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Wooden Door, Concrete Wall

Wooden Door, Concrete Wall - A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.
A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.

Wooden Door, Concrete Wall. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.

I’ll keep this description short since the photograph was taken in a location and circumstances that I have already described more fully. While walking along the Embarcadero on the waterfront of San Francisco I came across some alleys that had been locked up in the past and this time found them open. So I wandered down the alleys toward the water and discovered some old industrial buildings with worn doorways and walls and decided to make some photographs.

Much of this area is undergoing renovation or else being reclaimed by firms that find the slightly old-fashioned and dilapidated buildings to be picturesque and perhaps a bit trendy. Side by side with modern companies and offices there are remnants of a much different and rougher past.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point and Murphy Hogback, Evening

Murphy Point and Murphy Hogback, Evening - Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

Murphy Point and Murphy Hogback, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

When I photographed from the Green River Overlook in Canyonlands National Park back in early April, I arrived there in the evening with one shot definitely planned out ahead of time (though the conditions were, as they often are, a bit of a pleasant surprise once I arrived) and one sort of half planned. The first was a shot across the rugged terrain to the west and southwest through which the Green River has carved a deep and twisting canyon. The second was of more or less the same subject, but shot in vertical format with a longer lens and tracking some of the formations out toward the horizon.

Once there, I quickly figured out my shooting location – to be honest, there are quite a few options and unless you include cliff-top foreground subjects you don’t have to be terribly particular. I composed the first, landscape-orientation shot and then sort of went back and forth between that image and the vertical shot as the light evolved. As I did this and the low angle light began to cut through some of the haze a bit more, the terrain to my south that I had not really thought about earlier started to look a bit more interesting. From the Green River Overlook, the upper sandstone cliffs first curve back away from the river canyon, then run south, and once again extend a bit out into the canyon at Murphy Point, the impressive prominence at the left side of this photograph. One thousand feet below, Murphy Hogback – a flat-topped ridge – extends further toward the Green River. Beyond that the terrain extends into the distance, full of features that were unfamiliar to me but still very impressive – a series of plateaus, often with white rock edges, steep drop-offs into deep canyons, more distant and barely visible towers and other formations. From what I’ve read since then, I’m pretty certain that beyond the shoulder of Murphy Point, I am seeing the area roughly where the Green and Colorado Rivers meet and beyond that the area known as The Needles.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point, Sunset

Murphy Point, Sunset - Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park
Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park

Murphy Point, Sunset. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park.

We spent the better part of a day scouting around the “Island in the Sky” section of Canyonlands National Park, partly with the goal of figuring out where to be for golden hour light. In the end, the very first place we had really considered ended up being the place we came back to – the Green River Overlook. While quite a few landscape photographs can be somewhat spontaneous and a matter of quickly taking advantage of ephemeral conditions, the decision to photograph at the Green River Overlook was quite the opposite. Not only had I decided that I wanted to shoot at this location, but I had even worked out the composition of the shot that I wanted.

With that in mind, we came back here almost an hour before actual sunset, confident that the photograph I had in mind would be waiting for me. And it was! That photograph was shot looking roughly west or a bit south of west and across the canyons dropping into the Green River. But I also had quite a bit of time to look around at other possible subjects as the light slowly transformed. The steep upper cliffs of (what I believe to be) Murphy Point stood to my south and the sunset light began to intensely color their red rocks during the final few minute of sunlight. So I took a moment away from the shot I had come for, pivoted the tripod this direction, and made a few exposures. The geology seen in this area is amazing. Layer upon layer build from the bottoms of the river canyon, through the side canyons and onto the lower plateaus. Then shattered rock stacks up against the tall upper sandstone cliffs that are topped by the relative flatlands of the “Island in the Sky” area. Here the low angle side-light from the setting sun reveals a lot of the more subtle details of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Room in Abandoned Building, The Embarcadero

Room in Abandoned Building, The Embarcadero - The interior of an abandoned waterfront building on the Embarcadero, San Francisco.
The interior of an abandoned waterfront building on the Embarcadero, San Francisco.

Room in Abandoned Building, The Embarcadero. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The interior of an abandoned waterfront building on the Embarcadero, San Francisco.

This interior is a room in a building located on one of the piers along the Embarcadero on San Francisco’s waterfront. This one is located not far from the South Beach Harbor. It seems to be one of those old structures that was recently adapted for use by companies that had the “look” of being part of the tech boom in the city – perhaps design firms or similar. I have walked past it many times, occasionally photographing the exterior windows and other features, but otherwise not noticing it all that much.

On my last walk past this spot things had changed, to say the least. There were signs along entrances that declared that the pier had been closed, ostensibly for safety reasons, and that no trespassing was allowed. No one seemed to be inside the building, and most of the businesses appeared to have left or been abandoned. Though one set of windows I could see stacks of boxes labelled with intended mail recipients, but that mail wasn’t going anywhere! Near the north end of the building I could see into this sun-filled room, with its tall windows facing the bay and the morning sun. Almost everything was removed from the building, giving it almost the same abandoned feeling that I often experience when shooting at Mare Island. I managed to push my camera up against a window, block reflections from the street behind me with my hand, and make a few perhaps final photographs of this space.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.