Tag Archives: patterns

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Blue Dunes

Image April 27, 2020 G Dan Mitchell Leave a comment

Death Valley sand dunes in evening light.

Among the things I have learned — or perhaps relearned with greater certainty — during this time of semi-isolation when we are unable to travel to the places we long to see and photograph is that I often overlook photographs with potential as I focus on the most obvious things and as I rush to move forward to the next project. During the past six-plus weeks I have been digging into archives of raw files that I left behind last year, and I’ve discovered some overlooked images that I now find interesting.

I made this photograph on a spring evening. I had been photographing sunset light on dunes and mountains, and I kept photographing (of course!) after the sun set and the light diminished and softened. I made only a single exposure of this particular view of this subject, perhaps thinking that the presence of a few sand-filled footprints across the dune might “ruin” the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes At Dawn

Image April 21, 2019 G Dan Mitchell Leave a comment

Dawn light and shadow patterns on sand dunes, Death Valley.

Other recent photographic posts here have mentioned the astonishing transition of desert light between the pre-dawn twilight and the post-dawn light of daytime, and especially the rapid changes that occur right around sunrise itself. I made this photograph during the first moments after the direct sun had made its way onto the dunes after rising above a mountain range far to the east. At this point the light is still warm, but significantly less so that during that first instant of direct light, and the shadows still are deeply blue from the color of early morning sky.

The small stand of foreground creosote is emblematic of one of the astonishing things about sand dunes, namely that there is so much living stuff in a place that first appears to be completely inhospitable to life. It is a challenging environment, and plants are few and far between, but they do manage to survive. In the springtime the permanent plants such as the creosote bushes are briefly embellished by the appearance of seasonal flowers, at least during years with sufficient rain.

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Photographs: Architecture, Photographs: France, Photographs: Structures and Objects, Photographs: Travel

Stairs, Le Centre Pompidou

Image October 3, 2018 G Dan Mitchell Leave a comment

Outside stairs at Le Centre Pompidou, Paris

We had previously walked past the Pompidou Center museum but had not stopped, instead visiting other museums on our list. The structure is famous (or infamous, depending on your aesthetics) for its unusual architecture, which exposes lots of things that would usually be hidden beneath the skin of a more traditional building — ventilation ducts, stairs, escalators, structural reinforcements, and more. While the art inside the building was fascinating, the photographer in me was attracted to the structure itself.

I made this photograph from the ground level before we went inside. The simple “x” shape is superimposed on some of those exposed structural details, in this case a bunch of outside stairways. The color scheme of the building in this area is almost purely monochromatic — at first I thought I was looking at a black and white image, until I noticed a bit of yellow color along a margin. Since it was already monochromatic I decided to eliminate even that bit of color and go with a black and white rendition.

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Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Morning Reflections

Image August 17, 2018 G Dan Mitchell Leave a comment

Tufa towers and morning light reflecting on the surface of Mono Lake

The tufa towers are often the first subjects that people think of when they consider photographing at this location. I’ve photographed them many times and in may ways — up close, at a distance, in silhouette, in all kinds of conditions and at all times of day. I still find them fascinating, but I’ve come to see the lake as being more about other features now.

The greatest impression I get from the lake is immense space. This comes partly from the sheer size of this landlocked lake, but it may also come from a combination of often seeing it from elevated viewpoints and from the open and sometimes cloud-filled sky. And at early and late times of day the water takes on colors of sky and surrounding mountains, ranging from brilliantly intense to quite subtle. These colors are interrupted when the wind produces patterns on the surface of the water.