Tag Archives: park

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Zabriskie Point Detail, Gullies and Folds

April 25, 2010 G Dan Mitchell Leave a comment

Zabrisksie Point Detail, Gullies and Folds — Zabriskie Point Detail, Gullies and Folds

Black and white photograph of patterns of gully and hills in bright daytime light at Zabriskie Point, Death Valley National Park, California.

Here I decided to try a black and white high key approach to this generally very bright scene shot not in the typical early morning time frame, but about two hours or so after the middle of the day. I like the way that darker, shadowed wedge of hill on the right sits in the middle of the curving line of the gully as outlined by the lighter face in the full sun. As with several other photographs I’ve posted recently from this area, I used a rather long focal length and composed an image from a very small detail of the scene in the folded hills below Zabriskie Point.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 330mm
ISO 100, f/16, 1/80 second

keywords: zabriskie, point, death valley, national, park, california, usa, north america, desert, geology, folds, gully, earth, hill, bright, day, daytime, light, shadow, pattern, texture, curve, angle, black and white, monochrome, travel, scenic, landscape, nature, high key, stock, southern

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk Clouds, Badwater Basin Panorama

April 24, 2010 G Dan Mitchell 5 Comments

Colorful dusk clouds against darkening sky above the salt flats of Badwater Basin and the distant ridges of the Amargosa and Panamint mountain ranges.

This was one of the final photographs I made in fading light on this evening. (I made another series a few minutes later when the sky and clouds and salt flats were all various stages of blue – I may ultimately post that image here as well.) The very last light was catching the clouds above Badwater and the central portions of Death Valley, and the color was already fading quickly in the darker area to the east over the Amargosa Range.

As I have mentioned before, the very wide dynamic range between the shaded surface of the salt flats and the bright bit of sunlit cloud and sky at the far left necessitated the use of two exposures which were then combined in post. (Even after this light finally faded I was not yet finished for the day. An hour or so later I was doing night photography under the light of the rising full moon at Zabriskie Point.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two exposures in the 1/2 to 1/4 second range.

keywords: badwater, basin, salt, flat, polygon, pattern, white, texture, panorama, evening, sunset, twilight, dusk, dark, sky, color, orange, pink, blue, amargosa, panamint, mountain, range, ridge, horizon, death valley, national, park, california, usa, north america, landscape, travel, scenic, nature, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California, Photographs: Textures

Eroded Formations, Zabriskie Point

April 20, 2010 G Dan Mitchell Leave a comment

A small dry wash runs past folded patterns of eroded hills in morning light at Zabriskie Point, Death Valley National Park, California.

This is another in my “up close and personal” sequence of photographs of details of the geology at Zabriskie Point. Zabriskie is undeniably an incredibly beautiful spot, but after photographing “the view” a number of times my attention was drawn to some of the smaller details of the surrounding terrain. While I’ll still shoot the famous view(s) from this location when conditions are special, I now spend more time using a long lens to pick out small elements of the scene – and there are a lot of them to work with!

On this morning the light was, at times, very special. When I made this photograph the typical sidelight from the early sun was diffused and filtered by some high clouds in the east, and this soft light is different than what I’ve seen here before – it seems to me to have a subtle glow.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 150mm
ISO 200, f/14, 1/40 second

keywords: zabriskie, point, gower, gulch, wash, folds, eroded, hills, formations, crack, earth, desert, barren, morning, light, sand, gravel, tan, brown, death valley, national, park, california, usa, north america, detail, landscape, nature, stock, geology, scenic, travel, dry, hill, gully

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Badwater Basin Salt Flats, Dusk

April 19, 2010 G Dan Mitchell 2 Comments

Newly formed salt polygons extend to the horizon as evening clouds gather above the Badwater Basin salt flats, Death Valley National Park, California.

This is one more – and perhaps the last – in a series of photographs I shot on a late-March evening in the Badwater Basin of Death Valley National Park. The light goes through a long and interesting transitional process at this location. Because of the tall Panamint Mountain range to the west, the direct sun leaves the surface of the salt flats quite early, though the hills along the east side of the valley and the more distant mountains can still be sunlit for some time. Once the sun drops behind the Panamints, the “white” salt actually can end up being quite blue since it is illuminated entirely by the diffused light from the blue sky. As I have mentioned before this creates some interesting subjective questions for the photographer. Should the salt be white? Should it be as blue as it looks in the capture? Should it be somewhere in between? I’ve seen interesting and effective photographs that seemed to take each of these approaches.

In this case, because I shot a bit before actual sunset and while some clouds reflected less blue light onto the playa surface, the need to alter to color balance was diminished a bit – which is not to say that I didn’t do some work to balance the colors so that they looked more like what I remembered. A second issues is related, namely that the sky remains very bright while the salt flat surface, in deep shade, is very dark by comparison. On the scene, the eyes/brain compensate and the difference seems less than what the camera records. So, again, some adjustment in post is needed. In this case I made two exposures one stop apart. On just barely handled the brightest portions of the sky without blowing out, while the other did a better job of holding the details for the shadowed salt formations. I combined the two source images in post.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of 1/13 second and 1/6 second exposures

keywords: badwater, basin, salt, flat, desert, polygon, water, playa, crust, pattern, sky, cloud, evening, dusk, sunset, blue, mountain, ridge, range, distant, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, geology, horizon, stock

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