Black and white photograph of early season ice on the surface of Tenaya Lake with high granite peaks and domes beyond, Yosemite National Park, California.
A long-lens version of the classic view of Tenaya Lake from Olmsted Point, made on the day that Tioga Pass Road opened for the season and while ice still covered almost all of the surface of the lake. Peaks and domes tower above the lake, including the heights of Mount Conness near the upper left. In a larger version of this photograph, many seasonal waterfalls are visible along the sides of the cliffs and domes.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Spring snow covers Tuolumne Meadows and the Tuolumne River overflows its banks withLembert Dome, Mounts Dana and Gibbs, and Kuna Crest on the skyline.
These were special conditions that I encountered in Tuolumne on the evening of June 5, the day that Tioga Pass opened for the 2010 season. Tuolumne Meadows was still almost completely covered in snow, except that the river was so full with meltwater that large sections of the meadow were flooded, making parts of it look more like a lake than a meadow. The watercourse in the foreground of this photograph will simply be a grass-covered meadow a few weeks from now, and soon after that will be a great place to look for wildflowers – but on this night it was a fast flowing and cold body of water containing floating bits of slushy ice.
The peaks on the horizon are “old friends” to those who frequently visit Tuolumne – from left to right they are Lembert Dome, Mount Dana, Mount Gibbs, and the end of Kuna Crest where it terminates at Mammoth Peak.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Late afternoon shadows fall across the frozen surface of Tioga Lake with Tioga Pass and the snow-covered peaks of Kuna Crest beyond.
On June 5 I made my first “summer season” visit to the Sierra of the year. Usually I mark the start of the post-winter part of the year by heading to Yosemite Valley to experience the waterfalls close up during the peak flow of the meltwater-filled rivers. This year I had time for a one-day trip and I did, indeed, start in the Valley. The waterfalls are close to as big as they get right now, and the Merced River is close to reaching flood stage, with large meadow areas of the Valley already under water. (The latter is actually a normal condition at the peak of the runoff cycle.) However, after shooting in the Valley into mid-morning, I decided to head elsewhere because the crowds were oppressive and because tran-Sierra Tioga Pass Road had opened this very morning.
I’ve been over Tioga Pass Road before on or close to the first day that the route is open, but I haven’t seen conditions like these up there since the mid-1990s. (In 1996, IIRC, the pass didn’t open until July 1 after a very heavy and late winter.) There was still snow almost everywhere along the road. It would be possible to ski or snow-shoe in many areas and, in fact, there were people engaged in just those activities. Melting water was everywhere. In places where I have never seen water before there were roaring creeks, often pouring down next to or even onto the roadway. All lakes and ponds are nearly or completely frozen still. Tuolumne Meadows itself is still completely covered by snow… except where the flooding Tuolumne River has created a giant, fast-moving lake.
I made this photograph at Tioga Lake late in the afternoon after making a traditional visit to the “Who Nellie Deli” in Lee Vining for the ritual fish tacos. Long shadows from nearby peaks and clouds fall across the frozen surface of the lake, the saddle of Tioga Pass is beyond, and in the farthest distance it is still winter on the peaks of Kuna Crest.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white panoramic format photograph of a moving rock at Racetrack Playa, Death Valley National Park, California.
This photograph probably belongs in the “trying to turn lemons into lemonade” file. I’ve had wonderful luck with great light on all of my previous visits to the remote Racetrack Playa in Death Valley, the site of the “moving rocks” that have left tracks in their wake across the playa surface. However, my string luck seemed to run out on this late March visit. Earlier in the day as I contemplated whether or not to head out there I noticed some budding lenticular clouds to the north and made the decision to go. My preference is to have some clouds at the Racetrack, as perfectly clear sky isn’t as interesting in my view. Plus I always have in mind a particular previous visit when I photographed the playa at dawn with beautiful lenticulars building over the mountains to the north of the playa, and I think I’m always hoping for similar conditions again.
The plan on this visit was to arrive in the mid-afternoon to shoot the Grandstand, a formation near where the road first arrives at the playa, and to then photograph the beautiful evening light, the full moon (in the evening and then again before dawn) and finally the dawn light. The conditions continued to look great as I did the long washboard drive to the playa, and I arrived and photographed the Grandstand as planned. However, as I finished up here a high band of clouds moved across the sky and flattened out the light. As evening came on I was out on the playa, but the clouds remained and the light was not remarkable. I finally wandered back off the playa after dark, hoping that the clouds would clear and allow full moon photography. This never happened, and when I returned to the playa early in the morning the overcast was still present, with only a thin area of blue sky far to the west.
But I photographed anyway. Softer, overcast light has its potential, and since I was there I was certainly not going to waste the opportunity. In the end, I wasn’t thrilled with what I brought back for the most part, though I do like the effect of the overcast and the softer light on this black and white photograph of one of the more recognizable rocks. (By the way, the rest of my Death Valley visit went much better than this one night!)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
