Subalpine forest strewn with granite boulders in morning light, Lower Young Lake.
This photograph comes from late in last year’s backpacking season, on a mid-September trip to the Young Lakes Basin. As I have previously written, this area is a beautiful one to explore and is doubly beautiful for photographers since it is open to the western evening light. I made this photograph in the morning and not far from my campsite at the lower of the three Young Lakes. This sort of scene is no doubt familiar to anyone who has spent much time in the Sierra Nevada high country and has come to know these areas of mixed trees and meadows among fields of large granite boulders. I found this particular scene by leaving the trail behind and exploring more widely around the shoreline of the lake.
Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.
The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.
On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.
In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.
Trees growing on granite silhouetted against a colorful sunset sky at Olmsted Point, Yosemite National Park.
This astonishing, magical light occurred just at and right after sunset on the evening of June 18, the day that Tioga Pass finally opened for the 2011 summer season. I earlier posted a vertical format photograph of much the same scene, though with slightly different light – the other photograph was made about a minute after this one and the conditions were changing very rapidly.
The photograph was made from the popular Olmsted Point overlook along the Tioga Pass Road (highway 120), with its well-known view of subalpine Tenaya Lake. Since I have recounted the story of this light in some detail in an earlier post, I’ll keep this description somewhat short, but here is the genera outline. Earlier in the evening I had come here to try to photograph Mount Conness with a long lens. Initially the light was very unpromising, but I observed some things that suggested the possibility of sunset light so I stuck around. Just before sunset, as the sun dropped near the horizon to the west, the light came from below to illuminate the thin, high clouds and produce an amazing color show.
To make the series of photographs of these trees I simply pivoted my tripod around from the direction it had been pointing, towards Mount Conness. The trees are somewhat sparse here since the granite domes and slabs cannot support many of them. The speed of light and color transition was remarkable. At one or more points, as the clouds picked up the sunset glow, the brightness of the light suddenly increased noticeably. The brightest color moved across the sky from east to west, and here the color was just beginning to diminish ever so slightly overhead as it continues to intensify to the west and closer to the horizon.
The final evening alpenglow illuminates the summit ridge of Mount Conness and the west face of Medlicott Dome in the Yosemite National Park high country.
This will be my final photograph of Mount Conness from the evening of June 18, the day that Tioga Pass Road opened this year and the day of one of the most spectacular Yosemite high country sunsets in recent memory. It will be the final both in the sense that I think I’ve now shared the best of the group of images of this sunset and in the sense that it was literally my final exposure of the evening.
The short back-story is that what started out as a fairly unimpressive evening (at least in the photographic sense) transformed over a short period into something extraordinary as the sun dropped to the horizon west of the Sierra and illuminated the clouds from below, creating rare and very special alpenglow conditions over a wide area of the Sierra. (During the week that followed quite a few people commented on this amazing light, which they had witnessed from locations as distant as Mono Lake on the east side and the Central Valley to the west.)
When I made this photograph the show was coming to an end. At this point the sun had already set a few minutes earlier – the exposure was made around 8:45 p.m. – and the light was low enough to require a six-second exposure. While it may seem like Mount Conness (the tallest peak near the left on the skyline) and other features are receiving direct sunlight, this is actually the remaining post-sunset glow in the western sky.
