Tag Archives: north

White Mountains, Autumn Storm

White Mountains, Autumn Storm
An autumn storm drops snow on the summit of the White Mountains.

White Mountains, Autumn Storm. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn storm drops snow on the summit of the White Mountains.

Autumn is fascinating time of transition in the Sierra Nevada. One day it can be sunny a warm, with the landscape filled with the golden and brown tones of fall — perhaps the most inviting form of the Sierra landscape. The next day something resembling winter sweeps in, the wind rises and the skies turn gray, and snow falls among the peaks. While summer is the time of easy access to most of the range, I’ve always had a great fondness for autumn in the Sierra — it is, without a doubt, my favorite time of year there.

We had ascended high on the giant fan at the base of the range above Bishop, looking for new perspectives and for aspen groves a bit more off the beaten track. The previous day and night had brought an early weather front through the range, closing some of the passes, and laying down a few inches of snow on the highest regions. From our position we looked back across foothill formations and the Owens Valley toward the immense White Mountains, a range that is just as high as the Sierra, where new snow coated the cloud-covered peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cottonwood Trees and Red Rock Cliffs

Cottonwood Trees and Red Rock Cliffs
A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Cottonwood Trees and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of tall cottonwood trees beneath a red rock cliff, Zion National Park.

Because Zion National Park is so popular, especially the main Zion Canyon along the Virgin River, the Park Service has instituted a shuttle system to carry visitors in and out and from place to place within the canyon. Like all such systems, it has it flaws — hard to get a seat going into the park early in the morning or late in the day leaving, hard to schlep camera equipment in and out — but on balance I think it is a good thing. I’ve been in Zion when the place was crawling with cars — cars on the roads, cars parked everywhere, cars waiting for parking spaces. The bus system improves on that, and I think the inconvenience is worth it for the most part.

We took a very early shuttle all the way up to the entrance to the narrows, the last stop on the route. My photographer instincts said, “Get there early!” These instincts are good, and there is a lot of interesting work to be done in the soft morning light. But photographing in these canyons isn’t the same as photographing, for example, in the open spaces of the Sierra or the desert. In red rock canyon country, the best light often comes later in the morning and well before sunset, when the sun is high enough to directly strike the red canyon walls and reflect that soft, warm light down into the lower reaches of the canyons. With this in mind, we took our time after photographing below the narrows, and rather than getting back on a shuttle we started walking down canyon, enjoying the variety of reflected light… and we repeated the process once again later in the day. I first saw this group of trees very early in the morning, and I made a point of coming back to them later in the day when I knew the reflected light would appear.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Trees, Owens Valley And The Sierra

Four Trees, Owens Valley And The Sierra
Four Owens Valley trees in evening light, against the shadowed backdrop of the eastern escarpment of the Sierra Nevada.

Four Trees, Owens Valley And The Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Four Owens Valley trees in evening light, against the shadowed backdrop of the eastern escarpment of the Sierra Nevada.

Our recent travels ultimately took us to Utah, but we began with an obligatory visit to the Eastern Sierra Nevada. It doesn’t really seem like autumn until I have renewed my acquaintance with the autumnal transformation of the aspen trees. I had been up there a week earlier, so this was a shorter visit, but it gave us enough time to do a bit of exploring, visiting some spots that we don’t typically visit.

On our final evening before continuing to the east we decided to do a bit of wandering in Owen’s Valley, and our random ride eventually brought us to this spot just as the last sunlight was coming over the Sierra crest and angling across the Valley. We had headed out this direction for an almost entirely unrelated reason, but once there this row of four trees distracted us, and we quickly worked the light before it was gone. (This was one of those landscape-photography-as-action-photography moments — that shadow line was approaching quickly as I made my exposures, and before long the trees were no longer in the sun.) From this vantage point the immensity and abruptness of the eastern escarpment of the Sierra is clear — the wall of peaks, here embellished with a trace of autumn snow, towers above Owens Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Towers and Shadows, Sunrise

Towers and Shadows, Sunrise
Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

Towers and Shadows, Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

We have not visited Utah since before the 2016 election. I love Utah’s diverse and beautiful landscape, but once the state joined in the process of dismantling public lands I felt that the ethical — though painful — choice was to stay away until things were once again set right. Earlier this month we made it back and I can report that the state is as beautiful as it was before… and that I’m very glad to have been able to return. To a Californian, used to the mostly-gray landscapes of my beloved Sierra Nevada, the technicolor landscape of Utah is a revelation.

This photograph is another intuit combines planning and dumb luck. We got up a bit later on this morning. There was no need to catch the first shuttle into the canyon since our plan was to drive to higher country. This particular subject was on my list of sunrise possibilities, but when we arrived at the spot where I thought I could set up I could not find a place to pull over. That turned out to be good luck, as a few minutes later I figured out that a more elevated perspective was possible a bit further up the road. We found a place to pull over just. before the sun/shadow line reached the pinnacles, and I worked quickly to set up as the light continued to descend. I made a series of exposures starting with the first glimmer of direct light on the highest tower, and then I kept photographing as the light moved lower on the face, projecting the shadows of the ledge and towers on the cliff wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.