Sheet metal fence, roll-up door, trash, and hand-written message to the garbage man, Brooklyn
“Please close and lock this gage. Garbage man”
I know this will baffle a few readers… but there you go. I’m tempted to offer little explanation and let you make of it what you will. This small vignette comes from a semi-industrial area beneath a bridge in a section of Brooklyn, New York. Is that cryptic enough? ;-)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Leaves grow against a red metal roll-up door in the Fremont District of Seattle, Washington.
In early May I was in the Seattle area of three days on non-photographic business, and fairly busy with those other affairs for much of time that I was there. However, when I happened to mention online that I was in that area, someone let me know that there was going to be a “Seattle Photowalk” the next evening. The plan was to meet in the Fremont area (“under the statue of Lenin” – it’s a long story…) and then wander about for the next four hours, ending up at the Gas Works Park at sunset. I couldn’t pry open a full four hours in my schedule, but I did manage to find one hour, so I made plans to meet the group.
I arrived at the appointed starting time and place and found a small group of photographers ready to go. After the obligatory group photo (indeed, beneath the statue of Lenin!) we split up and began to photograph. I think that I may have been in Fremont once before, perhaps a dozen or more years ago, since the general area seemed a bit familiar, but as far as photography went I had no specific ideas at all about what I would find. The area does have an interesting “worn” quality – at least the parts that aren’t trendy new corporate buildings – so I figured that I could probably find something. And having only one hour to photograph an area I’d not scouted, I knew that I’d better get to work! It only took me a few minutes – and this is typically true – to get into the “seeing” mode and start to find potential subjects. Shooting mostly with just a 50mm prime I wandered up side streets, alleys, and a few driveways, looking for odd bits of shape and color. This branch was growing across the sliding metal door on a small eating establishment that was apparently closed for the day.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I suppose that posting this photograph is the web site equivalent of switching channels – this might be a bit jarring after weeks of Death Valley and other landscape/nature subjects.
I did not quite complete my end-of-year task of going through all of last year’s raw files back in December, so I have been returning to the task bit by bit over the past few weeks. I’m currently working with some photographs from San Francisco, made back in July 2010 when I did some street photography. In old-school style I stuck a 50mm prime on my full frame DSLR and headed out.
At one point I was exploring some waterfront areas of The City and poking my nose into windows of some buildings that were undergoing renovations. Among a few other scenes from this location, I found this one featuring… wait for it!… a piece of construction equipment, posing fetchingly in front of some nice, diffused light coming in from a window out of the frame to the left. I’m still not quite sure why, but I like this image. (Is it perhaps the R2D2-like quality of the orange lift?)
A curved window on the Portside Building reflects a street scene near the San Francisco waterfront.
And now for something quite different from recently posted photographs…
I made this photograph while walking in San Francisco last summer. I’m intrigued by reflections and by scenes holding multiple layers or even multiple layered sub-scenes, so when I found this curved window I had to try to shoot it. For me the first thing I see is the cross-shaped pattern of the metallic bars separating the panes of glass. Looking more closely at what first seems to be just shiny and silver, I see quite a few colors and patterns, especially in the horizontal bars. On the other side of the window is a bit of the interior of the building – a white wall with its own curved shape, the end of a curved cushioned seat, and a dark area opening further into the interior on the right, within which a few shining lights are visible. Then there is the world in the reflections in the glass. (I mostly managed to exclude myself from the reflections, though you might be able to find a bit of me if you look very carefully! ) A person is framed in the lower right quarter of the frame against a background of a warped and curving street and sidewalk. The upper right section features some clearing fog over the Bay and a bit of an overhang in front of the building. The reflections at lower left are faint, though a cross walk can be seen. At upper left is a typical city scene with a traffic signal, wires, and the front of an urban building.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
