Tag Archives: mountains

Autumn Morning, White Mountains #2

Autumn Morning, White Mountains #2
Colorful autumn forest in morning light, White Mountains, New Hampshire.

Autumn Morning, White Mountains #2. © Copyright 2022 G Dan Mitchell.

Colorful autumn forest in morning light, White Mountains, New Hampshire.

This photograph gets the “#2” designation since I previously posted a landscape-orientation photograph of roughly the same scene. One of challenges of photographing fall color in New Hampshire (and much of New England, for that matter) is that it can be a challenge to find open views of the terrain. In many places the roads don’t have a lot of places to pull over, and the forest often comes right to the edge of the road, blocking the views. So when I found a more open location I took advantage of it. I visited this spot more than once, and on the second try I think I got the better light and color.

This photograph illustrates differences between fall color in this region and the Eastern Sierra color that I’ve photographed for years. It would be almost impossible to find a California location with so much color extending for such great distances. (And keep in mind that this is just a small slice of what was visible from this location.) The color here also varies a lot from tree to tree, though the result is that it can produce a somewhat undifferentiated effect in long views. I found it challenging to locate compositions in photographs that focused entirely on this color. Here I separated the upper and lower portions of the frame, and then found some leading lines in the distant gully and the contrast between the yellow trees and the shadow on the left side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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An Ancient One

An Ancient One
“An Ancient One” — An ancient bristelcone pine standing alone on a rocky ridge, White Mountains.

During my recent trip to photograph Eastern Sierra fall color I spent one day high in the White Mountains. This range (one of multiple “White Mountains” ranges in the USA!) lies to the east of the central Sierra Nevada, running south from roughly Boundary Peak, the tallest in Nevada, to Westgard Pass, which separates the range, somewhat arbitrarily, from the Inyo Mountains. It is a high, remote, dry, and largely unvisited range in the rain shadow of the Sierra Nevada. Although it rises as high as the Sierra, it lacks that range’s rugged, sculpted peaks — much of its high country is more of a rounded moonscape. It is one of the prime locations for bristlecone pines.

The bristlecone pines are remarkable trees. They are among the very oldest living things — some may be close to 5000 years old. Surprisingly perhaps, the oldest grow in some of the most rugged and least hospitable places. It seems that the struggle strengthens them, and these “old ones” are characterized by resistance to exposure and the appearance of being more dead than alive — the trees sacrifice the majority of their branches in order to sustain a few remaining living portions. Their remarkable character and great age always cause me to slow down and ponder.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Autumn Morning, White Mountains

Autumn Morning, White Mountains
Colorful autumn forest in morning light, White Mountains, New Hampshire.

Autumn Morning, White Mountains. © Copyright 2022 G Dan Mitchell.

Colorful autumn forest in morning light, White Mountains, New Hampshire.

I made this photograph on what I came to regard as the actual day of peak color in this part of the White Mountains. Here and nearby, the colors were noticeably more intense and widespread than the previous day, and one day later when some weather came through trees were dropping leaves and more bare branches were appearing. This photograph exemplifies an approach that I often like — using a longer focal length lens to isolate a small section of the overall landscape. Here I wanted to focus on the juxtaposition of the foreground trees and hill with the more distant pattern of the ascending gully.

Another aspect of this photograph is, I came to learn, typical of a lot of White Mountains autumn photography. It is often a challenge to get unobstructed access to longer and wider views of the landscape, partially because the forest are so dense and close-in, and partially because roads here tend to be designed without shoulders and with few places to pull over. Consequently, any place that does have a wider view seems precious. Here there was a small turn-out along the road, and if I put my camera in just the right spot I could manage to photograph between and over the nearer brush and trees… and obtain one of those long views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Pine and Aspen, Eastern Sierra

Pine and Aspen, Eastern Sierra
A pine tree backed by aspens, forest, and Eastern Sierra Nevada mountains.

Pine and Aspen, Eastern Sierra. © Copyright 2022 G Dan Mitchell.

A pine tree backed by aspens, forest, and Eastern Sierra Nevada mountains.

This scene seems both typical and atypical of the Sierra Nevada. The familiar aspects are perhaps obvious, particularly if you spend time on the east side of the range. There is a solitary pine at the edge of dry, sagebrush meadow, with more such trees in the background. Aspens are mixed in with the pines, and in the distance they climb the hillside. Overall there aren’t really a lot of trees, and the views are quite open. Slopes climb steeply along the sides of the valley and toward the Sierra crest beyond.

What is atypical? For one thing, I made the photograph in virtually the middle of the day. I had started back home to the Bay Area that morning, thinking I’d drive through once the early morning light was gone. But the high, thin clouds softened the light enough in some locations to make midday photography attractive. Although my initial reason for going to this spot was to scout (and then to stop to eat my lunch), I ended up photographing. Another slightly unusual factor is the rather excellent aspen color, even high up in the mountains, at the end of the third week of October. I think the color sustained more this year due to climate and weather factors — it has been relatively warm and dry here during aspen season.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.