Tag Archives: towers

Tufa, Morning Reflections

Tufa, Morning Reflections
Tufa towers and morning light reflecting on the surface of Mono Lake

Tufa, Morning Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Tufa towers and morning light reflecting on the surface of Mono Lake

The tufa towers are often the first subjects that people think of when they consider photographing at this location. I’ve photographed them many times and in may ways — up close, at a distance, in silhouette, in all kinds of conditions and at all times of day. I still find them fascinating, but I’ve come to see the lake as being more about other features now.

The greatest impression I get from the lake is immense space. This comes partly from the sheer size of this landlocked lake, but it may also come from a combination of often seeing it from elevated viewpoints and from the open and sometimes cloud-filled sky. And at early and late times of day the water takes on colors of sky and surrounding mountains, ranging from brilliantly intense to quite subtle. These colors are interrupted when the wind produces patterns on the surface of the water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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South Beach Harbor, Morning

South Beach Harbor, Morning
Morning light on South Beach Harbor and buildings of downtown San Francisco

South Beach Harbor, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wheeler Cirque, Autumn Snow

Wheeler Cirque, Autumn Snow
Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

Wheeler Cirque, Autumn Snow. Great Basin National Park, Nevada. September 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

I often return to national parks and other places with which I have developed a personal relationship over a long period of time. But sometimes I do get to visit a brand new place, and I did just that during the last week or so of this year, when I spent five days making the long trip out to Great Basin National Park and back. When I go to a new area like this I intentionally avoid trying to find out too much about it ahead of time, preferring to begin a process of learning the place on my own terms. I already knew a bit about the Great Basin and the basin and range country, and I did look up the location on maps, though I did not take a detailed look at the maps of the park itself. I knew that the park is near the Nevada-Utah border, with Baker, NV being the closest “town,” that Wheeler peak is the second tallest point in Nevada, that there is a glacier nearby, that there are famous caves, and that I could camp along the main road into the park. I left the rest for discovery.

As I drove across highway 50 from California I was surprised to find recent snow on all of the major mountain ranges in Nevada, and by the time I got to Great Basin NP I knew that I would see it there, too. I made this photograph on my final day in the park. I spent the morning exploring a less-visited area accessible via a long gravel road. (Where I discovered, at the wrong time of day, where to find a lot of fall color!) After lunch I went up to the summit of the park road at 10,000’+ and hiked out to the bristlecone pine grove, traveling a good portion of the distance on snow. It was cold — up here in the upper 30s at times during the day — and the sun goes down earlier this time of year, so I set a turn-around time that would get me back to my car before nightfall. I made this photograph within five minutes of the end of my hike, as the late light was slanting across the peaks and cirque walls from low in the west, and as clouds were forming above the summit ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sunset, Carrizo Plain

Sunset, Carrizo Plain
A sunset view down toward the edge of the Temblor Hills toward Carrizo Plain, lakes, and distant mountains

Sunset, Carrizo Plain. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A sunset view down toward the edge of the Temblor Hills toward Carrizo Plain, lakes, and distant mountains

This has been — and likely will continue to be — and exceptional spring for California wildflower color. After an extended and historic drought that lasted roughly five years, the rainy season now coming to an end has been record-setting in the opposite direction. We’ve had floods, washing out highways, remarkable snowfall, and as of this week the state produced an all-time record for seasonal precipitation in portions of the norther Sierra Nevada. The natural world seems to have come back to life again, and in places that have been arid for the past few years we are now seeing lush green spring growth and lots of wildflowers.

Many of us decided to visit some of the interior locations where the seasonal grasslands can produce impressive wildflower blooms. On my way to Death Valley during the first week of April I detoured to join friends who were already in the Carrizo Plains region, and I managed to do one evening and one morning of photography there. On the first evening we found a somewhat remote area in the hills alongside the plain where we could see some large fields of flowers above, and we headed up into the hills to photograph them. From this elevation the views of the Plain opened up, and I made this photograph during the final minutes before sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.