A bench, chained to the sidewalk, in front of a cinder block wall with male/female symbols.
This is one of “those” photographs – it probably completely baffles many who like my landscape and nature photography… and perhaps a few others as well. ;-)
I’m not quite sure why I wanted to photograph this little scene. The color palette, mostly fairly drab except for the pink circle, seemed a bit different. The almost random gender symbols (as much of them as you can see) on the wall behind the bench seem odd and surprising. (There was probably once a shop in this building that was connected to that sign, but it is no longer there.) If we want to get philosophical – and why not? – the juxtaposition of an unoccupied bench with those symbols could be read in a variety of ways, and the fact that the bench is cabled to the ground is also interesting. In any case, that’s my story and I’m sticking to it.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The moon, in full lunar eclipse, passes behind the south tower of the Golden Gate Bridge.
This is the second of two photographs of this week’s full lunar eclipse that I will share. The earlier one was a horizontal format version of roughly the same subject. Here the fully eclipsed setting moon passed behind the upper portion of the south tower of the Golden Gate Bridge, as seen from the San Francisco Bay shoreline in the Crissy Field area. There was just a bit of pre-dawn light in the sky at this point, and within a few minutes of making this photograph the combination of increasing ambient light, the generally hazy atmosphere, and the moon dropping into high, off-shore clouds brought the show to a fairly quick conclusion.
I was stunned by the number of other photographers out at this very early hour, even considering that it was within the city of San Francisco. I had originally tried Treasure Island, in the bay between San Francisco and Oakland. There were quite a few photographers lined up there at 5:00 a.m., but I did not like the potential positioning of the moon relative to likely foreground features near the horizon, so I didn’t stick around. Instead, I made a guess based on my knowledge of the area that there was a good chance that the moon might line up with the Golden Gate Bridge from vantage points in the Fort Mason, Crissy Field, and Fort Point areas. I drove over there quickly and was surprised to find the parking lots were nearly full and tripod-laden photographers walking about or already set up. I grabbed the first decent parking space, loaded up my gear, and started walking west, figuring that I could get to the likely spot on foot quite quickly.
A second surprise was that the ideal location, which wasn’t hard to find at all, was far less crowded than the areas closer to the parking lot. I was even able to find a spot or two where I could set up apart from other photographers and wait – for only a few moments by this time – for the moon to intersect with the bridge.
Another view of this subject in landscape orientation is posted here.
An interesting side note: Photographer Florian Kainz later shared his eclipse shot with me and asked if I might be the photographer standing in front of the bridge. Yes. That’s me! With Florian’s permission I have included a small version of his photo here – follow the links back to see his full-sized post at Flickr. He has given me permission to share his photograph here. Thanks, Florian!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Dawn light gently lights the morning clouds about San Francisco Bay haze and Alcatraz island.
After photographing the lunar eclipse over the Golden Gate Bridge – along with many hundreds of other photographers – I stuck around and turned my attention to other subjects, too. As sky began to lighten with the approaching dawn, and the eclipsed moon sank into the high clouds and generally murky atmosphere over the Pacific coast, I began to see other photographers look around and notice other elements of this urban landscape. But, surprisingly the larger number simply packed up their gear and left as soon as it became hard to see the moon!
I was quite surprised, to say the least. One one hand, it was something to see that so many photographers and other viewers had gotten up at a very early pre-dawn hour just to assemble and together watch this celestial event. On the other, once along the shore of this beautiful bay at sunrise on a mysteriously hazy morning, I’d expect that they might want to look around and try to sustain the experience. (OK, it was cold. They probably wanted coffee. And breakfast. But, still!) In any case, within a surprisingly short period of time, where people had been lined up almost tripod-to-tripod a few minutes earlier, there were few at all left to see the sunrise color come to the high clouds above the bay, here with the misty shape of Alcatraz along the horizon.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Three glacial erratic boulders atop a granite dome near Glen Aulin, Yosemite National Park.
Looking for something to photograph one evening during my September back-country photography trip into the Glen Aulin and McCabe Lakes area of Yosemite National Park, I climbed up from our camp site to the top of this small granite dome or “whaleback” above the valley of Glen Aulin. The dome is merely the most open and exposed portion of a ridge of more durable rock that rises a ways up the slope from near where we were camped, and from its “summit” I had a 360-degree panorama of the surrounding landscape as the day came to an end.
When I first arrived at this spot more than an hour earlier, the sky was almost completely clouded over. This was one of those situations in which the immediate photographic prospects seemed quite limited, with gray skies and murky atmosphere, but with some potential for interesting things to happen if the clouds thinned as sunset approached. So I decided to stick around in this spot rather than wandering around looking for something else, and in the end the clouds did thin. Before I made this photograph, one of the last of the evening, I had managed to find a range of subjects as the light changed: the light from breaks in the clouds began to move across a forest to my right and light a small prominence nearby; light coming over the ridge at the far right back-lit some haze behind trees on a lower ridge that was closer to me; and finally the remaining clouds took on a bit of color right as the sun dropped below the horizon.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
