Tag Archives: peninsula

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Patterns in Rock

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Patterns in Rock
Complex patterns in rocks along the California coast.

Patterns in Rock. © Copyright 2022 G Dan Mitchell.

Complex patterns in rocks along the California coast.

If you are hoping for a scientific explanation of what you are seeing in this photograph, I’m not qualified to provide it. I’ve visited this little area of small geographic wonders at Point Lobos for decades, and much of it remains a mystery to me. I know bits and pieces of information, but far from the whole story.

I find something new every time I visit this spot, even after all of these years. This little vignette impresses me with its variety of features. The underlying rock seems to be some kind of sandstone, in vertically oriented layers that must have been uplifted and distorted at some point. Other rocks are embedded in it, and in this spot there is this odd bit of angular patterns.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Rocky Peninsula, Wilderness Lake

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Rocky Peninsula, Wilderness Lake
Trees grow on a rocky peninsula extending into a Yosemite wilderness lake.

Rocky Peninsula, Wilderness Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees grow on a rocky peninsula extending into a Yosemite wilderness lake.

By this point it is probably no secret that I’m a fan of almost any subject that gets backlit. That kind of light is high on my list of things I look for when I doing landscape photography, especially away from the golden hours times. When the light shines from behind trees, their needles and leaves can seem to glow and their color becomes more intense. (A few friends refer to this a “G Dan light,” but I know I’m not alone in this fascination with back light.)

I made this photograph at a Yosemite wilderness lake where we were camped for about a half of a week a few years ago. The scene was perhaps a bit less alpine than the terrain that I’m usually attracted to, but the gentle landscape of this spot grew on me as we spent time there and I explored it. At least twice a day, morning and evening, I wandered out to walk around the edges of this lake, becoming acquainted with its features and the various ways that the light changed throughout the day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature

Autumn Moon Rising, Mono Lake

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Autumn Moon Rising, Mono Lake
A full autumn moon rises above Mono Lake at dusk.

Autumn Moon Rising, Mono Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

A full autumn moon rises above Mono Lake at dusk.

There are still a few more photographs in this series of autumn evening images from Mono Lake that I made a few years ago. These come from that pandemic photographic genre that we might call “photographs that would have been lost forever if forced isolation had not given me a great reason to look through my old files.” (Maybe you have a shorter title?) I know I’m not the only one dong this. Travel has, of course, been complicated for a year and a half. I’ve been out, and I’ve even been to Mono Lake during this interval, but the opportunities seem greatly diminished. But there are tens of thousands of raw files in my archives, and it has been productive to spend time going back through them and discovering things I had left behind. (How that happens would be a great subject for a long post sometime.)

On this autumn evening I timed by arrival at Mono Lake for right around sunset. I knew that the full moon would rise over those distant mountains east of Mono Basin, and I expected that the moon world rise while there was still some light in the sky. This is ideal in many ways, since the remaining ambient light is often colorful, it illuminates landscape details, and it reduces the contrast between the bright moon and the darker scene. In several of the photographs —working very quickly! — I used a much longer focal length to enlarge the moon. But for this one I backed off and included much more of the surrounding landscape and the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Point Sur, December Sky

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Point Sur, December Sky
High clouds, brilliant reflecting light on the water, and fog at Point Sur.

Point Sur, December Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

High clouds, brilliant reflecting light on the water, and fog at Point Sur.

There is a lot of “accepted wisdom” about photography that turns out to be not quite true when you stop and consider your actual picture-making experience..Yesterday I was having a conversation with a photographer friend (Hi, Charlie!) about various things, including the way that some photographs don’t quite make sense to us until we return to them long after making the original exposure. If one ideal is to pre-visualize the photograph perfectly (and I do believe in the value of pre-visualizing), then it would seem that being surprised months or years later to find that a forgotten image works is hard to explain. But it happens — quite a lot, actually. One of my ideas about this is that at first we are too invested in what we believe the photograph to be that we are unable to look beyond that and see what it actually is.

All of this is a long way of getting to a point about this photograph. When I first viewed it right after the day I visited the Big Sur coast, I had a hard time with certain aspects of the light and the color and, to a lesser extent, the way it was framed. Originally I settled on a black and white interpretation. (Yes, a neat way of copping out about the color issues!) Recently I went back and looked at it again, and this is the result. I ended up with a slightly different crop, some work to lighten portions of the scene, and some new thinking about color of clouds and sky and about how to handle the bright yet low contrast reflections on the water out near the horizon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.