Tag Archives: texture

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

White Door and Wall

May 10, 2011 G Dan Mitchell 4 Comments

White door and stucco on a building in San Francisco, California.

As I photograph the various usual subjects that appear here, I always have a few background subjects that I’m always looking out for. One of my projects might be described as “urban minimalism,” featuring subjects from the urban environment that are very simple. This is probably about as minimalist as I can get with such images. (Though, now that I’ve written that, I’m starting to think of some even “more minimalist” possibilities. Funny.)

This one gets perilously close to the infamous “Polar Bear in Snowstorm” photo that people imagine from time to time. It is a white door in a white door frame against a white wall. Believe it or not, I had to go back and forth for a while to decide whether to print it in color or black and white – and, no, I’m not joking. Much of the image changes little when I switch between the two interpretations. However, there is a slight coloration to the “white” wall (that is almost certainly not displayed accurately on your monitor) and there is some real color on the metal security cover over the lock. But still… it is almost all shades of white in the end.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Redwood Trunk, Detail

May 5, 2011 G Dan Mitchell Leave a comment

Detail view of the convoluted textures of the bark of a coast redwood tree, Muir Woods National Monument.

I’m fascinated by the patterns of tree trunks and bark, and I often try to find ways to make photographs of the thick and rugged bark of coastal redwoods – but not always with a lot of success! The subject is trickier than it seems at first. Even during the daytime these forests can be quite dark – and occasional beams of direct light pose their own problems along the lines of harsh shadows. When shooting close up, relatively small apertures are needed since some amount of DOF is required to get the closest parts of the thick bar, and the deeper parts along the frame edges decently in focus. Low light and small apertures means long exposures, and even a bit of air movement will move leaves, bits of grass, or (in the case of this photo) spider webs. And when a bit of interesting filtered light does make it down through the forest canopy, it is often there and gone within a few seconds. (On this same day I came across a beautiful shadow on the side of one redwood that included the shapes of some nearby alder trees. It was wonderful! It was also gone 10-15 seconds later when I got my camera into position!)

I photographed this bit of bark shape and texture along the main trail at Muir Woods on this late-April morning. As is my usual plan, I had arrived very early – before the park actually opens – and was able to wander around without the typical crowds that appear once the post-breakfast tour buses arrive from nearby San Francisco. In this spot it was quite dark, but there was just a bit of filtered and reflected light to bring out the textures and colors of the redwood bark.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Turnstile Shadows

February 17, 2011 G Dan Mitchell 1 Comment

Shadows cast by sodium vapor lamps shining on old turnstiles at Mare Island Naval Ship Yard.

This old row of abandoned turnstiles stands at the entrance to an alley through which we almost always walk as we begin shooting in the core area of the historic Mare Island Naval Ship Yard near Vallejo, California. It seems odd to see the structure here since now one can just walk around them, but I suspect that this area must have been somewhat secure at times since military ships were built here.

This isn’t an easy subject to photograph. Several of us were talking about how we have struggled to find a composition built around the turnstiles. I have one other photograph that I made a few years ago that I think works pretty well. In that one I aimed a bit higher and let the metal structure pretty much fill the frame, and I also ended up making it a black and white image. (It was used as a cover for a book at one point.) But on this evening a few of us were staring at the turnstiles again and remarking that there must be more photographs in there… somewhere… but that we are still trying to find them.

I thought it might be interesting to make the long and complex patterns of the shadows fill most of the frame, so I moved back just a little and pointed the camera down so that just a portion of the turnstile structure appears at the top of the frame. This also helps with a couple of technical challenges: the bright lights beyond the structure create a tremendously large dynamic range in the scene, and it can be difficult to keep some distracting background elements (like a stop sign!) out of the image. The garish yellow/orange light is from a large sodium vapor lamp that sits above the intersection on the road in the background. That coloration is part of what made me choose to make the previous photograph of this subject black and white, but on this night I decided to go with the color.

The final image is a blend of two exposures. The shorter one was selected to avoid blowing out the brightest areas in the upper part of the frame, and the longer one let me keep a bit more detail in the shadowed asphalt foreground.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Dead Branch, Glaciated Granite

February 11, 2011 G Dan Mitchell 2 Comments

A dead branch lies on glacially-polished granite in the Yosemite National Park back-country.

I made a promise to someone to not say where this photograph was made – I’ll just say it is in Yosemite National Park. But the exact location really doesn’t matter too much, as these large expanses of glaciated granite slab are a common feature throughout the park, and you could find similarly interesting geology in thousands of locations.

I was a little surprised to find this weathered branch in this location, since it was a good distance from any trees and also not near any flowing water. Besides its location, a few other things about it caught my attention. First, its curving shapes lined up in a way tht seems to tie in with the bit of glacially-polished granite that lies beneath it. (And, yes, this is exactly where the branch was when I found it.) In a way, the larger shape of the lighter area of granite winding across the photograph from side to side almost seems like a much thicker echo of the curving shape of the branch. In addition, the warm brown tones of the branch seem to stand out a bit – though perhaps more in a larger print – against the relatively drab color of the rock.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.