Tag Archives: shadow

Sand Dune Abstract

Sand Dune Abstract, Death Valley
“Sand Dune Abstract” — Sand dune patterns in evening light, Death Valley.

I first photographed this specific subject in Death Valley well over a decade ago, and perhaps closer to two decades. I “discovered” it by accident while driving back from visiting an entirely different feature. I had stopped in this location to photograph other things, and as I scanned the landscape I noticed this section of almost pure sand dunes. I went here again this year at the end of February when the light on my intended subject died early, and I thought I might be able to work with the soft light in this spot.

Because I have photographed here for some time, I have watched — at times with some concern — as this location started to become another “icon” of Death Valley photography. One positive development of this, perhaps, is that the many photographs can look quite different, revealing how ambient light “paints” the landscape of the desert. (Well, OK, also revealing the role that post-production interpretation plays in such photographs.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Bench and Mountains

Bench and Mountains
“Bench and Mountains” — Morning light on a bench near the base of the eastern escarpment of the Sierra Nevada.

Most often as we watch the first sunlight arrive on the eastern face of the Sierra Nevada we are either somewhere out to the east, perhaps in Owens Valley, or actually up in one one of the valleys that cut into this side of the range. There are a few places that can offer a little different view, locations that are east of the escarpment but high enough to view the east side almost straight on from close distances.

I made this photograph from one of those locations, a long ridge that runs roughly parallel to the Sierra crest. The terrain here switches from high desert sage country to large groves of small aspens and then becomes more alpine. (You can see some of those small trees in the foreground here.) I made the photograph shortly after sunrise, when the low sun angle still cast. large shadows across the lower slopes of eastern escarpment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Green and Blue Windows

Green and Blue Windows
“Green and Blue Windows” — Green and blue window frams on a blue-gray wall, San Jose.

Some subjects turn out to have been right in front of you all along. These window frames are at an old industrial building that I visit frequently. There’s a coffee place inside where we sometimes grab an espresso. Even better, there’s a fine local brewery. Beyond that, the building happens to be on one of my walking loops (the “four mile loop”) and I frequently pass through the parking lot where these windows are located.

Yet, despite having gone there for several years, I first noticed the windows only recently on one of my walks. I resolved to bring the camera with me the next time, and target the late morning hours when I new the sun would be almost in line with the wall, producing some interesting diagonal shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Evening Aspens

Evening Aspens
“Evening Aspens” — Groves of autumn aspen trees in the shadow of Sierra Nevada peaks.

I confess to often looking for the most intensely colorful aspen groves and visiting them when the light most enhances that intensity. Often this means positioning the trees between me and the sun, as back-light can make the leaves glow with unbelievable intensity. But that is obviously not the only way to photograph beautiful fall color, and something more subtle gets my attention, too. In fact, I love photographing these trees in the shade, where the colors may be a bit less intense, but where soft light fills the shadows and reveals details.

I began photographing in this area in the late afternoon when the sun was, in fact, back-lighting the trees. But in this particular location the sun drops behind higher peaks well before sunset, and shadows fall across the landscape. So I continued photographing as the light softened and eventually began to fade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.