Tag Archives: shadow

Photographs: Architecture, Photographs: Pandemia, Photographs: Structures and Objects, Photographs: Urban/Street

Stage Door

Image September 26, 2020 G Dan Mitchell 2 Comments

This photograph qualifies as part of the “postcards from pandemic” group, as I made it while on one of the long local walks that I’ve been taking in and around my neighborhood since the lock-downs began six months ago. Yes, it has been that long. The good news is that if all goes according to plan we might be almost half way to a vaccine and the beginning of a return to something like normalcy.

This photograph is also an example of something that afflicts most (though perhaps not quite all) photographers, namely an interest or even obsession with form, color, and various kinds of patterns, even when seen in mundane locations. This is a side door to a school theater — hardly an iconic subject! But as I walked past at just the right moment, the shadow diagonally bisected this very blue door, and the angles of shadows and stairways converged in interesting ways.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Arch and Shadows

Image September 16, 2020 G Dan Mitchell Leave a comment

It might seem that improbable features like this are everywhere in Southern Utah. While some are familiar icons in national parks like Zion and Arches, similar features are found in less accessible locations. If you poke around enough you can experience them in relative quiet and solitude. I’ve wondered why it is this way in Utah, and I think there are several explanations: such features really are quite common, and some that warrant national park status are in non-park areas for reasons including uneasy compromises with extractive industries.

A group of us wandered into a lovely red rock canyon, inauspicious at the start but with sandstone walls that soon began to tower and close us off from the world beyond. These are intimate places, where your awareness is mostly confined to the space between the canyon bends in front of and behind you, and where the silence is only broken by occasional birdsong and the gentle sounds of water.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Oak and Granite, Autumn

Image September 13, 2020 G Dan Mitchell Leave a comment

A small oak tree in deep shade at the base of a Yosemite Valley granite cliff.

Back in 2012 I took a somewhat later-than-usual trip to photograph fall color in Yosemite Valley. When I think of Sierra Nevada fall color the high country aspens, mostly but not exclusively on the east side of the range, come to mind. Those colors tend to be an early October thing. But colors appear a bit later on the west side of the range, eventually working their way down to the foothills and finally the Central Valley. In Yosemite Valley beautiful colors come from cottonwood, black oak, dogwood and a few other sources, typically arriving in late October and peaking around Halloween.

For reasons that I can no longer recall, this time I ended up in the Valley a couple of weeks later. There was still sufficient color, and it came with the added bonus that light snow had recently fallen. (Unlike summer and winter, which tend to be just what you would expect, the transitional fall and spring seasons often bring surprises.) I took a walk along a section of the north wall of the Valley and photographed this small tree in the shadows at the base of a very tall granite cliff.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Plants, Canyon Light

Image September 5, 2020 G Dan Mitchell Leave a comment

A beam of light catches plants growing on the shadowed walls of a Utah slot canyon.

While much of the time canyon light seems soft, suffused, and stable, there are edge conditions in which the light changes very quickly — appearing suddenly and lasting only minutes or seconds. This is especially true with direct light since the edges of the light are often scores or hundreds of feet above, and shadows from such things can traverse the deep canyon landscape with astonishing speed.

This photograph was made in such a place and in such conditions. The canyon walls were nearly parallel to the angle of the sun, and the beam of light came down from above only inches from the surface of the canyon wall. While the rock remains in shadow, this light manages to stoke the tree bits of vegetation in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.