Tag Archives: sky

The Sea

The Sea
The soft color and light of fog, sky, and ocean along the Pacific Coast.

The Sea. © Copyright 2021 G Dan Mitchell – all rights reserved.

The soft color and light of fog, sky, and ocean along the Pacific Coast.

Well, this is slightly embarrassing. Actually, it would not be — if I just kept the story to myself. (And, indeed, I am keeping part of the story a secret. Feel free to wonder.) Just a few days ago I read about and saw some photographic work that was seemingly defined by its intentional out-of-focus quality. And not in what I regarded as a good way. My response to the work was that it looked like photographs that would have been quite mundane — bordering on snapshots — if they had been in focus. But because they were not, they ended up in a gallery. And now I present… a very out of focus photograph.

So, what to make of this? That’s actually up to you, but to the extent that a photograph is about things or expresses something, well one way to think of it is that by removing some of the familiar details of the subject you are free to think about larger aspects of it that might be less apparent if you were distracted by the “small stuff.” I’m also working with some ideas about color and luminosity here. That’s all I’ll say for now…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dune and Sky

Dune and Sky
Thin clouds pass above sand dunes, Death Valley National Park.

Dune and Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin clouds pass above sand dunes, Death Valley National Park.

These particular sand dunes and I have a kind of fraught relationship. The first time I visited this location was in the middle of winter some years ago. There was one other party there when I arrived, and they soon departed, leaving me to remain overnight in this vast landscape all alone. It was cold, as the higher elevations of the desert can sometimes be. And I had a difficult time finding photographic compositions that pleased me. Somehow I just found it more difficult to photograph this location than some of the others I knew better.

I was back again this spring. I was most certainly not alone this time! I think that the pandemic had enhanced the appeal of remote camping, and there were more than a dozen other parties, some quite large, on the night I was there. Late on the first day it seemed like time to make some photographs, so I loaded up and started walking. However, the wind had other ideas, and the gale was so strong that I wasn’t certain that I’d be able to photograph at all. I finally decided that if I used a relatively wide-angle lens, rather than the long focal lengths I wanted to use, that I might be able to wait for slight decrease in the wind velocity and get things stable enough to make a photograph. In the end, this particular subject and composition was the only one that I was able to complete successfully before the wind drove me back to camp.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Blue and Billboard

Blue and Billboard
A billboard portrait loomes over urban reisdences.

Blue and Billboard. © Copyright 2021 G Dan Mitchell – all rights reserved.

A billboard portrait loomes over urban reisdences.

Photographs like this one are sometimes a bit difficult to “sell” (in the sense of “persuasion”) to folks who mostly think of me as a “landscape photographer.” There’s a whole lot I could write about this, and I’ll share a little bit of that below, but one reason that I’ve photographed some subjects like this recently is that they are available to me! I carry a camera while out walking, and every so often something catches my eye and I pause to photograph.

In a sense you could think of these photographs as an extension of my landscape photography into the “urban landscape” that I live in. While the subjects seem completely different, there are connections that you might imagine if you think about it a bit. There is also a practical aspect to this kind of photography — it is available to me simply by walking out my front door, unlike the more familiar landscapes that require more travel and logistical preparation. In addition, there are benefits to keeping my seeing skills tuned up by trying to find things to photograph no matter where I am. Beyond that, there are a few things to ponder about regarding the juxtaposition of elements found here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dissipating Sierra Storm, Evening

Dissipating Sierra Storm, Evening
Storm clouds dissipate in evening light, northern Yosemite backcountry.

Dissipating Sierra Storm, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

Storm clouds dissipate in evening light, northern Yosemite backcountry.

This photograph is not just a picture — it evokes a whole series of pleasant associations going back decades. The location is a backcountry spot in northern Yosemite National Park that I visited a decade ago with a group of friends and photographers. I had walked into the backcountry to meet them on my own for a few years, and I did the same thing this time… but something changed. I was self-contained, carrying everything on my back, as I had done for decades, but they were supported by pack train. After our first night at a midway point on the trek to this spot, one of the group members said, “You know, Dan, we could see if there is room for your pack on one of the mules.” Stubborn as a mule myself, I declined. My friend persisted, “Maybe we could put part of your load on a mule.” I surrendered, turning over my canister of food. (After this I participated fully in these trips — yes, relying on mules, too.)

We ended up camped near the lake seen in this photograph. The group had developed loose rituals — up very early to photograph, usually alone, then back to camp for midday tasks and camaraderie. Late in the day we dispersed again into the surrounding terrain to photograph until dark. On this afternoon I did something that I always love in the Sierra — I headed off on my own to investigate some off-trail terrain. Eventually I found my way up some granite slabs and ledges to top out at the base of a high valley filled with talus. I made a few photographs and then started to work my way back down, pausing at this spot just before sunset and setting up to photograph dissipating clouds beyond distant peaks before descending in the gathering darkness to rejoin my friends in camp.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.