Tag Archives: north

Photographs: Central California, Photographs: Nature

Winter Trees, Levee Road, Fog

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Tule fog softens the light on a Central Valley levee road winding among winter trees.

Winter Trees, Levee Road, Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Tule fog softens the light on a Central Valley levee road winding among winter trees.

My usual inclination when photographing a place like this is to focus on the natural and to exclude the signs of the human presence. It is perhaps ironic that I embrace the human world in my street photography but often obscure it in my other work. I think this comes from the desire to imagine a “natural” work without, well, us. There are fine reasons to do this, but there are also some reasons to not imagine that we are not part of the natural world. (This subject likely deserves and article, a book, a small library — not a two-paragraph post!)

During the winter months I often photograph in California’s Central Valley, attracted by the tule fog and by the migratory birds. And I mostly photograph these subjects as examples of nature. But the Central Valley is anything but a natural wilderness! It is crisscrossed by roads large and small, increasingly filled by towns and cities, and dominated by the agriculture industry. The good news is that those things are interesting photographic subjects, too. This road more or less winds along a levee at the edge of a large pond. I paused here to look back and the way I had come, photographing the road winding through a gentle landscape of tule fog and winter trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Backlit Desert Hills, Morning

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Backlit Desert Hills, Morning
Early morning sun back lights rocky desert hills, Death Valley National Park.

Backlit Desert Hills, Morning. © Copyright 2022 G Dan Mitchell – all rights reserved.

Early morning sun back lights rocky desert hills, Death Valley National Park.

Given the opportunity, I like to visit Death Valley twice each year — once during winter and again around the start of spring. While the spring visit brings the hope of seeing a brief wildflower bloom, winter is less crowded (and, yes, it can be crowded in this park) and feels more elemental. I’m just back from the winter visit, and I had the chance to both revisit some familiar places and push out the boundaries a bit by visiting locations that were new to me.

I was in a fairly remote part of the park on this morning, awake early to walk a mile or so to my intended subject. Due to the sun direction and geography, I didn’t need to start out in complete darkness… which inevitably meant that I was distracted by the landscape as I walked toward my primary goal. The sand-covered hills in this photograph are located at the end of a much taller ridge, and their extension into the large valley beyond places the tallest peaks in the early morning sunlight. More desert mountains rise in the distance beyond the wide valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: Urban/Street

Blue House, Flag, Holiday Lights

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Blue House, Flag, Holiday Lights
A house with weathered blue paint, an American flag, and holiday lights.

Blue House, Flag, Holiday Lights. © Copyright 2022 G Dan Mitchell – all rights reserved.

A house with weathered blue paint, an American flag, and holiday lights.

I have frequently written that I often walk out the front door carrying a camera, and during the last two years I’ve been doing a lot of walking in a several mile radius of my home. This takes me through remarkably varied areas — some very old (one might say run-down) homes, apartment complexes, one of the wealthiest neighborhoods in the area, light industrial areas, new office buildings, urban trails, a small downtown, areas occupied by the unhoused, and more. Needless to say, there is a lot to see — which is fortunate, given the amount of time I’ve spent wandering around here.

It has been noted that photographs often ask questions as much as they make statements, and as I walk around and look at these surroundings quite a few questions arise for me. Take this home for example — a small, older home on the edge of a newer and much wealthier neighborhood. It looks a bit ragged around the edges, but I wonder why? Is the occupant perhaps old and unable to take care of the place? Or perhaps one of the “house rich, cash poor” who bought the place years ago and can no longer afford the upkeep? Is the flag a habit, about simple patriotic feelings, or a statement to the neighbors? What, if anything, are we to make of the holiday lights that are falling off the edge of the roof? What about the small, lonely plant next to the concrete?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Agriculture, Photographs: Central California, Photographs: Nature

Dormant Trees and Fog

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Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.