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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Morning Haze

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Desert Mountains, Morning Haze
Morning haze obscures the details on a series of desert mountains, Death Valley National Park.

Desert Mountains, Morning Haze. © Copyright 2023 G Dan Mitchell.

Morning haze obscures the details on a series of desert mountains, Death Valley National Park.

This is another serendipitous photograph, and if you compared it to many of the other photographs I made at this location you would never guess that they came from the same place, same time, and same conditions. I was there to photograph dawn light on some nearby geological features. Dawn arrived with beautiful saturated light and clear air. When I finished with that I turned around to face the rising sun… and found the landscape’s details almost obliterated by the glowing, back-lit haze.

I’m not sure what, exactly, typifies a “typical” Death Valley photograph — but I know that these conditions were somewhat unusual. The haze made the successive hills fade into the distance, and the foreground area with the clearest details was in shadows. In the end, I think it has a mood that is different from any of my other photographs from Death Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Morning Clouds

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Desert Mountains, Morning Clouds
Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

Desert Mountains, Morning Clouds. © Copyright 2023 G Dan Mitchell.

Haze mutes the details of desert mountains topped by morning clouds, Death Valley National Park.

This photograph is the result of one of those “look what’s behind you!” moments. I was at a location where I had previously scouted sunrise subject. I arrived early, set up, and photographed that subject in the light that I had hoped for. Once finished, I paused to look around. In the opposite direction I saw this series of back-lit formations leading away toward the cloud-crested peak. It was time to rotate the camera on the tripod and work this subject, too!

Haze can be the photographers’ friend or foe in Death Valley. It often cannot be avoided photographs made across any sort of distance — and sometimes the distances in this park are huge. The haze may be an impediment a clear view of a distant mountain range. But it also can produce a lovely atmosphere if the conditions and light are just right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastal Bluffs, Clearing Fog

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Coastal Bluffs, Clearing Fog
A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

Coastal Bluffs, Clearing Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

The quality of the Big Sur coast is, I think, the sum of a lot of contributing factors. As you drive south (my usual direction of approach, as a San Francisco Bay Area resident), the expanse of the Pacific Ocean extends to your right, and it may be brilliantly lit, completely fogged in, full of storm clouds, or just plain blue. Because the route alternately drops to the water level and climbs up above the headlands, this view expands and contracts. Surprisingly, it can be quite warm here, especially when the fog clears on a summer day and the road climbs. Views may be intimate as you pass through forested sections and around tight turns, or they may stretch to the horizon and far to the north and south.

On this mid-summer visit remnants of fog were still dissipating as I passed through. In places it sat thickly on hilltops, while elsewhere it had cleared and the light was brilliantly bright. This view appeared as I began my descent from one of the high places, and the top of the coastal inversion was clearly visible.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

West From The Panamints

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West From The Panamints
Early evening view looking west from ridge of the Panamint range, Death Valley National Park

West From The Panamints. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early evening view looking west from ridge of the Panamint range, Death Valley National Park

I made this photograph on the evening of my arrival in Death Valley. The drive is always a long one, taking most of the day when I come straight from the San Francisco Bay Area. This time I had started in the Carrizo Plains National Monument, where I had stopped overnight to join friends for some photography of this year’s extraordinary wildflower bloom. That meant that even though I had a slightly shorter drive I got a later start — I wasn’t about the leave the Carrizo without making some morning photographs, and then I explored a slower route through the Temblor Range on my way out to the Great Central Valley before continuing on to Death Valley.

My Death Valley plans were not set in stone, so when I arrived in the park I wasn’t quite sure where I would go the first night. I had some thoughts of heading out to a remote canyon area to camp, but given the late arrival I started to consider simply camping at Stovepipe Wells. When I got there and it looked like the wind might kick up a dust storm I changed my mind again and headed up into the Panamint Mountains. (Anyone who has endured a Stovepipe Wells dust storm will sympathize!) In any case, I set up a camp in the mountains and then headed out to this remote ridge top location, a place from which I have often photographed in the early morning. The haze was a bit thick looking to the east, but what a view there was to the west! In that direction the same haze glowed in the backlight of the evening sun with ridges receding into the distance and culminating at the crest of the Sierra Nevada.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.