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Priory Church of St. Bartholomew the Great

Priory Church of St. Bartholomew the Great
Priory Church of St. Bartholomew the Great

Priory Church of St. Bartholomew the Great. London, England. July 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Main interior space of the Priory Church of St. Bartholomew the Great, London, England

Photographing this old church and surrounding facilities might serve as an example of what can happen if you don’t follow the crowds to the usual places when visiting a famous city such as London. Or, more accurately, it might be about what can happen if you do follow the crowds to those (deservedly famous and popular) places and then just wander off a bit aimlessly to see what else you might find.

We had initially been, if memory serves, sort of in the area of Trafalgar Square. At some point we ended up walking some blocks away from here to an area that we much less busy, since it was a real work area and this was a weekend. We were hungry, so we looked around for a pub and had some lunch. Leaving the pub we looked up the street and saw some interesting looking older buildings, so we just headed over that direction to see what we might find, and soon we saw the grounds of and entrance to the Priory Church of St. Bartholomew. At least on this day, this was not exactly a place swarming with tourists. In fact, there were hardly any. We decided to pay the small fee and spend a bit of time wandering around inside this very old church that is, in many places, filled with wonderful light. I made several photographs inside that I like, and in each one of them this light is a central feature. On a slight technical note, this is one of those photographs I made on this trip with the little Fujifilm X-E1 camera, here using the 14mm prime lens and shot handheld.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Color, Canyon Walls

Autumn Color, Canyon Walls - Autumn color foliage marches up the lower slopes of Zion Canyon, Utah
Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

Autumn Color, Canyon Walls. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

I was in Zion three times during October this year – it is a long story how that happened! On the final occasion, we were passing through the area on our way back to California at the very end of the month, having stayed the night before in Kanab and having a plan to stage the next day’s long return drive from St. George, Utah. The drive between those Kanab and St. George is not all that long, so we figured we would see what Zion might offer up as we passed through. Since we had photographed the high country along the Mount Carmel Highway earlier in the month, and since the fall color was rumored to be starting in Zion Canyon, we decided to head there in the morning. (In the end, we finished up here a bit sooner than we might have, so we ended up driving well past St. George, but that’s a different story…)

The height of the Zion Canyon color typically comes a bit later than this, so we figured that we might not see the very best color – but Zion is sort of like Yosemite in that there is something to see no matter what. After many days of shooting, this was one of those days when energy was at a bit of a low ebb. We started out in the upper end of the canyon, where we found some colorful red maples, but I don’t think any of use were necessarily quite “seeing it” at this point. So we moved down that canyon a bit, looking for whatever might turn up, and hoping for a bit more color that we were seeing. One of the last places we stopped to shoot was in this area from which features such as the Great White Throne and The Organ are visible. Here we were a bit more inspired, since there was a variety of things to see: the Virgin River, the flats along the river in the bottom of the canyon, a decent amount of developing fall color, towering rock walls, and evolving light. As I poked around along the river bottom I saw that some very colorful trees were visible up high along the base of the steepest cliff walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Room for the Big Deep Bend

Room for the Big Deep Bend
“Room for the Big Deep Bend” — Scowercroft’s Never Rip Overalls – Room for the Big Deep Bend

At about the time I made this photograph, we were staying in Torrey, Utah for a few days. Instead of doing the obvious thing and heading east to visit Capitol Reef National Park again, we headed west towards points unknown but including the Fish Lake area. We passed through small towns whose lives seemed more divorced from the tourist trade than others we had been through along route 12, and eventually turned off the main highway to head up to Fish Lake. It turned out that, at least partially as a result of my decision to not do too much research ahead of time, we had missed the main fall color season there and that, in fact, the whole place was pretty much shutting down for the season. We poked around a bit here before reversing direction and heading back to highway 24.

Rather than end our exploration quite so soon, we continued on along highway 24, soon turned off into the Valley where Koosharem is located. I cannot recall now what drove the decision to go there – perhaps the unusual name of the place or maybe the possibility of getting to mountains on the far side of the valley – but there we went. We initially pretty much drove right through Koosharem and on out into the country on the other side of town, but we soon stopped and decided that this was not the direction we really wanted to go. We turned around and headed back towards Koosharem. This time a few things caught our attention, including the plain architecture of certain buildings in the town and the surprising – to us, anyway – appearance of this antiquated looking, though clearly kept up, sign on the side of this building next to a leave littered parking area that also held an ATV and some sort of small trailer. I wondered about this sign and the advertising copy it contained, and I later found out that Scowercroft and Sons was a fairly large manufacturer of clothing centered in Ogden.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Base of the Organ, Morning

Base of the Organ, Morning - Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon
Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon

Base of the Organ, Morning. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon

During three visits to Zion National Park and Zion Canyon during the past year, the area around “Big Bend” in the canyon has become a bit of a fixation for me. There is a lot to see and photograph here, and the lighting changes a lot during the course of the day. The bend in the canyon creates a sort of closed-in effect, and it is possible to focus both on the very small features and on the very large, including the canyon walls and more distant examples of vegetation climbing up the cliff walls.

Two major features make an appearance in this photograph. The near, darker columns are the base of a feature called “The Organ” that sits near the apex of the horseshoe bend that the canyon makes here as the Virgin River goes downstream. Beyond that are the huge walls of “The Great White Throne,” a towering feature in this portion of the canyon whose color is lighter than that of some of the other reddish rock cliffs nearby. I made this photograph fairly early in the morning before any direct sunlight had begun to affect the scene and when a certain amount of haze was still in the air. The foliage at the base of The Organ is just beginning to show the tiniest bit of autumn color, but higher on the cliffs of The Great White Throne there are trees that are well along on this transition.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.