Tag Archives: shadows

Bleached Plant, Sandstone, Shadows

Bleached Plant, Sandstone, Shadows
Bleached Plant, Sandstone, Shadows

Bleached Plant, Sandstone, Shadows. Grand Staircase-Escalante National Monument, Utah. October 23, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

The skeleton of a bleached plant casts shadows across a sandstone slab

In the fall I spent some time making photographs in Utah, getting to a good number of locations, including some I returned to for more photography following previous visits. Partway through this trip I had plans to rendezvous with a group of friends (some new and some old) and photographers in a somewhat remote part of the state. We met, headed out, and spent the next few days camped “out there,” making photographs every day and visiting some very beautiful places.

On the first day of my meeting with this group we found a place to camp and began to settle in. That process took place pretty quickly, as all of us have spent a lot of time camping and we don’t need a lot of luxuries — in addition to friends we need food, a campfire, a place to sleep, and a spot by the fire for our chairs. So I soon found myself with a few hours of late afternoon free time between the camp chores and our evening shoot. I wandered off into nearby hills and eventually ended up on a sandstone bench with a bit of a view of the surrounding terrain. On top of this flat, dry, and nearly lifeless spot there were several plants that had tried to make a living here, setting down roots in tiny pockets of sandy soil and then growing horizontally across the rock. The first thing that attracted me was the stark contrast between the bleached plant and the red rock sandstone, but (as is always the case) the more I looked the more I saw. The curve of the white branch at the right edge of the frame is echoed by the similar upward curve of the eroded bit of darker rock on the left side, and a darker parallel version of the plant falls on the rock in the form of a shadow.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Shadows, Mono Lake

Evening Shadows, Mono Lake
Evening Shadows, Mono Lake

Evening Shadows, Mono Lake. October 11, 2013. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening shadows fall across the western shore and islands of Mono Lake

The landscape of Mono Lake, near Lee Vining, California, provides a stark contrast to the Sierra Nevada just to the west. From the alpine ridges of the Sierra along and just north of Yosemite, the eastern slopes of the range drop quickly to Lee Vining and the broad valley beyond. The lake sits in a dry basin that has no outlet, so the water simply (for the most part) evaporates.

The lake is huge, stretching far to the east beyond Lee Vining. The landscape of the lake is simple, partly because the surrounding area was once submerged when the lake was much larger than it is today. Far in the distance is Boundary Peak and the ridge of the White Mountains. The sun sets early here, since the tall peaks of the Sierra raise to the west, and in this photograph deep shadows are already angling across the western shores of the lake.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountains, Rain

Desert Mountains, Rain
Desert Mountains, Rain

Desert Mountains, Rain. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Afternoon rain falls on peaks beyond a rising series of rugged desert mountain ridges, Death Valley National Park

This turned out to be a surprisingly and almost ridiculously productive day of photography, which was not at all what I expected as the day began nor at any number of times later in the day. Much of what happened was unplanned and the result of discovering things and of reacting intuitively to changing conditions. Prior to getting up before dawn to head to out first shooting location, my description of what I hoped would happen on this day or even of what I expected would happen would have had little in common with how it evolved. I have related some of the details of the earlier parts of the day already—sunrise light cut short by an incoming storm, the surprise discovery of abundant high desert mountain wildflowers, a snow storm, a first visit to an old historic site, and more—so I’ll just briefly mention the later part of the day. The winter storm, that brought some rain and snow to Death Valley National Park mountains, finally broke up, leaving a few showers high up in the mountains along with brilliant light coming through gaps in the thinning clouds, and these conditions lasted right on into the evening.

I made this photograph in the late afternoon. There was still plenty of rain or snow among the peaks, though the air was much clearer below and, indeed, some light was beginning to come through the clouds. Here I had a clear view across a portion of the valley, over the alluvial material at the base of the Cotton Mountains, and on up across the layered ridges toward the cloud-shrouded higher peaks. I had an idea for this as a photograph, but the light was difficulty and I knew that significant work in post would be required. Indeed, while this might seem like a simple natural landscape, the final version here is the result of significant work done after the fact in the digital darkroom.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Panamint Mountains, Spring

Panamint Mountains, Spring
Panamint Mountains, Spring

Panamint Mountains, Spring. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cloud shadows pass across valleys of spring-green high desert plants in the Panamint Mountains of Death Valley National Park

I like to think of this photograph as one that may offer a more truthful presentation of the character of Death Valley. As photographers, almost all of us to looking for the extraordinary—momentary instances of astonishing light, brilliant color towering clouds, dramatic light, and more. And, of course, there is nothing remotely wrong with that. It is these things that draw us to these places and which drive our search once we get there. We will often put up with, sometimes patiently and sometimes not, hours or days of what some call “blah” light in order to be able to photograph brief instance of something atypically powerful. But we must be aware that what we find and show in this brief slices of time is often special precisely because it is unusual.

A few years back I started thinking more about my relationship with the landscape of Death Valley and the surrounding terrain. I had been focusing on the extraordinary—and I still do—and on the way to such places I often passed through other areas, sometimes without taking the time to think about what I was seeing in those moments. I think that it was partially out of frustration that I arrived at the idea of trying to see these subjects more clearly and try to figure out how to photograph them. After all, I knew—at least once I stopped to think about it—that my love of this places was not limited to just the unusual and extraordinary moments, but that it also included midday quiet in the heat and subtle colors of sage country, a series of simple overlapping ridges, a bit of rock. And once I recognized this I started to think that these things, and not just sunrises and sunsets and impressive formations and unusual clouds, might make worthy subjects if I slowed down and tried to understand them. And this is one of those photographs. There is no single, impressive subject in this frame. Instead we have the almost uniform pale green of the arid mountain plants on an early spring day after rain, when the plants produce a subtle but surprising green coloration that varies as the land alternates between gullies and the tops of low hills and clouds from a cleaning storm move across the landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.