To be honest, there is nothing about this subject that connects to Halloween, though perhaps the appearance of this rendition of the subject may fit. If you want to continue with your Halloween-like impression of this photography, you may wish to stop reading right here. On the other hand… I made this photograph on an overcast afternoon in Amsterdam this past summer.
The last light on hills beyond the Mono Lake shoreline
I’ve long been fascinated by the view across this section of the Mono Lake shoreline. It contains a lot of things that I consider essential to the Mono Lake experience — tufa “towers” (though these are more like islands), the shallow shoreline with its curving edges, the larger islands and buttes, the distant mountains in the east, the immense open sky, and the textured and reflecting surface of the water.
In a way, this photograph was sort of (but not exactly!) the result of “killing time” between photographing two other subjects. I had been at a nearby area with colorful aspen trees, and had finished up there — the light was gone sooner than expected when high clouds moved in. At that point I knew that the full moon was going to rise close to sunset, so I decided to find a location along the Mono Lake shoreline to photograph it. I arrived there too early — better than too late! — and had some time to photograph other things as I waited for the moon. I went ahead and set up tripod and camera with some urgency as I noticed to last sunlight on some of those distant hills.
Predawn light above high desert mountains, reflecting on the surface of Mono Lake
Mono Lake is famed for several things, among them the remarkable tufa towers found in several locations along the shoreline of this great land-locked lake east of the Sierra Nevada. And, yes, this photograph includes a few of those towers — a small group that lies far enough from the shoreline to make them less accessible and interesting to most photographers. (No, that isn’t Nessie — or a band of Nessie lookalikes — at the lower left corner.)
But tufa towers are not my primary or strongest association with this place. Mine include more ephemeral things — the sense of huge space, the expanse of the sky (accentuated by the distance and smallness of surrounding mountains), the deep quiet that is broken only by the sounds of birds and wind. In my experience, to understand those things about this place you must find a quiet place away from other people and perhaps just “be” there quietly, long enough to let its stillness begin to affect you, too. On this morning I arrived in Mono Basin before dawn, ending up at a spot that is not typically regarded as being iconic. Being early, I was in no hurry, so I set up my camera and tripod and just looked for a while before beginning to make photographs of the predawn light from beyond the eastern mountains as it reflected on the breeze-ruffled surface of the lake.
Thin clouds in bright summer sky above the Eiffel Tower
It was Paris, so I had to photograph the Eiffel Tower. It is expected of me. It is an iconic site and it is impressive in person. But I found it to be a difficult photographic subject. It is easy to photograph it, but I found it tricky to find a way to not just make a picture of the Eiffel Tower. (On the other hand, I did almost exactly that on one evening late in our visit when we had a view from an upper story towards to tower as it got dark and the lights on the tower were illuminated.)
In any case, I decided to try some relatively tightly cropped photographs of the structure, some of which were much tighter than this one. But I got lucky, and some thin, fluffy clouds floated over in the midday light, producing a soft and glowing quality in the sky, and this seemed to contrast nicely with the start, strong, and dark form of the tower.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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