Tag Archives: tower

Building, Reflections

Building, Reflections
Portions of downtown San Francisco reflected in the windows of a tall building

Building, Reflections. San Francisco, California. February 3, 3017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Portions of downtown San Francisco reflected in the windows of a tall building

This is an urban landscape photograph — while the subject is quite different from natural landscapes, I think of it is ways that are at least partially similar. Superficially, the urban world of towers and canyons presents some possibilities that are related to the mountains and valleys that I photograph in the non-urban world; I think about light and form in similar ways; and the ways I view each type of landscape can’t help but inform how I view the other.

It was only a few years ago when I understood something that intrigues me about glass-covered buildings like this one. (Yes, I’m slow sometimes…) We feel like we are looking at a building in a photograph like this, but a good part of what we actually see is not the building at all, but its form made visible by means of reflections of its surroundings, including other buildings and the sky. Here some skeletal forms help define its shape, perhaps more so than with some other buildings, but between those elements the windows themselves mostly reflect things that are not the building itself


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Apartment Building, Reflections

Apartment Building, Reflections
Against the backdrop of a black tower, an apartment building reflects the urban environment

Apartment Building, Reflections. San Francisco, California. February 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Against the backdrop of a black tower, an apartment building reflects the urban environment

Since I spent a day in San Francisco last week, you can expect a group of architecture and street and similar photographs over the next few day, possibly intermixed with landscapes and nature for a few weeks!. I was there to see a particular installation at SFMOMA, the San Francisco Museum of Modern Art. I always take my camera, partly to photograph people at the museum, partly to photograph the building itself, and partly to take advantage of photographing the surrounding neighborhoods, especially from elevated vantage points at the museum.

The recent expansion of the museum added a new wing at the rear, with seven floors of exhibits and other services. (And, as I realized on this visit, several more floors above that which appear to be inaccessible to the public, unfortunately.) Several outdoor terraces and balconies provide interesting overlooks above the surrounding urban scene, and during my visit the light was very interesting, too — ranging from cloudy and rainy to occasionally clear, but often with at least some clouds softening the light. I’m fascinated by the juxtapositions of form and color in the dense field of surrounding buildings, including the contrast between light tones and reflection of the building on the right versus the dark, slick, and vaguely ominous black of the further building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Juniper, Massive Sandstone Cliffs

Juniper, Massive Sandstone Cliffs
Massive sandstone cliffs tower above a single juniper tree among boulders

Juniper, Massive Sandstone Cliffs. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

Massive sandstone cliffs tower above a single juniper tree among boulders

In the early evening, after a full day of photography that had begun in sub-freezing temperatures atop a remote ridge in Capitol Reef National Park, we found ourselves back in the more civilized regions, in a canyon served by a well-used road where a parking lot marked the jumping off point for trails that extended beyond the road end. We photographed here for a while, and as the canyon light faded we wandered back to our vehicle and loaded up to depart.

As we exited the mouth of the canyon and the terrain opened up, soft and subtle evening light glowed on the massive cliffs above. We had thought we were finished for the day, but we quickly reconsidered, pulling over and jumping out to retrieve cameras and tripods and find places from which to photograph in the diminishing light. I was intrigued by these huge, reddish blocks of sandstone standing against the base of a cliff of lighter rock, with a single juniper tree growing amongst the boulders.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Monolith, Storm Surf

Monolith, Storm Surf
Winter surf breaks against a monolith on a Northern California Beach

Monolith, Storm Surf. Above Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Winter surf breaks against a monolith on a Northern California Beach

On this day we gradually worked our way up the coast from Mendocino, through the town of Fort Bragg and on to where the coast highway, very narrow at this point, turns inland, leaving the coast behind as it travels up narrow, forested canyons. We had a particular spot in mind for photographs, a place where we have previously photographed pale, lichen-covered tree trunks in deep forest. The ideal light of this comes from overcast conditions and we certainly had that — but the lovely overcast soon turned into serious rain, and we decided to head back to the coast.

This was the sort of post-frontal rain that comes and goes. One moment there might be a bit of blue sky and some sunshine on the surface of the ocean; the next dark clouds would approach and we could see the approaching rain heading our direction. We stopped at this overlook as the rain let up a bit, giving us a more open view back up the dramatic coastline toward the mountains from which we had just retreated.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.