Tag Archives: shadow

Meadow, Forest, and Mountains

Meadow, Forest, and Mountains
High Sierra meadow, forest, and mountains, John Muir Wilderness

Meadow, Forest, and Mountains. © Copyright 2019 G Dan Mitchell – all rights reserved.

High Sierra meadow, forest, and mountains, John Muir Wilderness.

By the time I made this photograph I had likely been up and at work for an hour or more. This meadow was a relatively short uphill walk from our base camp, and we visited here often during our one-week photographic stay, photographing it early and late in the day, and using it as a route to higher terrain. Although it was relatively late in the season, the fact that this summer followed a wet winter meant that the meadows were still green and wildflowers were everywhere.

The terrain here offered some special opportunities. We arrived at our base camp after hiking over a high pass, descending into a deep river canyon, and then climbing out the other side and rising to a bench where we set up camp above a small, meadow-ringed lake. That spot was one of several similarly situated lake/meadow areas, positioned progressively higher up a broad valley leading to very high peaks. From any of these meadows the views opened back across that deep canyon toward a very high and impressive ridge on the other side of the valley, so we had a wealth of opportunities to juxtapose lovely foreground meadows and forest with distant rugged peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Peak and Lake, Afternoon

Peak and Lake, Afternoon
A Sierra Crest peak stands against the sky above a rocky basin and small lake

Peak and Lake, Afternoon. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Crest peak stands against the sky above a rocky basin and small lake.

This photograph comes from almost a decade ago, when a group of friends ascended into this alpine region just east of the Sierra Nevada crest in the John Muir Wilderness, and area of rocky slabs, talus fields, lakes, and high peaks. We spent several days camped here, exploring nearby terrain. I hope to return again before long, which is perhaps why I resurrected this older photograph.

These areas just below and east of the peaks of the crest present steep and rugged country, with the highest peaks sometimes rising quickly to 7000 feet or more above the valley to the east of the range. This is an area of morning light, as the peaks and high valley generally face toward the rising sun. Late in the day, on the other hand, the sun generally drops behind the peaks well before sunset, leaving soft and shadowed light behind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clouds Above The Pacific

Clouds Over The Pacific
Clouds cast shadows on the Pacific Ocean, as seen from the mountains of Redwood National Park

Clouds Above The Pacific. © Copyright 2019 G Dan Mitchell – all rights reserved.

Clouds cast shadows on the Pacific Ocean, as seen from the mountains of Redwood National Park.

While this obviously doesn’t look like the typical Redwood National and State Parks photograph… that is, indeed, where it comes from. We spent a week in the coastal areas of Northern California in early June, mostly in and around these parks and mostly looking for photographs of the redwood forests and the rhododendron bloom. We had headed up one road to a popular grove where we thought we might fine the flowers in bloom among the trees, but this road also leads to other interesting places, including some open, ridge top “prairie” lands and other locations providing distant views that are quite different from what you find inside the forest.

This photograph is an illustration of something that often surprises folks when they consider landscape, namely that a lot of it does not come from careful planning and slow, methodical work, but rather by being in the right place at the right moment and being ready to respond quickly to rapidly changing conditions. When we went up this road and even when we pulled over at this spot, I would be lying if I claimed that I pre-visualized this subject or this scene. But once I saw it — big, back-lit clouds floating past and casting shadows on the reflective surface of the sea beyond the undulating, tree-covered foreground ridge — I worked quickly to make a few photographs as the scene evolved. And did it evolved quickly! Only moments later these clouds had almost entirely dissipated.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dune Patterns, Evening

Dune Patterns, Evening
Evening light on layers of Death Valley sand dunes.

Dune Patterns, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on layers of Death Valley sand dunes.

This photograph provides an opportunity to tell a little story on myself. Sometimes I’m very good at getting going early enough to arrive at a location in plenty of time. But sometimes I’m not. This was almost one of those times. The right way to photograph here would have been to arrive perhaps an hour earlier, at a time when the light would have seen fairly uninteresting to me, and then to set up and wait. That’s not what happened.

I did have a plan to be in this spot, but I may have underestimated the time it would take to get to the exact location. We arrived before the beautiful light arrived… but I had a bit of a hike to get in position. I started walking and quickly realized that I was cutting it close. I put my head down and took off in a beeline for this spot where I knew I would fine sequences of rising dunes, building one upon the other. I did not stop or slow down until I got to “the spot,” at which point I immediately picked a first composition, set things up, and went to work. I was on time, but only barely, and I had perhaps ten minutes of lovely, colorful light before sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.