Tag Archives: print

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Six Ross’s Geese in Flight

June 15, 2013 G Dan Mitchell Leave a comment

A small flock of six Ross’s geese in flight against the sky in golden hour light, San Joaquin Valley, California

Late on this January afternoon – more like early evening perhaps – we were staking out a small flock of Ross’s geese that had parked themselves in a nearby pond. There were not that many of them – nothing like the flocks of many thousands that we have watched on some other evenings, when they gradually depart in small groups over a long period of time, or the very large group we saw earlier this year that mostly just moved around in a pasture near where we were shooting. Each time a small sub group departed on this evening, they created a noticeable decline in the number of birds left behind.

However, they somewhat compensated for their small numbers by means of their more “photographable” departure path, at least in some cases. Rather than flying away from us, some instead flew from left to right in front of our position and some of them even did a few laps overhead before actually leaving. This group of six was among those most obliging geese. They had departed to the right, looped back around to the left, and then flew across in front of us a second time, all the while taking a fairly low flight path. As this group passed by I watched carefully though the viewfinder to try to catch them in an instant when none of them obscured the others in the flock, and I caught such a moment here with the added bonus of a bit of slightly golden late afternoon light.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Night Photography, Photographs: Architecture

Porch and Shadows

June 14, 2013 G Dan Mitchell Leave a comment

Ambient light, shadows, architecture and vegetation on a night photography shoot.

In November 2012 I joined my friends from The Nocturnes, the San Francisco Bay Area night photography group, for a get-together and shoot at the historic Mare Island Naval Ship Yard. Since this was an “alumni night” event, there was a certain ritual to be followed. Folks who were new to Mare Island arrived early to tour the site – the first west coast naval ship yard, with history going back well over 150 years. A bit later, the “veterans” arrived to join everyone else for events that began with sharing of photographs, continued with pizza, and then led to a night of, well, night photography nearby.

The weather was not promising. We knew that a weather front was on its way, and we hoped – though we probably knew better – that it might hold off long enough to complete some photography. (Those of us with smartphones, checking the weather radar updates, knew better.) The tell-tale south wind was rising as we headed out, and within moments of starting to photograph an old wooden building the rain began. At first I continued to shoot under my umbrella, but soon it was just plain too wet to stay out. Fortunately, we had arranged for access to one of the historic officer’s quarters buildings and photographing inside and around this building quickly became the fall-back plan. I ended up on the front porch with Mark Citret and Tim Baskerville where we intermittently talked photography and made a few shots of things that didn’t require us to stand in the rain. At one point I parked myself near an end of the old porch and made this photograph of the shadow of my rig falling the wall of the building.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

San Francisco Skyline, Bridge Cables

June 13, 2013 G Dan Mitchell Leave a comment

Golden Gate Bridge Cables silhouetted against hazy morning light on San Francisco Bay and city skyline

Back in March I took a day to go up into Marin County to do some early spring photography, thinking about the possibility of shooting in the redwood forest at Muir Woods – which was, in fact, where I ended up. I left well before dawn, and crossed the Golden Gate Bridge right about the time the sun was coming up. Being a big fan of shooting in atmospheric haze of all sorts, the very thin layer of fog spreading across the entrance to the bay was enough to make me pull over and make a few photographs of the bay and the city.

This was an unusual sort of fog. We are more familiar with the banks of thick fog coming in off of the Pacific and flowing in through the Golden Gate, covering the bridge and rising over the shoulders or even the summits of the hills, often with a fairly sharp boundary between fog and clear air. This fog, however, was thin and more widespread and did not form the familiar “bank.” It was closer to translucent than to opaque, and the outline of the downtown San Francisco skyline was visible, though all details were muted. The identity of the foreground structure probably needs no explanation!

Photographs: Nature, Photographs: The Southwest, Photographs: Unclassified, Photographs: Utah

Autumn Maple Tree, Slot Canyon

June 12, 2013 G Dan Mitchell Leave a comment

The red and gold leaves of an autumn maple tree against the lichen-covered and layered sandstone walls of a slot canyon, Zion National Park

When we passed through Zion National Park about a week and a half from the end of October, it was mostly too early for fall color in Zion Canyon, but things were starting to get interesting in the high country along the Mount Carmel Highway, where we spent most of a day looking for and photographing fall color, red rock, canyons, and much more. It seemed to me that the predominant sources of autumn color here were maples, and some of them were quite brilliant.

This tree was growing along a wash at the bottom of a red rock canyon which in places took on the appearance of a slot canyon. Between the tree, with its golden-yellow, oranges, greens, and bits of red, and the cliff, with shades of brown, white, red-orange, and even blue and purple, it is hard to think of very many colors that don’t make an appearance here. I of course liked the colors of this tree, but I also found the water-sculpted steep canyon walls to be interesting, with their folded shapes, lichen, and brighter color where the underlying rock could show through.

G Dan Mitchell Photography

Tag Archives: print

Porch and Shadows

San Francisco Skyline, Bridge Cables

Autumn Maple Tree, Slot Canyon

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.