Tag Archives: rise

Alpine Lake, Storm, and Rainbow

Alpine Lake, Storm, and Rainbow
A trail crosses a rise beyond an alpine lake as rain begins and a rainbow appears against stormy skies, Kings Canyon National Park.

Alpine Lake, Storm, and Rainbow. © Copyright 2013 G Dan Mitchell – all rights reserved.

A trail crosses a rise beyond an alpine lake as rain begins and a rainbow appears against stormy skies, Kings Canyon National Park.

This photograph comes from a wonderful trip into the Kings Canyon backcountry seven summers ago. A group of five photographers who have been doing such things for almost twenty years (I’ve been going along for a decade) packed in to a remote location at 12,000′ and set up a basecamp. We spent a week there photographing the heck out of the nearby landscape of granite, lakes, and peaks — and enjoying the camaraderie that comes from working together in the wilderness.

By the time I made this photograph I had settled thoroughly into the routines of living and photographing in such a place. I’ve often photographed while hiking through the Sierra, but working from a base-camp gives me time to explore more carefully, to get to know the character of a place, and to experience it in a variety of conditions. Although it was the tail-end of a drought season, we had rain from time to time, and on this afternoon I photographed an area full of lakes as the afternoon showers arrived.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Wetlands, Winter Fog

Wetlands, Winter Fog
Early morning winter tule fog rises from Central Valley wetland ponds as sandhill cranes take flight.

Wetlands, Winter Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning winter tule fog rises from Central Valley wetland ponds as sandhill cranes take flight.

Winter transforms the arguably-mundane California Central Valley landscape. Much of the area is agricultural country, and while that can look bucolic when fields are green, most of the time they are not. During much of the year they are brown, and during the winter the place can be quite muddy. (Don’t regard this as suggesting I don’t like the Valley. I do!)

On a January morning such as the on the day I made this photograph, magic can occur as tule fog rises and drifts about wetlands and as the sky fills with birds. To make this photograph I stopped along an empty rural road next to flooded fields and waited for cranes to take wing along a levee.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Dawn, Eastern Sierra

Autumn Dawn, Eastern Sierra
Successive ridges rise from the high desert toward the crest of the Eastern Sierra Nevada in pre-dawn autumn light

Autumn Dawn, Eastern Sierra. © Copyright 2019 G Dan Mitchell – all rights reserved.

Successive ridges rise from the high desert toward the crest of the Eastern Sierra Nevada in pre-dawn autumn light.

Yes, I know I was supposed to be photographing aspen color. But there are other subjects in and around the Sierra during the autumn! It turned out that I arrived a bit before the peak color, so my inclination to photographer other things, too, was perhaps a bit stronger than it might have been a few days later. I also knew that some aspen subjects that I wanted to photograph would be in better light a bit later, and that left me time for a quick foray to this location before dawn.

I have photographed from this location previously, so I’m pretty familiar with the view, the camera position possibilities, and the potential for lots of interesting early light on the eastern escarpment of the Sierra Nevada. However, as familiar as all of that may be, there are always surprises. I made this photograph a few minutes before the sun cleared the eastern horizon (or, more accurately, the mountains to the east) so the light had taken on the warm, colorful quality of dawn, but without the harsh quality of the first direct sunlight. The photograph spans a wide range of zones — from the sagebrush of the high desert to the summit of one of the highest Sierra peaks in this area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

San Joaquin Valley Moonrise

San Joaquin Valley Moonrise
Winter full moon rises over San Joaquin Valley utility lines

New Year’s Moonrise. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter full moon rises over California utility lines

I have to admit that one reason I made this photograph was simply because I could. Such a photograph likely could not have been made just a few years ago, and certainly not in the way I made it. The photograph is, believe it or not, handheld… using a 300mm focal length on a 100-400mm zoom lens. Because this technical capability is so wonderful, I think it is worth mentioning it in this case. The moon is relatively bright, producing about as much light as daylight on our planet. However, it does not shed much light on the landscape, yet here I was able to retain some color in the sky and even make the details of the very dark utility lines and poles visible.

The genesis of the photograph is also significant. I was not here to photograph the full moon, and I actually was unaware that it had risen. I was focused on another subject, a large flock birds assembled in twilight in front of me, when someone said, “Look over there!” I turned around and saw the moon rising through the thin clouds above the valley. I could not take time to use a tripod — I photograph the birds handheld — so I simply took a chance that I might be able to hold the camera still enough and come up with the right exposure. I grabbed a few shots, then turned my attention back to the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.