Tag Archives: north

Photographs: Architecture, Photographs: Death Valley, Photographs: Desert, Photographs: Structures and Objects

Schoolhouse Ruins, Rhyolite

October 16, 2011 G Dan Mitchell Leave a comment

Morning sunlight shine through the window frames of the ruins of the abandoned schoolhouse in the ghost town of Rhyolite Nevada, near Death Valley National Park.

The ghost town of Rhyolite, Nevada is located just east of the boundary of Death Valley National Park, along the edge of the Amargosa Valley, and not far from Beatty, Nevada, which itself is close to the Nevada Test Site. Put all of that together and you have the potential for a bit of a spooky place!

Rhyolite was a short-lived mining town in the early 1900s, when it apparently was home to thousands of people who streamed to this forsaken landscape to find silver. The town was eventually abandoned – although some mining still takes place in the area – but a good number of the larger buildings are still there, in various states of decay. An old train station that looks pretty fancy is fenced off to keep us out, but you can walk (respectfully and carefully!) among many other old structures including the old school house that is the subject of this photograph.

I’ve been out here a number of times and dawn is my favorite time to photograph here. The light makes it to many of the old ruins very shortly after actual sunrise, and there is a moment of often beautiful light at this time. From Rhyolite the hills inside Death Valley National Park are visible to the west and above the nearer hills you can see Telescope Peak, the highest point in the park at over 11,000′ elevation.

The school (like a few of the other ruins) looks like it must have been a very large and robust structure. Even though the roof and the second floor are gone, almost all of the exterior walls still stand and don’t show any immediate signs of incipient collapse. On this morning I made a series of photographs from just inside one of the “doorways” of the school with a wide-angle lens. I selected and shared a few of them back in 2009, but I recently went back to my original raw files and decided to try this one in black and white.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)

Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley, Photographs: Sierra Nevada

Desert Pond and Sierra Nevada Dawn

October 15, 2011 G Dan Mitchell 3 Comments

Morning mist rises above a high desert pond reflecting the lower slopes of the eastern Sierra Nevada near McGee Creek.

On the second morning of my first fall color to the eastern Sierra this autumn, having been less than astonished by this year’s color so far, I decided to head instead out into Owens Valley to shoot back toward the mountains and to shoot some subject in Owens Valley itself. I started at this little lake a few miles east of highway 395, where great reflections of the range lit by morning sun area often seen. This photograph looks across the small lake towards McGee Creek Canyon. (McGee Creek isn’t a bad place to look for aspen color…)

I arrived here before sunrise and was set up and ready to go before the first light hit the peaks in the area of Mt. McGee and Mt. Morgan. As I stood (freezing!) by the shore of this small lake, waiting for the light that I knew was coming, a truck came up the lonely road to this place, passed the pond, made a u-turn, and slowed down by my vehicle, which was parked along the main road. My first thoughts were “this is either another photographer or someone who is checking out my car… for purposes I don’t want to think about.” However the vehicle kept going. A few moments later I discovered that this was a photographer, and he and his dog took up a position along the far shoreline. A few days later I was looking through an online landscape photography forum and I came across a photograph that looked like it had been shot from about that photographer’s position, and in which the conditions looked darn near identical to what I saw that morning. I contacted the photographer and found out that, indeed, he was the person I had seen that morning. (If you wonder why we didn’t touch base on the scene… a) we were both busy shooting the entire time, b) we were on opposites sides of the lake, and c) even though I yelled a greeting he didn’t hear.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Night, Photographs: Northern California, Photographs: San Francisco

Seagulls, Night Sky

October 14, 2011 G Dan Mitchell 5 Comments

Seagulls fly through artificial lighting at night, San Francisco, California.

I wouldn’t mind if you speculated about how in the world I managed to get this king of lighting on a photograph of birds in flight. Let’s see, it couldn’t be on-camera flash since the light is coming from the side. Perhaps I concocted some elaborate multiple flash setup and then waited for the birds?

I’m afraid that the explanation is much more prosaic. To be honest, we were at a San Francisco Giants game on this evening. We go to Giants games for several reasons: the hope that the Giants might actually play well (not at the moment!), the great views from AT&T park, garlic fries (!)… and for me, photography. I always bring a camera and a lens, and partway through the game I usually take advantage of the upper areas of the stadium to photograph San Francisco and the Bay, often at sunset and dusk.

One more fact. Giants fans who attend games have discovered something astonishing about wildlife, namely that the sea gulls seem to be able to tell when it is the seventh inning or so. At about this point in the game, flocks of them begin to assemble over the park, circling above the field and the stands… and waiting for their chance to feast on the discarded food that is left all over the stadium. (My working theory is that they have somehow learned to associate a full stadium with the appearance of good stuff to eat about two or three hours later. They are apparently as fond of garlic fries as we are.)

So, on this evening when the gulls showed up they began to fly in and out of the stadium lighting, creating a somewhat stark and dramatic effect against the dark sky.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)

Photographs: Northern California, Photographs: San Francisco

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

October 13, 2011 G Dan Mitchell Leave a comment

San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.

I made this photograph back around the start of spring in 2009. I recall shooting from the Marin Headlands back toward the Bay as the fog began to break up, still obscuring the view but allowing beams of light to begin to come through the gloom and light up portions of the Bay. Alcatraz Island is at upper left and beyond that is the Treasure Island and Yerba Buena Island complex.

Many things intrigued me about this scene. Although it is in shadow still, Alcatraz stands out as the clearest object in the scene. The patterns on the water were amazing, created by a combination of the normal surface waves, the wakes of ships that had passed, and the mottled and mixed lighting of areas of fog and sun. Beyond the main subjects and over the East Bay shoreline around Oakland, light beams come down from the clearing fog.

This photograph is also an example of why I save and later review all of my raw files. Either because I don’t understand the image when I first make it or perhaps I move on to the next project too quickly sometimes it is not unusual when a photograph “slips through the cracks” and I end up overlooking it. This was one of those photographs… which I now find hard to understand.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.