Tag Archives: stock

Photographs: Nature, Photographs: Pacific Northwest, Photographs: Wildlife

Snow Geese and Farm Buildings

March 19, 2012 G Dan Mitchell Leave a comment

Snow geese fly low past a Skagit Valley farm, Washington.

Back in February I was fortunate to be able to spend a day photographing migratory (and other) birds in the lower Skagit Valley area in the state of Washington. For me the primary draw was the snow geese, since I had just spent several days photographing Ross’s geese in California’s Central Valley, along with the beautiful trumpeter swans that hang out in the fields in this part of Washington. I had also been alerted to the presence of bald eagles in the area.

I drove up very early in the day from the Seattle area, arriving at just about the time that would have been sunrise… if it had not been a typical gray Washington day. I passed through a small town by the highway and then headed out into this farm country, immediately spotting scattered groups of trumpeter swans, whose large white bodies stand out clearly against the intense green of the new growth in the fields. However, all of these birds were too far from the roads, so I moved on, soon passing what looked like a country produce stand in front of a fallow field that where there were some geese. I stopped – and immediately heard that striking sound of the huge flocks of geese – and got out my camera gear to see what I could do. At this point I looked around a bit more and saw flock after flock of birds high in the sky to the west and heading this direction. Very soon all of these flocks began land on this very field where I had fortuitously stopped and in minutes there were tens of thousands of geese on the ground and many more flying routes above and around the field.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Pilings and Water, Night

March 18, 2012 G Dan Mitchell Leave a comment

Pilings along the waterfront photographed at night, Mare Island Naval Ship Yard, California.

This is another photography from my nighttime visit to the historic Mare Island Naval Ship Yard with friends from The Nocturnes in early March of this year. The subject here includes some old and worn pilings along the edge of a ship launching ramp and the still water smoothed by the long exposure necessary to photograph here at night.

This particular spot only recently became accessible (at least without jumping a bunch of cyclone fences or getting someone to open the gate) when waterfront access was created near the ship yard museum. An area that had formerly been off-limits was opened to provide a way to get to the edge of the water, and this path parallels this ramp and the extensive structures alongside. In this photograph I made a color balancing choice that is a bit unusual for me when it comes to night photography in general and shooting at Mare Island in particular. One of the things that I enjoy about the night photography environment at Mare Island is that there are many different types of lighting, each having different color characteristics. Some are merely warmish “tungsten” like colors, others are garish yellows and greens, a few are blue, and the wash of light from nearby Vallejo and even the natural light of the moon can enter the mix. Because of this, I often simply go with the wild colors of the environment here. This scene is lit by grossly yellow sodium vapor lamps, and the “natural” coloration of the scene is quite intensely saturated. For this image I decided to color adjust this much closer to what might be regarded as a more neutral light color.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Two Trillium Blossoms

March 15, 2012 G Dan Mitchell 2 Comments

Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.

It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)

I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.

Photographs: Northern California, Photographs: San Francisco

Morning Clouds, Angel Island, San Francisco Bay

March 13, 2012 G Dan Mitchell Leave a comment

Light shining through layers of morning clouds over San Francisco Bay silhouettes the hills of Angel Island near Richardson Bay.

I can be a bit of a creature of habit when it comes to shooting in certain locations that I’m very familiar with. But the habit isn’t so much shooting the same thing – though that can be part of it – as it is being attentive to how the familiar thing might present itself in ways I have not previously seen. This photograph is a case in point.

I was on my way to a location north of the Golden Gate where I frequently photograph, so I know the route well and have a routine that I frequently follow – it involves where I’m heading, what time I plan to get there, and the route I typically follow. Along the way there are several places where I almost always pause long enough to look around and see if a familiar scene might look different. At a location where my route follows a short ridge line, I often stop and look back across Richardson Bay towards Angel Island and, beyond that, the waterfront of Oakland and then the East Bay hills. On this recent morning, a weak weather front was washing out as it arrived in the Bay Area and, as a result, there were many layers of clouds stacked up to the east. While the sun was able to shine through and light the surface of San Francisco Bay beyond the boats anchored in Richardson Bay, there was haze in the atmosphere that obscured details even on relatively close Angel Island, and in the sky above and beyond there were layers of fog, lower clouds, and the highest clouds of the weather front.

G Dan Mitchell Photography

Tag Archives: stock

Snow Geese and Farm Buildings

Pilings and Water, Night

Two Trillium Blossoms

Morning Clouds, Angel Island, San Francisco Bay

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.