Tag Archives: quiet

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Pacific Ocean, Big Sur

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Pacific Ocean, Big Sur
Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Pacific Ocean, Big Sur. © Copyright 2022 G Dan Mitchell.

Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Views like this never fail to make me pause. There’s something about an expanse of “empty” earth, whether liquid or solid, that focuses the attention. It could be standing at the Arctic Circle and looking north (which I’e done only once), viewing expansive desert terrain from a mountain ridge, or looking across the ocean toward the distant horizon from a high viewpoint. I’m not sure I can articulate the attraction precisely, but it includes the immense space, the absence of obvious human presence, and the encounter with deep time in a place that has probably looked like this for what seems like forever.

Perhaps ironically, this particular view is from a spot along the Pacific Coast Highway that can be crowded ruing the high tourist season. However, on this late-autumn weekday morning there was almost no one else around, and I shared this spot with a single cyclist who had stopped for a snack at the top of the climb.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Sierra Shoreline, Morning

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Sierra Shoreline, Morning
Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

Sierra Shoreline, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

This photograph brings back a bunch of wonderful and somewhat wistful memories. I made it on a weeklong wilderness trip with a group of photographers with whom I’ve been heading into the Sierra backcountry almost every summer for more than a decade. (The “wistful” part of the memories is largely because the pandemic has prevented us from getting together again this summer.) We typically spend that time exploring some beautiful Sierra location, base-camped long enough to really get to know the place. Every morning we emerge from tents in darkness and head out to photograph for hours. We return to camp in the middle of the morning with stories to tell and chores to take care of. Late in the afternoon we head out into the field again, photographing until the light fades and we return to camp in darkness. The we do the same thing the next day.

This trip took us to a beautiful little forested lake in the Yosemite backcountry, a place I had not visited previously even though I had been in the general area quite a few times. The lake is up high, with expansive views from nearby ridges, and surrounded by forest. On most mornings I did a slow circuit around the lake as the light arrived. This lovely section of shoreline was more or less on the opposite side from our camp, and after photographing it more than once I figured out the light well enough that I was able to photograph it in the soft morning light just before the sun arrived, when the water was still smooth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Pacific Northwest

Oregon Sky

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Oregon Sky
A still lake, a band of forest shoreline, and sky with wildfire smoke in the Cascade Lakes region of Oregon.

Oregon Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

A still lake, a band of forest shoreline, and sky with wildfire smoke in the Cascade Lakes region of Oregon.

This, I suppose, is sort of a vacation photograph — a subject “snapped” with a handheld camera while on a hike. “Not a normal vacation snap!,” you say? Well, OK. To be honest, I’m not a very reliable family vacation photographer. I have to remind myself to make those “normal” (and important!) straightforward photographs of people and activities. And, somewhat sad to say, I came back with none of those at all from my recent family camping trip in the Cascade Lakes region of Oregon.

But I did bring this back. One morning, before joining the rest of the gang for morning camp festivities, I went for a short hike along the shoreline of Lava Lake. It was a very quiet and slow morning. I don’t think I met more than a couple of other hikes and the biggest action was the passing of a couple of kayakers. The lake was still since the day’s winds and not started yet, and there was a wildfire smoke haze in the sky. In this part of Oregon, at least on this day when the smoke obscured more distant features, the open sky dominated the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Wall of Redwoods

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Wall of Redwoods
A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

Wall of Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

This dense “wall”of redwood trees is part of a grove at Humboldt Redwoods State Park in Northern California. Our experience of arriving in the grove was quite striking. We had just spent hours driving a long loop of small country roads out to part of the “Lost Coast” area, and after a somewhat steep descent the road dropped into this deep, dark, and quiet grove. We stepped out of the car into the cathedral-like experience of these incredibly large trees and paused here on our drive for some time, wandering slowly among the trees and making photographs.

I’ve written before about how photographing in the redwood forest presents a number of challenges. Some of them are objective — it is very dark here, even in the middle of the day in many cases, and one ends up using very long exposures, sometimes adding up to several seconds. And despite the sense of stillness, it seems that there is always a tiny bit of air movement that affects branches and leaves. But a more complex question is how to render photographs of these places. What the camera records here is quite different than what the eye and the mind see. For some technical reasons I’ve written about previously, while the eye sees rich and deep colors, the camera records something that can appear flatter and dimmer. So the post-processing question always becomes how to move things back toward the light and colors that we remember experiencing. When doing that it is easy to get carried away and perhaps create something that is a bit too much of a fantasy — there’s nothing objectively wrong with that, but the question of how far to go is never far away. I chose here to stick with a rather dark rendition, since I remember that this is how the scene felt to me at the time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.