Tag Archives: steep

Fog, Headlands, Pacific Ocean

Fog, Headlands, Pacific Ocean
“Fog, Headlands, Pacific Ocean” — Headlands drop to the edge of the foggy Pacific Ocean coastline at Point Lobos.

This photograph captures several characteristic features of Point Lobos State Reserve and perhaps a bit of the experience of visiting. I photographed from a trail along the north shore of the reserve on a very foggy morning. At times the fog was low enough to partially obscure the view, but here it had risen along the shoreline to offer a clear view of headlands, a cove, a small island, Monterey cypress trees, and the Pacific Ocean disappearing into distant fog.

I learn or discover new things on every visit to Point Lobos, despite having gone there for decades. Each time I find different ways to photograph it, and new perspectives that I had somehow missed in the past. I also learn new things, including some I’m astonished to realize that I didn’t know. In another post of a photograph from this visit I shared that it wasn’t until this summer that I realized that these familiar coves all have names! The one in the center of this photograph is “Cypress Cove.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest, Morning Fog

Forest, Morning Fog
“Forest, Morning Fog” — Soft sunlight appears as morning fog begins to clear above a forested hillside, Santa Cruz Mountains.

One of my favorite kinds of light is found at “the edge of the light” —places that are neither in full sun nor fully shaded. Often I search out these spots, especially when fog is involved. The effect can range from subtle to quite striking when there are strong contrasts between deep shadow and light. Here there is an additional factor — not only are the foreground trees in a bit of that gentle light coming through the fog, but the more distant trees almost disappear into the thicker clouds.

We often hear something along the lines of, “photography is all about the light.” That’s not quite literally true in every case, but there’s no question that interesting light can turn an otherwise-mundane subject into something special. To be honest, this scene would not likely catch your attention at all in typical full sunlight nor in thicker fog — it is that glow on the foreground trees that makes it work.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Carmo Gifts

Carmo Gifts
“Carmo Gifts” — People in front of a Lisbon shop on a steeply-inclined street at night.

We spent four nights (and days) in Lisbon during out summer 2023 travels. It is a fascinating city, with a very different character than Porto, the other Portuguese city we visited this time. It seem more urbanized and modern, but like Porto — perhaps even more so — it is partially defined by its very hilly terrain. For people like us, who walk a lot when we travel, this was not a trivial factor!

We stayed in an area of older, narrow streets some distance above the city’s famous elevator — though we never made use of it. More than once we followed a walking route down to the central city in an area near the railroad station, following some streets that were exceptionally steep in places. This shop is on one of those steep sections, and I photographed it as we walked back up one evening, as its light spilled out onto the sidewalk and passers-by.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Canyon Narrows

Canyon Narrows
A desert mountain wash winds through narrows between tall cliffs, Death Valley National Park.

Canyon Narrows. © Copyright 2023 G Dan Mitchell.

A desert mountain canyon winds through narrows between tall cliffs, Death Valley National Park.

Believe it or not, this is Titus Canyon, through which a remarkable road passes. The road runs almost thirty miles from near the Nevada border, over mountains, past old mines, and eventually emerging into Death Valley. Or at least it used to. We hiked into the canyon from the west end in late March — when it was closed to vehicles due to damage in a big storm last year. The road is essentially obliterated, and the canyon is as it was in pre-road days.

This photograph is an example of a principle that occurred to me many years ago when photographing redwoods and considering how to portray their extreme height. The counter-intuitive principle sometimes turns out to be, “go wide, not tall.” I feel that a wide landscape format creates a subjective sense of “it is so tall that it won’t fit in the frame.” In this case, I think it also emphasizes the twisting, meandering path that the canyon takes through the narrows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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