Tag Archives: springs

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Springs

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Desert Springs
Ponds from desert springs in a remote part of Death Valley National Park.

Desert Springs. © Copyright 2022 G Dan Mitchell.

Ponds from desert springs in a remote part of Death Valley National Park.

Usually my photographs are, at least to my mind, more about how I see something than about the thing I saw — though there is always a bit of tension between those two things. This one is more about “the thing” itself. If you look closely there is a series of three lakes or ponds in this improbable location, far out on the fringes of one of the hottest and driest places in North America. This spot has a history involving mining, the transportation of goods, and some nearby springs. But the amazement of finding water in such a place is shared with all such locations.

I’ve long felt that desert landscapes are among the best places to see the effects of water. Along a stream fed by mountain snowpack, water is a given. Out here it is rare, and you have to look around to see the many signs of its work. A playa? Formed by water. A gigantic fan spreading out from a desert mountain valley? Water. Undulating terrain under the roadway? Water. A small but striking strip of green? Water. The rugged forms of badlands? Water. The effects are literally everywhere you look.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Evening

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White Rim, Evening - Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.
Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.

White Rim, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.

This was an evening of very special light in the Canyonlands, or so it seemed to me. I love soft, hazy conditions and perhaps prefer them to super clear and sharp conditions in many cases. So I had not been at all disappointed earlier in the day to see that the rugged canyons below the “island in the sky” section of Canyonlands were obscured by dust that had been stirred up by very windy conditions. We visited this spot earlier in the day and I identified it as one of several places I thought I might want to photograph at the end of the day, even though the atmosphere looked almost “murky” during the earlier visit. I knew that the edges of the upper cliffs of canyons, for example along the White Rim, could well be nicely lit in the evening light. So as we wandered around other nearby areas, looking for other shooting prospects, I became more and more certain that this is where I wanted to end up.

When we came back here a bit before actual sunset, it was cold and rather windy. The wind had been an issue though out my photography here and at Arches, and I was getting used to timing my shots for the lulls between gusts. I put on warm clothes and wandered out to the edge of the cliffs, where I found a small number of other photographers as well. Earlier I had not only decided on shooting here, but I had also scoped out a couple of likely compositions. One (which I posted earlier) was a horizontal composition that included the bottom of the canyon that would be out of this picture and to the right – a deep canyon that was carved by the Green River and its tributaries. The other was this vertical composition, that angled across the tops of a row of flat areas along the White Rim where canyons alternated with the flat surfaces above with more distant mesas and more mountains beyond. The atmosphere did something that it can often do when the air is hazy – it gradually changed from having a low contrast and filmy appearance with lots of golden tones and began to become more transparent as the light lowered and came in at a lower and lower angle. Here, very close to when the sun dipped below the horizon, the very low angle light strikes the west-facing cliffs and skims across the tops of the low hills in the foreground and on top of the mesa-like formations beyond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature, Photographs: Utah

Green River Canyon, Evening

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Green River Canyon, Evening - Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah
Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah

Green River Canyon, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah.

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a bit of description of the photograph. This photo was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up shooting here at sunset. I was initially imagining a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with some haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided finding out a lot about some of our destinations before we left. Consequently, I had opportunities to be surprised and astonished – like any good tourist! – by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Dawn, Alkali Lake, Eastern Sierra

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Dawn, Alkali Lake, Eastern Sierra
Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

Dawn, Alkali Lake, Eastern Sierra. Owens Valley, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

I posted a photograph very much like this one a month or so ago, but I like this place and the morning light so much that I’m posting this similar photograph. The location is on the shore of a small alkali lake out in Owens Valley/Long Valley, in an area that is full of hot springs. On this very cold early October morning, steam was rising from the many hot springs in the area as the sun rose, lighting the eastern face of the Sierra Nevada near Convict Lake, the sagebrush-covered hills below the Sierra, and finally the surface of the small lake.

For many years after I started visiting the east side of the Sierra Nevada I mostly ignored the high desert terrain such as the area around this lake. As time went on and I looked further east I began to venture out here, and I discovered a beautiful landscape that is affected by proximity to the Sierra but which is not really “Sierra Nevada” itself. The bulk of the eastern escarpment is a constant presence here, but the character of this place is more that of the basin and range country — dry, full of sagebrush, with playas and rocky outcroppings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.