Tag Archives: north

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Oak, Laurel, and Granite

May 21, 2011 G Dan Mitchell Leave a comment

An oak tree and a laurel tree grow next to a granite face along the north side of Yosemite Valley, California.

I have visited this small, gnarled oak tree before. It grows right at the base of a granite face along the north side of Yosemite Valley, seems to face a pretty rugged life living beneath the shadow of the cliff and among fallen boulders. When I visited in early May the tree was just starting to get its new growth of leaves, though the laurel tree right next to it was already quite green.

The last time I photographed this tree it was autumn, and the leaves were also colorful then. It seems a bit odd that the leaves of this oak take on similar yellow and red colors at both the start and end of their season. (Though they do go more toward brown than yellow in the fall.)

The light was interesting on this day, which had started out clear. As the day wore on a weak Pacific weather front approached, and by evening things were pretty well socked in. But here, at perhaps 4:00 or 4:30, if I recall correctly, the incoming clouds were thing and broken enough to just soften the light without turning it completely gray.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Textures

Zabriskie Point Gully, Morning Light

April 1, 2011 G Dan Mitchell 1 Comment

Morning sun back-lights the dense pattern of folds in a small gully at Zabriskie Point, Death Valley National Park, California.

In some ways I think this is one of the more subtle and complex of the various photographs I have made that isolate small sections of the Zabriskie Point landscape, especially the eroded patterns of the small gullies below the main viewing area. This photograph, like many in this series, was made after the normal “dawn light” time period, and at this time the sun is higher in the sky. It begins to back-light the tops of the furrows and gullies and the brighter light reflects down into the lower portions of the gully. There are a tremendous number of overlapping ridges and the color variations are quite large, though subtle at the same time. Some areas have a very blue cast, being in shadow and lit almost completely by the open blue sky. Others take on warmer tones, especially if they are illuminated by light reflected from the warm-tones earth. An area of thin clouds was floating above the scene and its shadow slightly softened and muted the light that otherwise might have been quite stark.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Monterey Cypress Trees, Fog, Carmel Peninsula

March 28, 2011 G Dan Mitchell Leave a comment

Carmel Peninsula is barely visible though fog beyond Monterey Cypress trees along the north shore of Point Lobos State Reserve.

This was a typical summer day in coastal California – completely socked in by a thick, gray blanket of cold, wet fog! The light was somewhat dismal, so it wasn’t a day for typical “scenic” landscape or seascape photography, though the colors of the plants and trees were saturated by the soft light and the distant peninsula faded almost to monochrome though the fog across the bay.

These Monterey cypress trees grow along the tops of the rocky cliffs above this part of the Pacific Ocean, in some of the most exposed and precipitous locations imaginable. In some spots they are left exposed to the full force of the ocean winds and winter storms, and they grow close to the ground, following the contours of the rocky terrain in ways that remind me of trees growing in exposed locations near timberline in the Sierra. In other spots they are a bit more sheltered and they seem to be able to “stretch out” a bit, as these trees do along a section of the rocky cliffs that faces more into the bay than out to sea.

The bay holds the outlet of the Carmel River, and the peninsula visible across the water in the distance is the coastline of the town of Carmel. The foreground trees are within the boundaries of the Point Lobos State Reserve.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Detail, Overlapping Gullies – Zabriskie Point

March 23, 2011 G Dan Mitchell 3 Comments

Detail photograph of the patterns of overlapping gullies near Zabriskie Point, Death Valley National Park.

I have been working on a sort of informal project to photograph small details at Zabriskie Point that do not necessarily reveal the larger, familiar, and very iconic landscape of the place. A few years ago I noticed – almost by accident – that certain features of the surrounding landscape can be photographed in conditions quite different from the “standard” dawn and very early morning lighting. In fact, some of the geology can, I think, be photographed in interesting ways even during unusual times of the day when there is full sunlight. A bit later in the morning the light, which tends to glance across the tops of some features earlier in the day, begins to penetrate down into the little valleys and gullies and reflect into them from some of the brighter surfaces. While it can work in full sun, it may work even better when there is a bit of overcast, as there was when I made this photograph and a couple others in the series.

With this specific subject I also tend to work from a bit of a distance using long focal length lenses. This one was shot at 400mm! This poses a problem that we don’t encounter as often when using more (supposedly) typical landscape focal lengths, namely that it is hard to get the whole subject in focus due to depth of field issues that become more apparent with such long lenses.

Also, when photographing these rather pale and pastel formations, it is very easy to succumb to the temptation to jazz things up a bit. To be honest, I have seen some very good and interesting work that relied on amplifying contrast and the subtle colors. However, I’m trying hard to not go too far with this. I certainly do some work in post to balance things out a bit and to get the effect that I think best evokes what I recall of the scene, but I’m avoiding the inclination to, for example, adjust curves to the point that I get a lot of pure blacks and whites in this subject that mostly contains bright mid-tones.

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