Tag Archives: rugged

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rocks, Spray, and Light Beams

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Rocks, Spray, and Light Beams
Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

Rocks, Spray, and Light Beams. © Copyright 2021 G Dan Mitchell – all rights reserved.

Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

California’s Big Sur Coast is easily accessible to me, close enough that I can drive down there early in the morning, photograph for a few hours, and be home for a late lunch. (Yeah, I’m spoiled.) Some of my very earliest photography memories come from this part of the world, when I carried a simple camera on family trips to Point Lobos. At this point, decades later, you’d think that I’d know everything there is to know about the regions. But you’d be wrong. Virtually every time I go there I discover something new — a view I had not seen before, a new kind of atmosphere or light, a different way of looking at a familiar subject.

This photograph fits that last category. The location is a spot that I’ve stopped at for years, mostly to photograph a particular larger scene that includes a natural bridge, some sea stacks, and a bridge. (No, not _that_ bridge — I know which one you are thinking of!) On this early November visit I was a bit surprised by the size of the surf. Big surf is common in autumn through winter here, but I had not seen that it was in the forecast. To make this photograph I decided to leave out the thing that is usually my primary subject here and to include some things that I usually try to leave out! The photograph is, as a result, an example of letting some small, isolated element represent and perhaps evoke the experience of the larger landscape in which it is found.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands, Fog

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Headlands, Fog
Big Sur headlands, fog, and bright sunshine.

Headlands, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Big Sur headlands, fog, and bright sunshine.

Autumn is my favorite season. It isn’t just about the colorful annual displays of fall leaf color, though that is quite compelling. It is just that, oil general, almost everything is in transition. The element of change itself is exciting, but so is the trajectory of the changes — new colors, cooler weather, rain and snow begin to arrive, fascinating skies, different light, and more. Along the nearby California coast all sorts of things draw me — the intense light, glowing fog, big surf, the newly green hills of California’s wet season.

This past week I made my first autumn pilgrimage to the Big Sur region, leaving home well before sunrise so that I could be there for the early morning light and before the fog cleared. I had not checked the weather carefully, so I was surprised by some impressively large surf, and the combination of ocean spray and coastal fog created some beautiful and moody scenes. I went about as far south as this location, where I have photographed many times in the past, and found a scene full of brilliantly glowing atmosphere, with fog muting the details of the landscape as it faded into the distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Color and Sierra Crest Peaks

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Autumn Color and Sierra Crest Peaks
Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest Peaks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

This is, as some of you may notice, a portrait-orientation photograph of a scene that I recently shared using the landscape orientation. Why two different approaches, you may ask? That could be a bit of a complicated question, as there are multiple possible reasons. Heck, you might just wonder if I was able to make up my mind! In fact, this scene “works both ways,” I think. The landscape orientation goes with the long horizontal stretch of the distant ridge and the band of colorful aspens at the bottom, and it also reveals some additional color that lies outside of the vertical image to the right. On the other hand, I think that the vertical interpretation may do a better job of presenting the scale of the vertical rise from the foreground to those towering, distant peaks. I could go on, but I’ll end by pointing out that sometimes both orientations prove useful, so I don’t shy away from doing both.

The scene is a long canyon in the Eastern Sierra that rises from the hot, dry terrain of Owens valley, ascends a long river drainage that twists and splits and gradually transitions to subalpine forest, and finally culminates well into the alpine zone with its rocky terrain and high peaks. Canyons like this one can be good places to look for aspen color in the fall — for one thing, because they cover such a large elevation range there is likely to be color somewhere within them over a relatively long period of time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Sierra Foothills, White Mountains

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Sierra Foothills, White Mountains
A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Sierra Foothills, White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Recently I was once again pondering how the way we approached the Sierra Nevada at first affected our overall perceptions of the character of the Range of Light. As I have noted before, during the first decades of my relationship with these mountains I approached from the west, crossing semi-coastal mountains, crossing the agricultural Central Valley, rising gradually into oak-grasslands and eventually to conifer forest, and only much later finally arriving in the “High Sierra” world of open meadows and alpine peaks. Contrast this with the experience of those approaching from the east, where the range presents a very long “wall” of peaks that towers above high desert, in places rising by as much as 10,000 feet above that dry landscape.

This photograph is, probably obviously, one that focuses on that eastern part of the Sierra. But here I look away from the Sierra Nevada, past the rugged and “barren” terrain of dry hills at the base of the range, across the expanse of Owens Valley, and toward the (also dry) peaks of the White Mountains. To put it plainly, you won’t see anything like this on the west side!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.