Tag Archives: pink

Photographs: Nature, Photographs: Sierra Nevada

Mount Humphreys and the Sierra Crest, Dawn

October 30, 2011 G Dan Mitchell 1 Comment

Dawn light falls on the snow-dusted summit of Mount Humphreys and the Sierra Crest above Bishop, California.

On this morning I paused along highway 168 on my way to photograph fall aspen color in the Bishop Creek Canyon area to photograph the first light on the Buttermilk Range and along the section of the Sierra crest near Mt. Humphreys and Center Peak. My main reason for stopping here was to photograph the Buttermilks, the rocky hills along the giant “fan” rising from Bishop toward the base of the escarpment of the eastern Sierra. The plan was to find a good vantage point, put a long lens on the camera, and then pick out various features of the range as the edge of the first light hit them.

With that in mind, I was set up here before dawn and standing around in the cold morning air waiting for the light to arrive. Obviously, before the dawn light can get down to the elevation of the Buttermilks it must first hit the peaks of the crest, and who can resist that kind of light? The very first light that just touched the tip of Mount Humphreys, near the right side of the frame, was almost too intense in comparison to the shadowed lower slopes, so I continued to wait until the light, still very saturated with color, illuminated the full upper faces of the crest and began to light up the lower peaks to the east.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tree in Granite Bowl, Sunset

September 29, 2011 G Dan Mitchell Leave a comment

A small tree near the base of a granite bowl is illuminated by sunset light, Yosemite National Park.

I made this photograph in an area alongside the Tuolumne River where large expanses of granite slabs tilt down almost to the river itself. This is a wonderful place for photography: subjects here include everything from the river itself to the granite and the trees and other plants, the light ranges from colorful light reflected from nearby cliffs to sunset and sunrise light to the soft pre-sunrise and post-sunset light.

I had been photographing some larger trees and some trees and plants growing from narrow cracks in the solid rock, but as the sun dropped to near the horizon and the light’s color warmed, I moved over to an area where a line of larger trees marches up the slope between two expanses of granite. From here I spotted this small and stunted tree growing out of nearly solid rock and with a background of curving granite slabs occasionally interrupted by the odd boulder. The photograph was made in just about the very last light of the evening is it slanted across the rocky scene, and the “golden hour” light intensified the subtle colors of the rocks.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Small Trees and Plants, Granite Slabs

September 25, 2011 G Dan Mitchell 4 Comments

Small trees and plants grow in a thin crack among stained granite slabs, Yosemite National Park.

Just over a small hill from the campsite on the first nights of my recent Yosemite back-country photography trip, the Tuolumne River cuts down through rocky terrain and past large granite slabs marked by intrusions of red rock. As is often the case in the Sierra, any tiny crack or weakness in the rock is enough for plants to get started. This very think crack supports a “grove” of very small trees, along with some other plants.

The previous week had been a rainy one, including the night before, when I arrived just in time to set up my tent before the rain began. As a result, water had been draining across this granite slope and highlighting the natural seepage lines on the rock and the colors of various deposits from the more colorful rock above and embedded in the granite slabs. I made this photograph in the very soft early morning light before the sun had risen high enough to send direct light down into the canyon.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset and Moonrise, Kuna Crest

August 15, 2011 G Dan Mitchell Leave a comment

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.