Tag Archives: row

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Row of Trees, Evening

Leave a comment
Row of Trees, Evening - A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.
A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.

Row of Trees, Evening. Central Valley, California. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.

While photographing migratory birds in early February at the Merced National Wildlife Refuge in California’s Central Valley, just before sunset there was a lull in the “bird action,” and I realized that I had neglected to photograph much of anything besides the birds. With this in mind, I left the edge of the ponds where we had been shooting, and I took a short walk along a nearby trail that went out into some brushy areas that generally seemed sort of nondescript. Except… I’m fascinated by brushy, scrubby trees and brush and I’m always challenged when it comes to thinking about how to make photographic sense of this subject. In the right light the shapes and subtle colors can be quite interesting, but it can also be tricky to find a composition in the dense growth.

As I walked I passed along a small pond, and at first I noticed the reflection of a tree whose trunk was branching out in many different directions and its mirrored image in the water. Then I saw this row of barren trees, which I assume might have been planted along the levee as some sort of wind break. Their straight forms were tall and parallel, except that here and there this orderly form was broken up by a trunk or branch pointing off in some odd direction and creating a bit of visual dissonance. Since it was the lens I already had on the camera for photographing birds, I made this landscape photo with what might seem to be the least likely of landscape lenses, a 100-400mm zoom!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Imaginary Landscapes, Photographs: Northern California, Photographs: Ocean & Coast

Surf, Rocks, and Horizon

Leave a comment
Surf, Rocks, and Horizon
Surf, Rocks, and Horizon

Surf, Rocks, and Horizon. Point Lobos State Reserve, California. April 26, 2009. © Copyright 2011 G Dan Mitchell – all rights reserved.

An imaginary landscape from surf, rocks and horizon at Point Lobos State Reserve, California.

I refer to photographs like this one as “imaginary landscapes” – though I suppose that this one is actually an imaginary seascape. The boundary between these photographs and my Regular Old Garden Variety Landscapes is a bit nebulous, but it relates to how far and how intentionally the interpretation of the scene departs from what might be regarded as its objective reality. In this case, some things were done at the time of exposure and some other things were done in post that make this image more obviously a subjective interpretation of the scene than might be the case with many of my other photographs. But you could see that by looking at it, right?

In any case, this is a single photographic “capture” made with a long exposure time that was extended by the use of a nine-stop neutral density filter – and this is what creates the majority of the soft quality of the image. Some additional work was done in post to further manipulate the original image – work with saturation and certain ways of diffusing portions of the image and so forth. In the end, little of that matters beyond the fact that these techniques were ways of producing the image that I had in mind, and which I intend to evoke something about the nature of the real scene upon which it is based.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Driveway and Brick Homes

2 Comments
Driveway and Brick Homes
Driveway and Brick Homes

Driveway and Brick Homes. New York, New York. August 24, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Black and white photograph of a concrete driveway between tightly-spaced brick homes, New York City.

I’m actually not precisely sure where in Manhattan this scene is any more. We were walking somewhere towards Chelsea when we passed through a little neighborhood of brick homes, and I just happened to notice this little scene as we walked past. Aside from plastic trash receptacles with plastic liners and the air conditioners, I don’t think there is much in this scene to date it, which is one of the reasons that I chose to go with a black and white rendition.

G Dan Mitchell Photography
About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Golden Aspen Grove, Conway Summit

Leave a comment
Golden Aspen Grove, Conway Summit
Golden Aspen Grove, Conway Summit

Golden Aspen Grove, Conway Summit. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Groves of tightly spaced slender aspen trees with golden fall leaves at Conway Summit, California.

Conway Summit is a location well-known to many eastern Sierra photographers, especially those who photograph the autumn aspen color displays. The “Summit” is the high point on the highway 395 just north of the town of Lee Vining, and the aspens grow to the west on the slopes that gradually rise toward Dunderberg Meadow and Peak. When I’m looking for brilliant autumn color here, several factors come into play. First, you have to be there at the right time. This isn’t always easy to predict, and when the color is great in one area of these trees it may have passed or not yet arrived in others. Second, you need to come at the “right” time of day. For me this means, at least at Conway, coming in the mid- to late-afternoon when the groves are lit by backlight coming across the Sierra crest. Third, it helps a lot if you can be there for conditions that are not too ordinary. For example, on the afternoon when I made this and some others photographs that may follow, after a weekend of boring perfect cloud-free weather some puffy clouds began to form above the Sierra crest, and their shadows raced across the area and created patterns of light and dark.

This photograph is also an example of long lens landscape photography. For some reason there are those who think that landscape photography must be done with certain lenses, often those of “normal” to wide focal length ranges. Those certainly have their place, and I use them too. However, I find that longer focal lengths are also indispensable – not just for filling the frame with subjects that you otherwise might not be able to approach, but also to compress foreground and background and to narrow the depth of field, among other reasons. Here I photographed with a 100-400mm telephoto at 250mm.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email