photographers, including those of you who like think of yourselves and landscape or nature photographers. As a general thing, I think it is good for you and for your photography to step outside your primary genre and to be aware of good photographic work done with subjects quite different than your own. On a very practical level, shooting street forces you to see, think, and react really quickly. Quite often subjects coalesce and disappear in seconds or even fractions of seconds. You don’t have much time to carefully consider, so you work on the basis of instinct. And that is a useful skill to develop, even if you usually work at a more sedate pace. Street also reminds us of how we make photographs of things that we don’t have time to fully evaluate or understand. For example, while I call this photograph “A Family,” I can’t know that it is a family group. And while I might make be tempted to make other assumptions about this trio… I have no way at all of knowing whether I’m right or wrong. It is better, I think, to just ask questions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.