Tag Archives: print

Photographs: Northern California, Photographs: Urban/Street

Red Bench, Ball, and Shadows

June 19, 2013 G Dan Mitchell Leave a comment

A weathered red bench next to a suburban lawn and in front of a home with tree shadows

This probably seems like a different sort of photograph from me, but I actually have a thread of images along these lines that goes back quite a ways. They belong to what I think of as “wandering about my neighborhood” photographs, which I make on occasional walks in an extended version of my neighborhood – literally stepping out the front door and then walking. These walks encourage me to see things that I would otherwise miss, both in the general photographic sense of noticing things more when I have a camera in hand and in the more specific sense of noticing things that I otherwise simply pass by in my neighborhood.

I distinctly recall one of the first times I did this. I “saw” two things that I simply had never noticed before, even though I’ve lived in this neighborhood for years. First, in a nearby small downtown area there are buildings with more than one level – and it wasn’t until that first walk that I actually noticed the details of the second stories of these buildings. The second thing I noticed were shadows of trees. It turns out – no surprise now that I think about it – that they are everywhere. It was as if every building had trunks and branches and foliage painted on its walls. This photograph includes these shadows. It also has some other compositional elements that interest me – I’ll leave it to viewers to think about them – and there is something interesting to me about that old, weathered bench and the ball parked next to the column on the patio at the top of the concrete stairs.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: Ocean & Coast

Launch For Hire Building

June 18, 2013 G Dan Mitchell Leave a comment

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

Photographs: Abstract, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Geese Take Flight in Dusk Sky

June 17, 2013 G Dan Mitchell Leave a comment

Motion-blurred photograph of a flock of Ross’s geese taking flight in dusk sky above the San Joaquin Valley, California

This is another example of what I’ve taken to referring to my “blurreds in flight” photographs. (Yes, a bad pun on the common subject of “birds in flight,” also known as “bif” photographs.) Very early morning or dusk seem like good times to experiment with this, as the very dim light often pushes the ability of photographer and gear to continue to shoot as ISOs rise, apertures enlarge… and eventually one runs out of maneuvering room. Just lower that ISO and let the birds blur!

But that’s not really why I do these. While I suppose that I’m just as interested in trying to produce very sharp images of birds frozen in flight by high shutter speeds and accurate autofocus, I sometimes feel that this more clinical approach isn’t the only way to capture or express the qualities of these animals and what I can observe of their lives. In a sense, the still camera “lies” about what we can actually see of these birds when we are there and watching them. In low light, often observing from a distance, when a group of Ross’s geese suddenly takes flight in a wild maelstrom of honking and flapping wings, we really cannot see all of the specific details of each feather and the impression we have is more often one of wild motion and surprise. While I don’t think a photograph can ever fully or accurately depict this, allowing the motion to become visible by using slow shutter speeds might evoke a sense of these animals that the razor-sharp, stop-action photographs might miss.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree Covered Hillside, Cliff

June 16, 2013 G Dan Mitchell Leave a comment

Early autumn afternoon back-light on high country trees and shadows on a sandstone cliff face, Zion National Park

Perhaps surprisingly, trees were a big draw for me during my several visits to Zion National Park in October last year, and not just the trees that were getting their fall color. The junipers and pines are also intriguing, especially when backed by sandstone or lit from behind by low angle light as in this photograph.

This area near the eastern boundary of the park has intrigued me but also puzzled me each time I have stopped there. Nearly is a significant and named park feature that seems to be the main reason for stopping. It is an impressive geological feature… but, for the life of me, I have not been able to find a way to make an interesting photograph of it. Yet each time I passed by, I stopped and looked and pondered and (most often) did not photograph it. However, with each successive stop I began to pay more attention to other features in this spot: the big cliff on the other side of the valley on which colors fade from gray-white to red, the many trees that stand with enough space between them to allow back-light to pick them off individually, and more.

G Dan Mitchell Photography

Tag Archives: print

Red Bench, Ball, and Shadows

Launch For Hire Building

Geese Take Flight in Dusk Sky

Tree Covered Hillside, Cliff

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.