Tag Archives: old

Redwood Grove, Humboldt Redwoods

Redwood Grove, Humboldt Redwoods
A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

Redwood Grove, Humboldt Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

When photographing new locations, there is a tension between knowing enough and knowing too much ahead of time. In most cases, some preparatory research about a place is useful — it lets you find your way to (and back from!) interesting locations, and it alerts you to their existence. On the other hand, knowing too much about a place limits opportunities to experience the feeling of “discovering” something unexpected. When we arrived at this grove near the end of an exploratory loop to the far Northern California coast, the unexpected stillness and quiet of this magnificent grove was magical.

Another tension concerns the best way(s) to interpret coast redwood forests in photographs. For me, the path usually lies somewhere between the (hopeless and uninteresting) idea of “capturing” supposed objective reality and fascinating and extravagantly subjective and even fantastical interpretations that may be problematic. I don’t think that there is a right answer, but extreme cases raise important questions. On this visit I focused on carefully considering what I see without the camera — how cool/warm the light appears in these places, how much detail can I really see, how much light is really in the scene. These observations inform how I render these subjects — and my thinking about the boundaries between what was there, how the camera “saw” it, and how I want you to see it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Poles, Three Doors

Two Poles, Three Doors
Two unility poles in front of an abandoned industrial. building with three doors.

Two Poles, Three Doors. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two utility poles in front of an abandoned industrial. building with three doors.

This is another take on a subject that I posted about recently while sharing a portrait-orientation image of much the same scene. Keeping in mind that photographs posted here are often part of my “working out” process with images, trying out different ways of seeing them, here’s a bit of my thinking. In the previous version I chose the alternate orientation in order to include more of that sky (a reference to my landscape photography?) and the full height of the utility poles. This time I left only a sliver of the sky, and you have to imagine how tall the poles are. (That’s an important visual concept about which I could write an article, by the way.) So here, I think, we see the geometries of the structure, the poles, and the slanting shadows more prominently.

In that earlier post I wrote something that wasn’t completely accurate regarding the building. I pointed out accurately that it is in a former produce canning area and that it is no longer part of that industry, but I also stated that it is “abandoned.” Technically, it _was_ abandoned, but it appears that the building is now being used as some sort of warehouse or storage area. Of course, you would not see that from the outside where I was, as there are no commercial markings at all — which is a very unusual thing in this country.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Alkali Flats and Dunes, Morning

Alkali Flats and Dunes, Morning
A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Alkali Flats and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Perhaps this scene looks a bit familiar? It is the same subject as in another black and white photograph that I shared recently, though this time composed a bit differently to fit the portrait orientation and include the curving alkali flats in the foreground. I often photograph such a subject in more than one way. At a minimum I’ll try to find a portrait and a landscape mode version of the scene if possible. In the landscape version of this scene I omitted most of the lighter foreground material, but by using portrait mode here I was able to use the leading curve in the foreground.

These old alkali formations among the dunes fascinate me. So far I have not found too much information about them, though it seems that they are layers of material that must have been created from silt that was once liquid and which dried and cracked. In places the formations are thick and quite solid, but in others they are incredibly thin and fragile. (I may walk on the thicker formations occasionally, but I always try to detour around the thinner ones so as to avoid damaging them.) Unlike other playa surfaces, these are often also shaped by the forces of wind-blown sand.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Oh See!

Oh See!
An old business sign in San Jose, California.

Oh See!. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old business sign in San Jose, California.

This is not the first time I have shared a photograph of this sign. In fact, in the past I shared a color version of essentially the same photograph, one in a series that I quickly “snapped” while on a long urban walk. The sign is almost iconic in this part of the world.

You could regard this photograph in any of several ways. On one level, it is a sort of record shot that captures a specific instance of a certain rapidly-fading sort of commercial sign, a one-of-a-kind bit of commercial graphics that seems to be fading from this increasingly urbanized area. I think it is also an example of seeing beyond the literal nature of the thing. When I look at it, what I find most interesting is the relationships between the painted letters and the shadow versions created by the sun shining on the old neon lamps.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.