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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Mesquite Dunes and Cottonwood Mountains

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Mesquite Dunes and Cottonwood Mountains
Mesquite Dunes and Cottonwood Mountains

Mesquite Dunes and Cottonwood Mountains. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Soft and hazy late-afternoon light on Mesquite Dunes and lower Cottonwood Mountains, Death Valley National Park.

The color of the sand dunes of Death Valley changes radically at different times of the day, in different weather conditions, and even seasonally. Many of the photographs of these dunes – the “Mesquite Dunes” in the middle Valley near Stovepipe Wells – are made in the early morning or in the evening. At those times the dunes take on the colors of sunrise/sunset light (generally very warm yellow to golden colors) or the pre-dawn or (better yet) post-sunset light of the sky, which can include a range of colors from blues to pinks to purples and so on. Judging by photographs you might think that the dunes are brightly and intensely colorful. (Or black and white, but that’s a different story.)

Most of the time the coloration is quite different from what we see at the early and late “edges” of the day. The less saturated colors at other times of day can be a bit more complicated to shoot, but they can also create some wonderful subtle effects if you happen to look in the right place at the right time. Late in the afternoon on this early spring day, there was some haze in the atmosphere – perhaps from some blowing dust and/or some clouds and moisture that had been around earlier. As the sun drops at Mesquite Dunes, it goes behind mountains to the west well before actual sunset. When this happens, the dunes are gently back-lit by soft light from the western sky, and the backlit haze mutes the colors of the dunes and, even more, the distant slopes of the rugged Cottonwood Mountains.

My idea here was to isolate the undulating shapes of the softly lit dunes in front of the background of the very, very muted colors and shapes of the lower Cottonwood Mountains, which are obscured by haze. There is some color in this scene, but it is subdued and edges quite a ways towards pastels.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk, Death Valley Ridges

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Dusk, Death Valley Ridges
Dusk, Death Valley Ridges

Dusk, Death Valley Ridges. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light on ridges above Death Valley, California.

This photograph was made in the evening from Aguereberry Point, high in the Panamint Mountain Range along the west side of Death Valley. The point is a spectacular overlook with panoramic views in all directions. The number of visitors is relatively low since it is at the end of a gravel road and is a good long drive from most of the places where people tend to stay when they visit the park. It is also windy!

(Those who read the brief technical information about the photographs might wonder at my use of ISO 400 for a landscape photograph – but when shooting at 400mm in windy conditions, a lower ISO makes it darn near impossible to deal with camera vibrations.)

The range of lighting conditions and effects as the day comes to an end at Aguereberry Point is tremendous. To the west (roughly behind me and over my left shoulder as I shot this photograph) the sky is very bright as the sun drops towards the distant Sierra Nevada. Below the Valley and the canyons along the mountains on either side gradually dim and become hazy. As the sun drops and is blocked by intervening peaks and mountain ranges, even the higher peaks and ridges take on these subtle and pastel shadings. It probably isn’t too important to identify the specific ridges in this image, but they are to the northeast of the point. The nearer ridge is along the west side of the Valley (probably part of the Tucki Mountain complex) and the further ridges are a much greater distance to the northeast across the upper Valley.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Trail Canyon, Lower Slopes of Wildrose Peak, Death Valley

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Trail Canyon, Lower Slopes of Wildrose Peak, Death Valley
Trail Canyon, Lower Slopes of Wildrose Peak, Death Valley

Trail Canyon, Lower Slopes of Wildrose Peak. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Afternoon shadows fall across the lower slopes of Wildrose Peak above Trail Canyon and below Aguereberry Point, with Death Valley and the Black Mountains beyond.

The view from Aguereberry Point (and from this location close to the point) is spectacular and expansive, taking in everything from Death Valley itself, stretching almost 180 degrees from left to right, to the Green, Black, and other mountains beyond. To the south and north other ranges merge with the atmospheric haze. The peaks of the Panamint range lie behind, and in places where the view is clear you can look down on the rugged terrain of the east face of the Panamint Range with its rugged ridges and deep canyons dropping towards the Valley. This photograph looks roughly southeast towards the lower end of Death Valley in the area around Ashford Mill. The deep foreground canyon, the bottom of which is just visible at lower right, is Trail Canyon. I understand that a four-wheel-drive road used to come up to Aguereberry Point via that canyon, but that parts have washed out and it can no longer be driven. I think that you can hike it, but that would be one heck of a climb since the base of the canyon can’t be more than a few hundred feet above Death Valley (which is below sea level in this area) and the Point is well above 6000′. The lower slopes of Wildrose Peak rise beyond the canyon.

Surprisingly, this view presents several photographic challenges. Because of the haze that appears when such great distances are part of the scene, I chose to use a polarizing filter for this shot. Timing is important here, too. Arrive a bit too early and the light is harsh and flat. Arrive a bit too late and the foreground ridges are quickly enveloped in shadows as the sun drops behind the crest of the Panamint Range. (Yes, I have made both mistakes in the past.) Knowing this, I arrived a bit earlier than I might have usually arrive to shoot evening light and I managed to photograph the scene before that Panamint Range shadow obliterated the foreground light.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dawn Light, Base of the Cottonwood Mountains

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Dawn Light, Base of the Cottonwood Mountains
Dawn Light, Base of the Cottonwood Mountains

Dawn Light, Base of the Cottonwood Mountains. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on the based of the Cottonwood Mountains at the edge of Death Valley.

This is (yet another) one of those photographs that is the result of some odd combination of “planning” and serendipity. When I travel somewhere to do photography I often, though not always, have some ideas about certain types of subjects I would like to photograph or about ways I’d like to photograph them. On this visit to Death Valley I had a few such ideas in mind – one of them had to do with scenes that filled the frame with the rugged and forbidding and seemingly lifeless mountains and valleys and ridges of the place. Another had to do with photographing in the early light along the west side of the Valley, something I thought about but didn’t really try on my previous visit. This photograph and a few others like grew out of those ideas.

On the other hand, I wouldn’t have been in this spot at this moment if I had not had an electrical problem with my car! The night before I had returned to the campground from a bit of late shooting, parked the car, and went about my “camp business” before crawling into the tent and setting my alarm for an appropriate pre-dawn hour so that I could arrive at a particular location before the sun came up. The alarm went off at the appointed time, and a few minutes later I emerged from my tent and got into my car. It wouldn’t start. I soon realized that the car was electrically “dead” – no interior lights, etc. Since it was still completely dark, the idea of doing auto repair outside the tents and RVs of lots of other sleeping campers was out of the question, so I went back into my tent and speculated uncomfortably about the potential costs of towing and automobile repair in Death Valley.

Later, as the sky began to lighten, I heard other campers stirring. I got up – again – and opened the engine compartment to find that one of the battery cables had come off, perhaps as I drove a rather rough road the previous day! Relieved to find that this was something that I could fix, I reattached the cable, quickly got in the car, and figured I would see what I could salvage of the morning shoot. I headed west across the Valley toward Towne Pass, thinking about photographing some snow that was high on the ridge. As I drove I saw that the first light had still not quite reached the Valley floor along the base of the Cottonwood Range. I quickly found a slight rise along the road where the view wasn’t obstructed by desert plants, pulled over, put on the long lens, and made a few photographs as this beautiful light worked its way down the face of the range and began to work its way out across the giant wash along the edge of the Valley.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.