Tag Archives: sun

Basin Mountain, Dawn

Basin Mountain, Dawn
A cloudy autumn dawn on Basin Mountain in the Eastern Sierra Nevada.

Basin Mountain, Dawn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A cloudy autumn dawn on Basin Mountain in the Eastern Sierra Nevada.

This is probably (maybe, likely, could be) the final photograph in the series from this beautiful autumn morning in the Eastern Sierra Nevada some years back. Since I’ve told the story previously, I’ll keep it short this time. I was there to photograph another subject up higher in the mountains, but I thought that the cloudy skies were making the eastern escarpment of the range a more likely prospect, so I changed plans at the last minute and headed to this spot that I had previously scoped out. Beginning with the pre-dawn glow, moving on to the sunrise light on the highest peaks, and continuing as it worked its way down the front of the range I was a very busy photographer for a short period on this morning!

This is a visually striking peak along the eastern edge of the range above the town of Bishop. It has long intrigued me with its east-facing basin on the upper slopes, where I presume that a glacier must have been active in a much earlier time. A close inspection of the face reveals an old trail/road climbing up into the basin, and from some maps I’ve looked at it appears that some mining or prospecting might have taken place there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Crescent City Sunset

Crescent City Sunset
The sun sets beyond evening clouds and sea stacks along the Pacific Coast at Crescent City, California.

Crescent City Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

The sun sets beyond evening clouds and sea stacks along the Pacific Coast at Crescent City, California.

Earlier this month we got away for a few days of photography in far Northern California — the redwood country, but also the never-far-away coast. We stayed in Crescent City the first couple of nights, just below the Oregon border, since this place provides good access to several of the redwood parks. The days are very long in far Northern California at this time of year, and even with several hours of morning photography and several hours of work in the evening, there is a lot of “in between time.” On this day we decided to enjoy an early dinner in town before heading out for evening photography. Eventually we worked our way to this spot along a bluff at the edge of town.

I had a particular subject in mind when we arrived, but the conditions were evolving in a somewhat unexpected way. A weak weather front was approaching from the northwest, and it was clear that its cloud shield was going to block the sun as it descended toward the horizon. I made a few quick exposures in pseudo-evening light, and then the light went gray. It was difficult to say for sure, but it looked like there might be a gap between the bottom of the clouds and the ocean, and in anticipation of the sun’s light coming through that gap right at sunset I quickly moved to a different location that placed this sea stack with its small tree in line with some more distant rocks and the likely position of the setting sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Farm, Burned Ridge

Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Peninsula Trees, Morning

Peninsula Trees, Morning
Trees on a rocky peninsula catch the first morning sun at a Yosemite National Park backcountry lake.

Peninsula Trees, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees on a rocky peninsula catch the first morning sun at a Yosemite National Park backcountry lake.

There’s nothing like have the time for a slow morning wandering the perimeter of a forest-lined Yosemite backcountry lake. We camped at this one for something like four nights back in 2014, when a group of us spent a week in the high country making photographs. Each morning, well before sunrise, it was down to the shoreline wander and photograph.

I love photographs of trees in back-light, but there are some challenges. The obvious one, of course, is that you are pretty much guaranteed to be shooting almost directly into the sun. But second challenge is that the scene between camera position and subject is often in the bright sunlight, even if the background is pleasantly shaded. Photographing on a lake can help with this issue since the water helpfully reflects that shaded background and is hardly affected at all by the direct light, aside from a bit of extra illumination of anything that happens to be floating on the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.