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Coastal Bluffs, Clearing Fog

Coastal Bluffs, Clearing Fog
A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

Coastal Bluffs, Clearing Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

The quality of the Big Sur coast is, I think, the sum of a lot of contributing factors. As you drive south (my usual direction of approach, as a San Francisco Bay Area resident), the expanse of the Pacific Ocean extends to your right, and it may be brilliantly lit, completely fogged in, full of storm clouds, or just plain blue. Because the route alternately drops to the water level and climbs up above the headlands, this view expands and contracts. Surprisingly, it can be quite warm here, especially when the fog clears on a summer day and the road climbs. Views may be intimate as you pass through forested sections and around tight turns, or they may stretch to the horizon and far to the north and south.

On this mid-summer visit remnants of fog were still dissipating as I passed through. In places it sat thickly on hilltops, while elsewhere it had cleared and the light was brilliantly bright. This view appeared as I began my descent from one of the high places, and the top of the coastal inversion was clearly visible.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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West From The Panamints

West From The Panamints
Early evening view looking west from ridge of the Panamint range, Death Valley National Park

West From The Panamints. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early evening view looking west from ridge of the Panamint range, Death Valley National Park

I made this photograph on the evening of my arrival in Death Valley. The drive is always a long one, taking most of the day when I come straight from the San Francisco Bay Area. This time I had started in the Carrizo Plains National Monument, where I had stopped overnight to join friends for some photography of this year’s extraordinary wildflower bloom. That meant that even though I had a slightly shorter drive I got a later start — I wasn’t about the leave the Carrizo without making some morning photographs, and then I explored a slower route through the Temblor Range on my way out to the Great Central Valley before continuing on to Death Valley.

My Death Valley plans were not set in stone, so when I arrived in the park I wasn’t quite sure where I would go the first night. I had some thoughts of heading out to a remote canyon area to camp, but given the late arrival I started to consider simply camping at Stovepipe Wells. When I got there and it looked like the wind might kick up a dust storm I changed my mind again and headed up into the Panamint Mountains. (Anyone who has endured a Stovepipe Wells dust storm will sympathize!) In any case, I set up a camp in the mountains and then headed out to this remote ridge top location, a place from which I have often photographed in the early morning. The haze was a bit thick looking to the east, but what a view there was to the west! In that direction the same haze glowed in the backlight of the evening sun with ridges receding into the distance and culminating at the crest of the Sierra Nevada.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Sagebrush Hills

Aspens, Sagebrush Hills
Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

Aspens, Sagebrush Hills. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

This is a different view of the Sierra Nevada — rather than the high peaks, forests, meadows, rivers, and lakes we have high desert sagebrush country, but with a few aspens as well. When I think of aspens, they first bring to mind high elevation areas of the Sierra, often near rivers or other water sources, but also in some fairly rugged high areas. I don’t, at least not at first, thing of dry and austere landscapes like this one.

These aspens grow in a transitional east slope area. The elevation is high, a bit over 8000′ in this case, but the climate is dry and more closely related to the lower east side semi-desert areas. As a matter of fact, surrounding this grove is a landscape of mostly rolling sagebrush-covered hills. As the hills lead higher toward the crest, the trees become more dense and eventually intermixed with conifers. The light on the further ridges is also an interesting story. it obviously appears when the sun is at a low angle, which on the east side most likely means in the evening, and that is when I made this photograph. There is a short interval as the sun drops in the late afternoon when it is low enough to outline the edges of ridges, but before it abruptly drops behind the highest peaks of the Sierra. I made this photograph within moments of the shadow of the high peaks arriving — in fact, during the time it took me to set up a follow-up shot the beautiful light highlighting those ridges disappeared.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains and Valley

Desert Mountains and Valley
Desert Mountains and Valley

Desert Mountains and Valley. Death Valley National Park. December 11, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Receding desert mountains about the Amargosa Valley, Death Valley National Park

At first look, the general scene here might not have appeared to offer too many photographic opportunities. Although it was still somewhat early in the morning, it was well past the “first light” phase that can make almost any subject look beautiful. There was a great deal of atmospheric haze, and it almost obscured the far mountain ranges. And, as seen in the lower portion of this photograph, while the location is in high and rugged mountains, it is an extremely spare landscape with few plants and only the subtlest of colors from the high desert sage and similar plants.

But, for me, several things were going on here. First, I like haze! Second, a few years ago, after many years of photographing in the Death Valley landscape, I began to look beyond the familiar and more obvious beauties of sunrise and sunset light in dramatic locations in the Valley, and to try to figure out how to photograph more subtle and complex beauties that I encountered at other times and in other locations. I had found myself most often driving through locations like this one, on my way to other places that I presumed would be more interesting. Yet, even though I wasn’t photographing this sort of place, I was having pleasant experiences in them and developing an affinity for them. On one trip it hit me that if I liked being here, there must be some what to make photographs that somehow expressed what it was in these apparently barren places that made me like them. So I stopped here for some time, in a place that might seem like many other places along this route, and I looked around.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.