Tag Archives: steep

Cobbled Street

Cobbled Street, Montpellier, France
“Cobbled Street” — A man walks up the slope of a steep cobbled street, Montpellier.

After visiting Monpellier’s Arc de Triomphe and nearby Christmas Market, we headed back down the Rue Foch toward the old center of the city, but soon took a detour to the north. It eventually took us to the St. Pierre Cathedral and then the nearby Jardin des Plantes. To get there, we first traveled through some quieter, winding back streets, including this one where I photographed a man ascending a steep section.

The light in this location and others like it reminds me a lot of the light in slot canyons in the American Southwest. Because this “canyon” is also narrow and lined by tall “walls,” direct light rarely makes it to the street level. As a result, the light is often quite “cool,” or blue, since most of it is coming from the sky itself. But in places where the sunlight hits the walls, it reflects back and forth and sends a bit of warmer toned light into the “canyon,” as on the wall at the end of this street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Drifting Clouds, Eastern Escarpment

Drifting Clouds, Eastern Escarpment
“Drifting Clouds, Eastern Escarpment” — Clouds drift across the rugged slopes of the eastern escarpment of the Sierra Nevada.

If my memory is correct, I made this photograph as I started my long drive back to the Bay Area from the Eastern Sierra. My typical final day over there starts early with some photography at “one last spot,” after which I pack up and get on the road. But almost invariably I spot some distraction during the drive and end up pulling out the photography equipment along the way.

There is a lot of seasonal autumn stuff in this photograph if you know what to look for. Some is obvious, like the golden-brown grasses and high desert plants in the foreground. Some is a bit harder to spot, including the aspen groves on the lower slopes where the high desert meets the first conifers. Those soft, drifting clouds are another hint – they can happen at any time, but at this time of day they are much less common in the summer. Finally, way up on the high ridge there is a dusting of snow from an autumn storm.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastside Canyon

Eastside Canyon
“Eastside Canyon” — Fall color in a steep and rugged Eastern Sierra Nevada canyon.

This might be one of the most classic Eastern Sierra canyons. A short spur road off of US 395 quickly climbs old glacial moraines, and before long high desert and cottonwoods transition to the first aspen trees. There is a parking lot at the end of the road, and from there a trail heads straight up the canyon, passing through this transitional high desert terrain, then through aspen groves, and before long entering conifer forest beneath stunning alpine ridges and peaks.

On this occasion I photographed from areas along the road, since I was scouting fall color. It had been cold and the highest peaks were dusted with the light snow from an early season storm. Aside from the conifers, the vegetation was in that beautiful, late-fall golden state that signals the arrival of autumn and the impending onset of winter.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Fog, Headlands, Pacific Ocean

Fog, Headlands, Pacific Ocean
“Fog, Headlands, Pacific Ocean” — Headlands drop to the edge of the foggy Pacific Ocean coastline at Point Lobos.

This photograph captures several characteristic features of Point Lobos State Reserve and perhaps a bit of the experience of visiting. I photographed from a trail along the north shore of the reserve on a very foggy morning. At times the fog was low enough to partially obscure the view, but here it had risen along the shoreline to offer a clear view of headlands, a cove, a small island, Monterey cypress trees, and the Pacific Ocean disappearing into distant fog.

I learn or discover new things on every visit to Point Lobos, despite having gone there for decades. Each time I find different ways to photograph it, and new perspectives that I had somehow missed in the past. I also learn new things, including some I’m astonished to realize that I didn’t know. In another post of a photograph from this visit I shared that it wasn’t until this summer that I realized that these familiar coves all have names! The one in the center of this photograph is “Cypress Cove.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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