Tag Archives: shore

Rocky Terrain, Subalpine Lake

Rocky Terrain, Subalpine Lake
Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

Rocky Terrain, Subalpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky terrain and its reflection along the shoreline of a backcountry subalpine lake, Kings Canyon National Park.

As I do from time to time, recently I was reminiscing about the Before Times when I headed into the Sierra backcountry for a week or more every summer with a wonderful group of fellow photographers — among whom are several who have been doing these trips for two decades. (Although I’ve visited the Sierra backcountry for what I vaguely refer to as “decades,” I only began to join this group in 2008.) All of us miss these trips, especially what would have been the one celebrating the second decade of the work, but it turns out that there are still discoveries to be made among the photographs we brought back.

On this trip we visited a fairly remote location in the Sequoia-Kings Canyon backcountry, one that took us a couple of days to get to. Once there we spent close to a week photographing the heck out of the place and surrounding wilderness, a high elevation place full of lakes and rocky terrain. We mixed photograph in our immediate “backyard” (sometimes only steps from out tents) with somewhat longer explorations. This photograph comes from a lake rather close to our camp. My weak knowledge of Sierra geology suggests to me that this monumental chunk of rock was probably overrun and sculpted by glaciers in the past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of the Continent

Edge of the Continent
The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Edge of the Continent. © Copyright 2021 G Dan Mitchell – all rights reserved.

The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Although I was born in the Upper Midwest, I don’t think I could live there anymore — even though many aspects of the place are in my blood and feel comfortable to me. I recall visiting a few decades ago — and, honestly, generally enjoying myself — but watching the sun set and thinking about how many hundreds (more than a thousand, actually) of miles it is to the ocean. I can’t quite put the feeling into words, but it just seemed odd to this guy who has lived perhaps 25 linear miles from the Pacific Ocean for, well, more than a couple of decades.

I was thinking about this feeling as I visited the area in this photograph, the Big Sur Coast of California, the rugged interface between North America and the vast Pacific Ocean. The sense that there is an empty, unknown space that we don’t inhabit has long had a powerful effect on us, and here at the edge of the continent we can come face to face with a wilderness that most of us will never fully explore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mendocino Bay Bluffs, Morning

Mendocino Bay Bluffs, Morning
Morning light on Mendocino Bay and rocky coastal bluffs.

Mendocino Bay Bluffs, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on Mendocino Bay and rocky coastal bluffs.

Mendocino still seems to have some of the feeling of the California coast from some decades ago. When I was quite young my family used to visit Carmel, and back then it seemed like a very different and more intimate place than the touristy mob scene that it has become now. While Mendocino is most certainly a place that attracts and relies on the tourist trade, it still feels more like a real place than something contrived. It is small. There aren’t that many restaurants. Most of the lodgings are relatively unobtrusive.

It also is just about as close to the ocean as you can get in such a town along this part of the coast. To make this photograph I got out of bed, got dressed, (likely paused for coffee), headed out the door, and walked about five minutes to the edge of the coastal bluffs. There was hardly anyone else there — perhaps they were busy enjoying brunch still. The photograph looks along the edge of Mendocino Bay, back toward the outlet of the Big River.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Shoreline, Reflections

Rocky Shoreline, Reflections
“Rocky Shoreline, Reflections” — Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Three summers ago a group of us (yes, THAT group) spent a week camped at a little backcountry lake on the east side of the Sierra Nevada. The lake is a pretty one, with forest on one side, rocks on the other, and a few areas of meadow and granite slabs here and there. All in all, a fairly typical sort of scene in the range. Beyond the lake itself, the valley that holds in also contains many other small lakes and is surrounded by ridges and peaks, all of which gave us plenty to photograph.

This photograph comes from the rocky side of this lake. A common pattern with high country lakes is for there to be some flat area(s) along one side and perhaps at the inlet and outlet streams, and for one side to be close to some sort of slope. Anyone who tries to circumnavigate such lakes is familiar with the difficulties of finding a way along that rocky side. The rocky slope next to this lake was exceptionally rough, with large boulders extending right down to the shoreline. What it lacked in “walkability” it made up for in reflections. A much higher ridge above the rocks left this area in shadow late in the morning, producing a nice blue tonality to the light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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