Tag Archives: Sierra Nevada

Moonset, Eastern Sierra

Moonset, Eastern Sierra
The autumn moon sets above the eastern Sierra Nevada crest as dawn light comes to the sky

Moonset, Eastern Sierra. © Copyright 2016 G Dan Mitchell – all rights reserved.

The autumn moon sets above the eastern Sierra Nevada crest as dawn light comes to the sky.

Late in the season I was between summer backpacking/camping trips and autumn color photography in the Eastern Sierra. The time was mid-September, a couple of weeks before I would typically be looking for fall color out here. I had been camping up near the crest above Lee Vining and poking around in various places looking for photographs — for example, I had spend some time around Mono Lake the previous day. I was in that mental space between summer and fall, and I was using some of my time to do a bit of reconnaissance in preparation for a return a few weeks later.

I got up very early on this morning and in the darkness I headed out to the east of the Sierra, not quite certain where I would end up. Driving along a somewhat lonely two-lane road, I spotted an interesting looking gravel side road heading toward a ridge that I had previously viewed from another angle, noting that there were some aspen trees out that way. On a hunch I turned off, engaged 4WD, and drove out on a road that eventually followed close to the ridge line. I soon came to a thick grove of short aspens and I was quite surprised to see them already (mid September!) nearing peak fall color. Eventually I took a smaller side road and soon came to an overlook, where I got out in the pre-dawn light (quickly realizing that it was really, really cold here!) and set about making some photographs of the groves of aspens and conifer forests leading toward the eastern escarpment of the Sierra with the setting full moon above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Snag and Needles

Snag and Needles
Detail of an old snag littered with a few needles

Snag and Needles. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of an old snag littered with a few needles

High in the Sierra Nevada, as you get close to the tree line, there are more and more of these old “snags” — the skeletal remnants of trees that died some time ago. In order to survive in such an environment, these trees must be very tough, and their forms given evidence of that. They often seem stunted and are twisted into remarkable shapes as they grow on and around rocks and boulders and slabs. They may survive for a long time, even as they sacrifice branches in to the elements. When they do die their wood lasts for decades. Living or dead, they sometimes seem to me to inhabit a space midway between geology and fauna, being as close to the rock as to more familiar green things.

As I have mentioned already, our location high in the eastern Sierra Nevada backcountry was in an area where the sun was blocked for hours after sunrise and for hours before sunset. In was mid-morning before any direct sunlight reached our camp and late afternoon when it left, and I could wander in the cold, soft light for hours making photographs… and freezing! I photographed this bit of an old snag in this softly shadowed blue-toned light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Looking West

Looking West
Looking across Sierra Nevada foothills toward California’s Central Valley at dusk

Looking West. © Copyright 2018 G Dan Mitchell – all rights reserved.

Looking across Sierra Nevada foothills toward California’s Central Valley at dusk

I didn’t intend the photograph to be such, but it could be at least a bit metaphorical. I made in near the end of my period as a Yosemite Renaissance artist-in-residence, at opportunity that provided me with a total of about two weeks to photograph in the park, mostly in the Valley. (More of the photography from this work will be seen in an exhibit opening at Gallery 5 in Oakhurst in June — stay tuned for the details!) Hence the metaphorical “sunset” on the photography for this project (unless I manage to squeeze in one more quick visit next week!) and “looking west” toward my home in the San Francisco Bay Area, from which I post this image.

I suppose this photograph is also a bit more evidence — as if it were needed! — that Yosemite is far more than just the Valley, as incomparable as that area of the park is. I made the photograph on my evening “commute” between the Valley and my lodging elsewhere in the park, and by this evening I had already selected the location as a likely prospect. Often when I’m in the park my orientation is to the highest peaks lying on its eastern boundary along the Sierra crest. But on this evening I was looking the other way, towards layers of foothills descending toward California’s Great Central Valley to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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High Country Meadow, Evening Light

High Country Meadow, Evening Light
Late-day light on a stormy evening high in the John Muir Wilderness

High Country Meadow, Evening Light. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late-day light on a stormy evening high in the John Muir Wilderness

For more than the past week, we occupied a Sierra Nevada backcountry landscape full of surprises and riches — more than enough variety of conditions and subjects to keep us busy. A group of eight of us hiked over a 12,000+’ Sierra crest pass (with assistance from pack train support) and set up a base camp from which we set out each day to explore and photograph the spectacular surroundings. The pleasures of such a trip extend beyond photography — to include contemplation of this landscape, occasionally without a camera, and the joy of sharing the high country with a small circle of like-minded friends. This time it was even more special, as Patricia Mitchell returned to the back-country with me for the first time in many years.

I made this photograph on an evening when late day sunlight filled this subalpine meadow and storm clouds cast shadows over the distant peaks. There was a trail to this meadow, but it was hardly necessary, and once in the meadow we were free to explore all of it and the surrounding domes and peaks — which we did on many mornings and evenings. Those with Sierra Nevada high country experience may be surprised that this photograph was made near the end of August when meadows are typically turning golden brown. Last winter’s extraordinary snowfall delayed the onset of summer conditions, and the meadows were still green and wildflowers were everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.